(708,4,'2021-04-07 14:42:13','2021-04-07 18:42:13','<h5><strong><a href=\"https://www.eventbrite.com/e/new-date-todd-barry-tickets-97752772173\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong></h5>\r\n<h4>Deb Aronin presents Todd Barry</h4>\r\n<h2>TODD BARRY</h2>\r\n<p>Todd Barry has released three one-hour stand-up specials including his latest one for Netflix, Spicy Honey.</p>\r\n\r\n<p>He\'s appeared on The Late Show with Stephen Colbert ,The Late Show with David Letterman, Conan and Late Night With Seth Meyers and his acting credits include The Wrestler, Road Trip, Flight of the Concords, Chappelle\'s Show, Spin City, Sex and the City. You may have heard his voice on the animated series Bob’s Burgers, Dr. Katz, Professional Therapist, and Aqua Teen Hunger Force.</p>\r\n\r\n<p>Todd is also the author of the critically-acclaimed 2017 travel memoir Thank You For Coming To Hattiesburg.</p>\r\n\r\n<p><strong><a href=\"https://www.toddbarry.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a></strong></p>\r\n<p><strong><a href=\"http://www.facebook.com/pages/Todd-Barry/19232692936\" target=\"_blank\" rel=\"noopener\">Facebook</a></strong></p>\r\n<p><strong><a href=\"https://www.instagram.com/toddbarry/\" target=\"_blank\" rel=\"noopener\">Instagram</a></strong></p>\r\n<p><strong><a href=\"http://twitter.com/toddbarry\" target=\"_blank\" rel=\"noopener\">Twitter</a></strong></p>','TODD BARRY','','inherit','closed','closed','','699-revision-v1','','','2021-04-07 14:42:13','2021-04-07 18:42:13','',699,'https://motorcomusic.com/?p=708',0,'revision','',0),(709,4,'2021-04-07 14:44:55','2021-04-07 18:44:55','<h5><a href=\"https://www.eventbrite.com/e/southern-culture-on-the-skids-tickets-139034248179\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h5>\r\n<h2>SOUTHERN CULTURE ON THE SKIDS</h2>\r\n<div>Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O\'Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin\' out for the inmates at North Carolina correctional facilities. They\'ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed \"a hell raising rock and roll party.\"</div>\r\n<div>At Home with Southern Culture on the Skids is the latest full length album from the band and is due to drop into stores on March 12th. The album consists of 11 tracks recorded and mixed in Rick Miller\'s living room with some additional tracks recorded at his studio, The Kudzu Ranch.\r\nThe first radio single off the album is \"Run Baby Run\"—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she\'s gotta to go fast! Run Baby Run!</div>\r\n<div>The other songs on the album are a combination of the band\'s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls \"our wobbly Americana\". Rick goes on, \"We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on \"At Home With\" and let\'s hang out for a while.\"</div>','SOUTHERN CULTURE ON THE SKIDS','','inherit','closed','closed','','686-revision-v1','','','2021-04-07 14:44:55','2021-04-07 18:44:55','',686,'https://motorcomusic.com/?p=709',0,'revision','',0),(710,4,'2021-04-07 14:45:33','2021-04-07 18:45:33','<h5><a href=\"https://www.eventbrite.com/e/southern-culture-on-the-skids-tickets-139034248179\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h5>\r\n<h2>SOUTHERN CULTURE ON THE SKIDS</h2>\r\n<p>Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O\'Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin\' out for the inmates at North Carolina correctional facilities. They\'ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed \"a hell raising rock and roll party.\"</p>\r\n<p>At Home with Southern Culture on the Skids is the latest full length album from the band and is due to drop into stores on March 12th. The album consists of 11 tracks recorded and mixed in Rick Miller\'s living room with some additional tracks recorded at his studio, The Kudzu Ranch.</p>\r\n<p>The first radio single off the album is \"Run Baby Run\"—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she\'s gotta to go fast! Run Baby Run!</p>\r\n<p>The other songs on the album are a combination of the band\'s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls \"our wobbly Americana\". Rick goes on, \"We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on \"At Home With\" and let\'s hang out for a while.\"</p>','SOUTHERN CULTURE ON THE SKIDS','','inherit','closed','closed','','686-revision-v1','','','2021-04-07 14:45:33','2021-04-07 18:45:33','',686,'https://motorcomusic.com/?p=710',0,'revision','',0),(711,4,'2021-04-07 14:45:54','2021-04-07 18:45:54','<h5><a href=\"https://www.eventbrite.com/e/southern-culture-on-the-skids-tickets-139034248179\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h5>\r\n<h2>SOUTHERN CULTURE ON THE SKIDS</h2>\r\n<p>Southern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O\'Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin\' out for the inmates at North Carolina correctional facilities. They\'ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed \"a hell raising rock and roll party.\"</p>\r\n<p>At Home with Southern Culture on the Skids is the latest full length album from the band and is due to drop into stores on March 12th. The album consists of 11 tracks recorded and mixed in Rick Miller\'s living room with some additional tracks recorded at his studio, The Kudzu Ranch.</p>\r\n<p>The first radio single off the album is \"Run Baby Run\"—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she\'s gotta to go fast! Run Baby Run!</p>\r\n<p>The other songs on the album are a combination of the band\'s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls \"our wobbly Americana\". Rick goes on, \"We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on \"At Home With\" and let\'s hang out for a while.\"</p>','SOUTHERN CULTURE ON THE SKIDS','','inherit','closed','closed','','686-autosave-v1','','','2021-04-07 14:45:54','2021-04-07 18:45:54','',686,'https://motorcomusic.com/?p=711',0,'revision','',0),(713,4,'2021-04-07 14:54:12','2021-04-07 18:54:12','<h4>Crank it Loud presents Party ‘Til We Break” tour featuring THE CYBERTRONIC SPREE</h4>\r\n<h2>THE CYBERTRONIC SPREE</h2>\r\n<p>More than meets the eye, The Cybertronic Spree are here on Earth with one critical mission: To party like it’s 1986! This band of Transformers has been brought together by the power of rock ’n roll and they can’t be stopped. Join Hotrod, Arcee, Rumble, Unicron, Soundwave, Bumblebee, Shockwave and a Quintesson as they prove they’ve got the power to light your darkest hour. Known across the galaxy for having cast aside their warring factions in the search for the ultimate party, these rockstars in disguise play music from The Transformers: The Movie, hit film and anime songs, and video game covers. They blend their love for the ’80s and ’80s metal into an energon-fueled, unforgettable live show!</p>\r\n<p><a href=\"http://thecybertronicspree.com\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Official Website</strong></a></p>\r\n<p><a href=\"http://facebook.com/thecybertronicspree\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Facebook</strong></a></p>\r\n<p><a href=\"http://instagram.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Instagram</strong></a></p>\r\n<p><a href=\"http://twitter.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Twitter</strong></a></p>\r\n<p><a href=\"http://thecybertronicspree.bandcamp.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Bandcamp</strong></a></p>\r\n','THE CYBERTRONIC SPREE','','inherit','closed','closed','','453-revision-v1','','','2021-04-07 14:54:12','2021-04-07 18:54:12','',453,'https://motorcomusic.com/?p=713',0,'revision','',0),(716,4,'2021-04-07 14:57:24','2021-04-07 18:57:24','<strong><a href=\"https://www.eventbrite.com/e/party-til-we-break-featuring-the-cybertronic-spree-tickets-92252013255\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong>\r\n<h4>Crank it Loud presents Party ‘Til We Break” tour featuring THE CYBERTRONIC SPREE</h4>\r\n<h2>THE CYBERTRONIC SPREE</h2>\r\n<p>More than meets the eye, The Cybertronic Spree are here on Earth with one critical mission: To party like it’s 1986! This band of Transformers has been brought together by the power of rock ’n roll and they can’t be stopped. Join Hotrod, Arcee, Rumble, Unicron, Soundwave, Bumblebee, Shockwave and a Quintesson as they prove they’ve got the power to light your darkest hour. Known across the galaxy for having cast aside their warring factions in the search for the ultimate party, these rockstars in disguise play music from The Transformers: The Movie, hit film and anime songs, and video game covers. They blend their love for the ’80s and ’80s metal into an energon-fueled, unforgettable live show!</p>\r\n<p><a href=\"http://thecybertronicspree.com\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Official Website</strong></a></p>\r\n<p><a href=\"http://facebook.com/thecybertronicspree\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Facebook</strong></a></p>\r\n<p><a href=\"http://instagram.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Instagram</strong></a></p>\r\n<p><a href=\"http://twitter.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Twitter</strong></a></p>\r\n<p><a href=\"http://thecybertronicspree.bandcamp.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Bandcamp</strong></a></p>\r\n','THE CYBERTRONIC SPREE','','inherit','closed','closed','','453-revision-v1','','','2021-04-07 14:57:24','2021-04-07 18:57:24','',453,'https://motorcomusic.com/?p=716',0,'revision','',0),(718,4,'2021-04-07 15:04:57','2021-04-07 19:04:57','<h5><a href=\"https://www.eventbrite.com/e/hot-mulligan-heart-attack-man-meet-me-the-altar-super-american-tickets-92221873105\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h5>\r\n<h4>FBT presents HOT MULLIGAN with HEART ATTACK MAN / MEET ME @ THE ALTAR / SUPER AMERICAN</h4>\r\n<h2>HOT MULLIGAN</h2>\r\n<p>Hot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.</p>\r\n\r\n<p>On their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.</p>\r\n\r\n<p><a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a></p>\r\n\r\n<p><a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a></p>\r\n\r\n<p><a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a></p>\r\n\r\n<p><a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a></p>\r\n\r\n<p><a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a></p>\r\n\r\n<div><img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96239942%2F282946456193%2F1%2Foriginal.20200310-214653?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=47be0afbecdf412a890f1f5594628ef6\" /></div>\r\n\r\n<hr />\r\n\r\n<h3>HEART ATTACK MAN</h3>\r\n<p>Heart Attack Man was birthed by the combustion of dark cosmic forces that have been swirling in my mind since the days of old. Alongside Adam Paduch since the beginning, this ancient and powerful energy spawned two EPs, as well as our debut album The Manson Family, whereupon Seamus Groman and Tyler Sickels joined us on our journey of extensive touring, with an intensity and velocity identical to the combustion of forces that begat this band.   As stated in Newton’s Third Law of Motion; for every action, there is an equal and opposite reaction. Despite the unbelievable power that Heart Attack Man wields, we are not exempt from the laws of physics; and the equal, opposite reaction pushing against us has certainly shaped us.   Against this reaction, we’ve carved out our own path—our own niche—connecting with an enthusiastic following, as well as releasing singles 100 mg (Millennial), 99%, and Boring in the thermal trail emanating from The Manson Family.  Riding along this seismic wave through the simulation, the creative energy has only gotten darker and more intense; leading to the creation of our sophomore album Fake Blood.   Picking up right where The Manson Family left off, Fake Blood is a refined offering that is both musically and thematically more calculated than ever before. The downtrodden confusion of The Manson Family has festered into anger and frustration, and the ransom has been increased.</p>\r\n\r\n<p><a href=\"http://official.heartattackman.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a></p>\r\n\r\n<p><a href=\"https://heartattackman.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a></p>\r\n\r\n<p><a href=\"https://www.facebook.com/heartattackmane/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a></p>\r\n\r\n<p><a href=\"https://twitter.com/HeartAttackMane\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a></p>\r\n\r\n<p><a href=\"https://www.instagram.com/heartattackmon/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a></p>\r\n\r\n<div><img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96242540%2F282946456193%2F1%2Foriginal.20200310-220807?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=198a03d7405c29cfe7a8fa0e000f6f36\" /></div>\r\n\r\n<hr />\r\n\r\n<h3>MEET ME @ THE ALTAR</h3>\r\n<p>Meet Me @ The Altar is a energetic WOC pop punk band, consisting of guitarist Téa Campbell (Florida), drummer Ada Juarez (New Jersey), and lead singer Edith Johnson (Georgia).</p>\r\n<p><a href=\"https://www.meetmeatthealtar.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a></p>\r\n\r\n<p><a href=\"https://mmata.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a></p>\r\n\r\n<p><a href=\"https://www.facebook.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a></p>\r\n\r\n<p><a href=\"https://twitter.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a></p>\r\n\r\n<p><a href=\"https://www.instagram.com/mmataband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a></p>\r\n\r\n<div><img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F114815559%2F285702372506%2F1%2Foriginal.20201015-181938?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=457ad7c5f414ddb69ddcabf6ea9f6441\" /></div>\r\n\r\n<hr />\r\n\r\n<h3>SUPER AMERICAN</h3>\r\n<p>Super American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.</p>\r\n\r\n<p><a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a></p>\r\n\r\n<p><a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a></p>\r\n\r\n<p><a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a></p>\r\n\r\n<div><img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96245628%2F282946456193%2F1%2Foriginal.20200310-223407?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=81ec7decdce921f1eb7fd1724cb5062b\" /></div>\r\n','HOT MULLIGAN','','inherit','closed','closed','','464-revision-v1','','','2021-04-07 15:04:57','2021-04-07 19:04:57','',464,'https://motorcomusic.com/?p=718',0,'revision','',0),(719,4,'2021-04-07 15:46:17','2021-04-07 19:46:17','<h4><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h4>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live, and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n<blockquote>“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”— <strong><em>New York Times</em></strong></blockquote>\r\n<a href=\"https://www.facebook.com/neilhamburger/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hamburgerneil\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/NeilHamburger\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','NEIL HAMBURGER','','publish','open','closed','','neil-hamburger','','','2021-04-27 11:49:55','2021-04-27 15:49:55','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=719',0,'tribe_events','',0),(720,4,'2021-04-07 15:15:57','2021-04-07 19:15:57','<h5>BUY TICKETS HERE</h5>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 15:15:57','2021-04-07 19:15:57','',719,'https://motorcomusic.com/?p=720',0,'revision','',0),(721,4,'2021-04-07 15:31:16','2021-04-07 19:31:16','<h5>BUY TICKETS HERE</h5>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<a href=\"https://www.facebook.com/neilhamburger/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/hamburgerneil\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com.neilhamburger/\" rel=\"noopener\" target=\"_blank\">Twitter</a>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 15:31:16','2021-04-07 19:31:16','',719,'https://motorcomusic.com/?p=721',0,'revision','',0),(722,4,'2021-04-07 15:31:40','2021-04-07 19:31:40','<h5>BUY TICKETS HERE</h5>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/neilhamburger/\" rel=\"noopener\" target=\"_blank\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/hamburgerneil\" rel=\"noopener\" target=\"_blank\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com.neilhamburger/\" rel=\"noopener\" target=\"_blank\">Twitter</a></strong>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 15:31:40','2021-04-07 19:31:40','',719,'https://motorcomusic.com/?p=722',0,'revision','',0),(723,4,'2021-04-07 15:32:23','2021-04-07 19:32:23','','Neil-Hamburger','','inherit','open','closed','','neil-hamburger','','','2021-04-07 15:32:23','2021-04-07 19:32:23','',719,'https://motorcomusic.com/wp-content/uploads/2021/04/Neil-Hamburger.jpeg',0,'attachment','image/jpeg',0),(724,4,'2021-04-07 15:46:55','2021-04-07 19:46:55','<h5><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h5>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/neilhamburger/\" rel=\"noopener\" target=\"_blank\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/hamburgerneil\" rel=\"noopener\" target=\"_blank\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com.neilhamburger/\" rel=\"noopener\" target=\"_blank\">Twitter</a></strong>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 15:46:55','2021-04-07 19:46:55','',719,'https://motorcomusic.com/?p=724',0,'revision','',0),(725,4,'2021-04-07 15:48:24','2021-04-07 19:48:24','<h5><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h5>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/neilhamburger/\" rel=\"noopener\" target=\"_blank\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/hamburgerneil\" rel=\"noopener\" target=\"_blank\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com/NeilHamburger\" rel=\"noopener\" target=\"_blank\">Twitter</a></strong>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 15:48:24','2021-04-07 19:48:24','',719,'https://motorcomusic.com/?p=725',0,'revision','',0),(726,4,'2021-04-07 16:21:51','2021-04-07 20:21:51','<h4><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h4>\r\n\r\n<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\"><strong>Youtube</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\"><strong>YouTube</strong></a>','OKILLY DOKILLY / Steaksauce Mustache','','publish','open','closed','','okilly-dokilly-steaksauce-mustache','','','2021-04-08 09:04:11','2021-04-08 13:04:11','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=726',0,'tribe_events','',0),(727,4,'2021-04-07 15:58:28','2021-04-07 19:58:28','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\nInstagram\r\n\r\nTwitter\r\n\r\nYoutube','OKILLY DOKILLY','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 15:58:28','2021-04-07 19:58:28','',726,'https://motorcomusic.com/?p=727',0,'revision','',0),(728,4,'2021-04-07 16:11:15','2021-04-07 20:11:15','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"http://instagram.com/nedalband\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>','OKILLY DOKILLY','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:11:15','2021-04-07 20:11:15','',726,'https://motorcomusic.com/?p=728',0,'revision','',0),(729,4,'2021-04-07 16:13:44','2021-04-07 20:13:44','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"http://instagram.com/nedalband\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:13:44','2021-04-07 20:13:44','',726,'https://motorcomusic.com/?p=729',0,'revision','',0),(730,4,'2021-04-07 16:15:12','2021-04-07 20:15:12','','Okilly-Dokilly-feature','','inherit','open','closed','','okilly-dokilly-feature','','','2021-04-07 16:15:12','2021-04-07 20:15:12','',726,'https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-feature.jpg',0,'attachment','image/jpeg',0),(731,4,'2021-04-07 16:15:35','2021-04-07 20:15:35','','Okilly-Dokilly','Okilly Dokilly','inherit','open','closed','','okilly-dokilly','','','2021-04-07 16:20:29','2021-04-07 20:20:29','',726,'https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly.jpg',0,'attachment','image/jpeg',0),(732,4,'2021-04-07 16:15:56','2021-04-07 20:15:56','','Steaksauce-Mustache','','inherit','open','closed','','steaksauce-mustache','','','2021-04-07 16:15:56','2021-04-07 20:15:56','',726,'https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache.jpg',0,'attachment','image/jpeg',0),(733,4,'2021-04-07 16:16:14','2021-04-07 20:16:14','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-731\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"http://instagram.com/nedalband\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:16:14','2021-04-07 20:16:14','',726,'https://motorcomusic.com/?p=733',0,'revision','',0),(734,4,'2021-04-07 16:17:12','2021-04-07 20:17:12','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly.jpg\" alt=\"\" width=\"720\" height=\"480\" class=\"alignnone size-full wp-image-731\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"http://instagram.com/nedalband\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:17:12','2021-04-07 20:17:12','',726,'https://motorcomusic.com/?p=734',0,'revision','',0),(735,4,'2021-04-07 16:19:19','2021-04-07 20:19:19','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly.jpg\" alt=\"\" width=\"720\" height=\"480\" class=\"alignnone size-full wp-image-731\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:19:19','2021-04-07 20:19:19','',726,'https://motorcomusic.com/?p=735',0,'revision','',0),(736,4,'2021-04-07 16:20:33','2021-04-07 20:20:33','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n[caption id=\"attachment_731\" align=\"alignnone\" width=\"300\"]<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"size-medium wp-image-731\" /> Okilly Dokilly[/caption]\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:20:33','2021-04-07 20:20:33','',726,'https://motorcomusic.com/?p=736',0,'revision','',0),(737,4,'2021-04-07 16:21:20','2021-04-07 20:21:20','<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"size-medium wp-image-731\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:21:20','2021-04-07 20:21:20','',726,'https://motorcomusic.com/?p=737',0,'revision','',0),(739,4,'2021-04-07 16:54:08','2021-04-07 20:54:08','<h4><a href=\"https://www.eventbrite.com/e/new-date-fu-manchu-speedealer-tickets-89777361505\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h4>\r\n\r\n<h3>Fu Manchu 30th Anniversary Tour with Speedealer</h3>\r\n\r\n<h2>FU MANCHU</h2>\r\n\r\nOriginally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following, helped give rise to a celebrated style of heavy music tagged “stoner rock” alongside peers such as Kyuss, Monster Magnet and Sleep. Since its inception, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s ridiculously catchy, unpretentious music, guitar-driven sound and carefree lyrics centered on “old muscle cars, choppers, vans, skateboarding and science fiction.” Over their career, the band has released 11 albums and has performed to sold out audiences all over the world.\r\n\r\n<em>“a transcendent distillation of Seventies rock heaviness and Eighties punk aggression…what Black Sabbath would sound like with suntans and a fleet of dune buggies at their disposal…the ultimate desert-rock ”</em> - ROLLING STONE\r\n<p data-key=\"147\"><span data-key=\"148\"><em>“stoner-rock icons… unyielding, heavy-rock”</em> - SPIN</span></p>\r\n<em>“melodic smoke-soaked bluesy-metal”</em> - THE NEW YORK TIMES\r\n\r\n<em>“Invoking the legendary thunder of Blue Cheer as well as the clanging cowbell boogie of Mountain, this quartet creates a near-perfect facsimile of circa-‘71 heavy rock. ”</em> – ENTERTAINMENT WEEKLY\r\n\r\n<em>“flawless…(a) Frankenstein monster from the discarded body parts of Black Sabbath and less obvious influences such as ZZ Top, Devo and the Cars.”</em> – MTV NEWS\r\n\r\n<em>“The amped-up sounds of four asphalt-tearin’, Vans-wearin‘ dudes engrossed in their perpetual search for the perfect wave and the perfect riff. The music of FU MANCHU may be loud and unruly enough to send your average pop geek ducking for cover behind a stack of Emitt Rhodes LPs, but it’s also as purely Californian as anything Brian Wilson ever recorded. ”</em> – LA WEEKLY\r\n\r\n“In the great scheme of things, FU MANCHU stands proud in the decades-old tradition of cock-rock, a lineage which includes the likes of Grand Funk Railroad, Black Sabbath, Def Leppard, Masters Of Reality, Quicksand, ad infinitum…a stiff dose of full-on hedonism to wash away the bad taste of bland alternative bands.” – THE ONION\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fu-Manchu-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-752\" />\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"http://www.instagram.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SPEEDEALER</h2>\r\n\r\nSpeedealer originally formed in 1994 in Lubbock, TX, under the name REO Speedealer. When REO Speedwagon served the band a cease-and-desist order on their moniker, they shortened their name to Speedealer.\r\n\r\nIn 1998, the band released their debut, self-titled album on Royalty Records. The following year, the hard rocking foursome -- made up of singer/guitarist Jeff Hirshberg, bassist Rodney Skelton, drummer Harden Harrison, and guitarist Eric Schmidt -- released their follow-up record, Here Comes Death, on the same label. Royalty Records went bankrupt soon after the band\'s second release, leaving Speedealer to their own devices for exposure. Label-less and musically driven, they played 309 shows in 1999 to stay in the public eye, pairing up with such like-minded, aggressive rockers as Zeke, Fu Manchu, Neurosis, and GWAR. Speedealer\'s efforts finally paid off when Palm Records &amp; man Michael Alago (who signed Metallica to Elektra and White Zombie to Geffen) contracted the band to his label. Palm Records re-released Here Comes Death in 2000, and Second Sight in 2002.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Speedealer-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-753\" />\r\n\r\n<a href=\"http://speedealerband.com/\" rel=\"noopener\" target=\"_blank\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://twitter.com/Speedealerband\" rel=\"noopener\" target=\"_blank\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/Speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','FU MANCHU / Speedealer','','publish','open','closed','','fu-manchu-speedealer','','','2021-04-08 09:14:10','2021-04-08 13:14:10','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=739',0,'tribe_events','',0),(740,4,'2021-04-07 16:30:46','2021-04-07 20:30:46','<h5><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h3>\n<h2>OKILLY DOKILLY</h5>\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\n\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\n\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\n\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\n\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\">Official Website</a>\n\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\">Facebook</a>\n\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\n\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\n\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\n\n<hr />\n\n<h2>STEAKSAUCE MUSTACHE</h2>\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\n\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\n\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\">Website</a>\n\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\n\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\n\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\n\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\"><strong>YouTube</strong></a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-autosave-v1','','','2021-04-07 16:30:46','2021-04-07 20:30:46','',726,'https://motorcomusic.com/?p=740',0,'revision','',0),(741,4,'2021-04-07 16:25:46','2021-04-07 20:25:46','<strong><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></strong>\r\n\r\n<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"size-medium wp-image-731\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-732\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" rel=\"noopener\" target=\"_blank\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" rel=\"noopener\" target=\"_blank\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:25:46','2021-04-07 20:25:46','',726,'https://motorcomusic.com/?p=741',0,'revision','',0),(742,4,'2021-04-07 16:26:32','2021-04-07 20:26:32','<strong><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong>\r\n<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:26:32','2021-04-07 20:26:32','',726,'https://motorcomusic.com/?p=742',0,'revision','',0),(743,4,'2021-04-07 16:27:00','2021-04-07 20:27:00','<h3><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h3>\r\n<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\">Twitter</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\">Youtube</a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\">Website</a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\">YouTube</a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:27:00','2021-04-07 20:27:00','',726,'https://motorcomusic.com/?p=743',0,'revision','',0),(745,4,'2021-04-07 16:31:18','2021-04-07 20:31:18','<h5><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h3>\r\n<h2>OKILLY DOKILLY</h5>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\"><strong>Official Website<</strong>/a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\"><strong>Youtube</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\"><strong>YouTube</strong></a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:31:18','2021-04-07 20:31:18','',726,'https://motorcomusic.com/?p=745',0,'revision','',0),(746,4,'2021-04-07 16:31:53','2021-04-07 20:31:53','<h5><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h3>\r\n<h2>OKILLY DOKILLY</h5>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\"><strong>Youtube</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\"><strong>YouTube</strong></a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-07 16:31:53','2021-04-07 20:31:53','',726,'https://motorcomusic.com/?p=746',0,'revision','',0),(747,4,'2021-04-07 16:32:55','2021-04-07 20:32:55','<h4><strong><a href=\"https://www.eventbrite.com/e/new-date-todd-barry-tickets-97752772173\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong></h5>\r\n<h3>Deb Aronin presents Todd Barry</h3>\r\n<h2>TODD BARRY</h2>\r\n<p>Todd Barry has released three one-hour stand-up specials including his latest one for Netflix, Spicy Honey.</p>\r\n\r\n<p>He\'s appeared on The Late Show with Stephen Colbert ,The Late Show with David Letterman, Conan and Late Night With Seth Meyers and his acting credits include The Wrestler, Road Trip, Flight of the Concords, Chappelle\'s Show, Spin City, Sex and the City. You may have heard his voice on the animated series Bob’s Burgers, Dr. Katz, Professional Therapist, and Aqua Teen Hunger Force.</p>\r\n\r\n<p>Todd is also the author of the critically-acclaimed 2017 travel memoir Thank You For Coming To Hattiesburg.</p>\r\n\r\n<p><strong><a href=\"https://www.toddbarry.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a></strong></p>\r\n<p><strong><a href=\"http://www.facebook.com/pages/Todd-Barry/19232692936\" target=\"_blank\" rel=\"noopener\">Facebook</a></strong></p>\r\n<p><strong><a href=\"https://www.instagram.com/toddbarry/\" target=\"_blank\" rel=\"noopener\">Instagram</a></strong></p>\r\n<p><strong><a href=\"http://twitter.com/toddbarry\" target=\"_blank\" rel=\"noopener\">Twitter</a></strong></p>','TODD BARRY','','inherit','closed','closed','','699-revision-v1','','','2021-04-07 16:32:55','2021-04-07 20:32:55','',699,'https://motorcomusic.com/?p=747',0,'revision','',0),(748,4,'2021-04-07 16:34:25','2021-04-07 20:34:25','<h4><strong><a href=\"https://www.eventbrite.com/e/new-date-todd-barry-tickets-97752772173\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong></h5>\n\n<h3>Deb Aronin presents Todd Barry</h3>\n\n<h2>TODD BARRY</h2>\nTodd Barry has released three one-hour stand-up specials including his latest one for Netflix, Spicy Honey.\n\nHe\'s appeared on The Late Show with Stephen Colbert ,The Late Show with David Letterman, Conan and Late Night With Seth Meyers and his acting credits include The Wrestler, Road Trip, Flight of the Concords, Chappelle\'s Show, Spin City, Sex and the City. You may have heard his voice on the animated series Bob’s Burgers, Dr. Katz, Professional Therapist, and Aqua Teen Hunger Force.\n\nTodd is also the author of the critically-acclaimed 2017 travel memoir Thank You For Coming To Hattiesburg.\n\n<a href=\"https://www.toddbarry.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\n\n<a href=\"http://www.facebook.com/pages/Todd-Barry/19232692936\" target=\"_blank\" rel=\"noopener\">Facebook</a>\n\n<a href=\"https://www.instagram.com/toddbarry/\" target=\"_blank\" rel=\"noopener\">Instagram</a></strong></p>\n<p><strong><a href=\"http://twitter.com/toddbarry\" target=\"_blank\" rel=\"noopener\">Twitter</a></strong></p>','TODD BARRY','','inherit','closed','closed','','699-autosave-v1','','','2021-04-07 16:34:25','2021-04-07 20:34:25','',699,'https://motorcomusic.com/?p=748',0,'revision','',0),(749,4,'2021-04-07 16:34:58','2021-04-07 20:34:58','<h4><strong><a href=\"https://www.eventbrite.com/e/new-date-todd-barry-tickets-97752772173\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong></h5>\r\n\r\n<h3>Deb Aronin presents Todd Barry</h3>\r\n\r\n<h2>TODD BARRY</h2>\r\nTodd Barry has released three one-hour stand-up specials including his latest one for Netflix, Spicy Honey.\r\n\r\nHe\'s appeared on The Late Show with Stephen Colbert ,The Late Show with David Letterman, Conan and Late Night With Seth Meyers and his acting credits include The Wrestler, Road Trip, Flight of the Concords, Chappelle\'s Show, Spin City, Sex and the City. You may have heard his voice on the animated series Bob’s Burgers, Dr. Katz, Professional Therapist, and Aqua Teen Hunger Force.\r\n\r\nTodd is also the author of the critically-acclaimed 2017 travel memoir Thank You For Coming To Hattiesburg.\r\n\r\n<a href=\"https://www.toddbarry.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/pages/Todd-Barry/19232692936\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/toddbarry/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/toddbarry\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','TODD BARRY','','inherit','closed','closed','','699-revision-v1','','','2021-04-07 16:34:58','2021-04-07 20:34:58','',699,'https://motorcomusic.com/?p=749',0,'revision','',0),(750,4,'2021-04-07 16:51:40','2021-04-07 20:51:40','<h4><a href=\"https://www.eventbrite.com/e/new-date-fu-manchu-speedealer-tickets-89777361505\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h4>\r\n<h3>Fu Manchu 30th Anniversary Tour with Speedealer</h3>\r\n<h2>FU MANCHU</h2>\r\nOriginally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following, helped give rise to a celebrated style of heavy music tagged “stoner rock” alongside peers such as Kyuss, Monster Magnet and Sleep. Since its inception, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s ridiculously catchy, unpretentious music, guitar-driven sound and carefree lyrics centered on “old muscle cars, choppers, vans, skateboarding and science fiction.” Over their career, the band has released 11 albums and has performed to sold out audiences all over the world.\r\n\r\n<em>“a transcendent distillation of Seventies rock heaviness and Eighties punk aggression…what Black Sabbath would sound like with suntans and a fleet of dune buggies at their disposal…the ultimate desert-rock ”</em> - ROLLING STONE\r\n<p data-key=\"147\"><span data-key=\"148\"><em>“stoner-rock icons… unyielding, heavy-rock”</em> - SPIN</span></p>\r\n<em>“melodic smoke-soaked bluesy-metal”</em> - THE NEW YORK TIMES\r\n\r\n<em>“Invoking the legendary thunder of Blue Cheer as well as the clanging cowbell boogie of Mountain, this quartet creates a near-perfect facsimile of circa-‘71 heavy rock. ”</em> – ENTERTAINMENT WEEKLY\r\n\r\n<em>“flawless…(a) Frankenstein monster from the discarded body parts of Black Sabbath and less obvious influences such as ZZ Top, Devo and the Cars.”</em> – MTV NEWS\r\n\r\n<em>“The amped-up sounds of four asphalt-tearin’, Vans-wearin‘ dudes engrossed in their perpetual search for the perfect wave and the perfect riff. The music of FU MANCHU may be loud and unruly enough to send your average pop geek ducking for cover behind a stack of Emitt Rhodes LPs, but it’s also as purely Californian as anything Brian Wilson ever recorded. ”</em> – LA WEEKLY\r\n\r\n“In the great scheme of things, FU MANCHU stands proud in the decades-old tradition of cock-rock, a lineage which includes the likes of Grand Funk Railroad, Black Sabbath, Def Leppard, Masters Of Reality, Quicksand, ad infinitum…a stiff dose of full-on hedonism to wash away the bad taste of bland alternative bands.” – THE ONION\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"http://www.instagram.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SPEEDEALER</h2>\r\nSpeedealer originally formed in 1994 in Lubbock, TX, under the name REO Speedealer. When REO Speedwagon served the band a cease-and-desist order on their moniker, they shortened their name to Speedealer.\r\n\r\nIn 1998, the band released their debut, self-titled album on Royalty Records. The following year, the hard rocking foursome -- made up of singer/guitarist Jeff Hirshberg, bassist Rodney Skelton, drummer Harden Harrison, and guitarist Eric Schmidt -- released their follow-up record, Here Comes Death, on the same label. Royalty Records went bankrupt soon after the band\'s second release, leaving Speedealer to their own devices for exposure. Label-less and musically driven, they played 309 shows in 1999 to stay in the public eye, pairing up with such like-minded, aggressive rockers as Zeke, Fu Manchu, Neurosis, and GWAR. Speedealer\'s efforts finally paid off when Palm Records &amp; man Michael Alago (who signed Metallica to Elektra and White Zombie to Geffen) contracted the band to his label. Palm Records re-released Here Comes Death in 2000, and Second Sight in 2002.\r\n\r\n<a href=\"http://speedealerband.com/\" rel=\"noopener\" target=\"_blank\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://twitter.com/Speedealerband\" rel=\"noopener\" target=\"_blank\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/Speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','FU MANCHU / Speedealer','','inherit','closed','closed','','739-revision-v1','','','2021-04-07 16:51:40','2021-04-07 20:51:40','',739,'https://motorcomusic.com/?p=750',0,'revision','',0),(751,4,'2021-04-07 16:53:32','2021-04-07 20:53:32','','FU-30','','inherit','open','closed','','fu-30','','','2021-04-07 16:53:32','2021-04-07 20:53:32','',739,'https://motorcomusic.com/wp-content/uploads/2021/04/FU-30.jpg',0,'attachment','image/jpeg',0),(752,4,'2021-04-07 16:53:50','2021-04-07 20:53:50','','Fu-Manchu','','inherit','open','closed','','fu-manchu','','','2021-04-07 16:53:50','2021-04-07 20:53:50','',739,'https://motorcomusic.com/wp-content/uploads/2021/04/Fu-Manchu.jpg',0,'attachment','image/jpeg',0),(753,4,'2021-04-07 16:54:05','2021-04-07 20:54:05','','Speedealer','','inherit','open','closed','','speedealer','','','2021-04-07 16:54:05','2021-04-07 20:54:05','',739,'https://motorcomusic.com/wp-content/uploads/2021/04/Speedealer.jpg',0,'attachment','image/jpeg',0),(754,4,'2021-04-07 16:54:08','2021-04-07 20:54:08','<h4><a href=\"https://www.eventbrite.com/e/new-date-fu-manchu-speedealer-tickets-89777361505\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h4>\r\n\r\n<h3>Fu Manchu 30th Anniversary Tour with Speedealer</h3>\r\n\r\n<h2>FU MANCHU</h2>\r\n\r\nOriginally formed in 1985 as a Black Flag-influenced hardcore punk band called Virulence, FU MANCHU has since become one of hard rock’s most celebrated names. The band released its first single “Kept Between Trees” in 1990 and in the years following, helped give rise to a celebrated style of heavy music tagged “stoner rock” alongside peers such as Kyuss, Monster Magnet and Sleep. Since its inception, the quartet has built itself a fanatical army of loyal enthusiasts all drawn to the group’s ridiculously catchy, unpretentious music, guitar-driven sound and carefree lyrics centered on “old muscle cars, choppers, vans, skateboarding and science fiction.” Over their career, the band has released 11 albums and has performed to sold out audiences all over the world.\r\n\r\n<em>“a transcendent distillation of Seventies rock heaviness and Eighties punk aggression…what Black Sabbath would sound like with suntans and a fleet of dune buggies at their disposal…the ultimate desert-rock ”</em> - ROLLING STONE\r\n<p data-key=\"147\"><span data-key=\"148\"><em>“stoner-rock icons… unyielding, heavy-rock”</em> - SPIN</span></p>\r\n<em>“melodic smoke-soaked bluesy-metal”</em> - THE NEW YORK TIMES\r\n\r\n<em>“Invoking the legendary thunder of Blue Cheer as well as the clanging cowbell boogie of Mountain, this quartet creates a near-perfect facsimile of circa-‘71 heavy rock. ”</em> – ENTERTAINMENT WEEKLY\r\n\r\n<em>“flawless…(a) Frankenstein monster from the discarded body parts of Black Sabbath and less obvious influences such as ZZ Top, Devo and the Cars.”</em> – MTV NEWS\r\n\r\n<em>“The amped-up sounds of four asphalt-tearin’, Vans-wearin‘ dudes engrossed in their perpetual search for the perfect wave and the perfect riff. The music of FU MANCHU may be loud and unruly enough to send your average pop geek ducking for cover behind a stack of Emitt Rhodes LPs, but it’s also as purely Californian as anything Brian Wilson ever recorded. ”</em> – LA WEEKLY\r\n\r\n“In the great scheme of things, FU MANCHU stands proud in the decades-old tradition of cock-rock, a lineage which includes the likes of Grand Funk Railroad, Black Sabbath, Def Leppard, Masters Of Reality, Quicksand, ad infinitum…a stiff dose of full-on hedonism to wash away the bad taste of bland alternative bands.” – THE ONION\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fu-Manchu-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-752\" />\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/FuManchuBand\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"http://www.instagram.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/fumanchuband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SPEEDEALER</h2>\r\n\r\nSpeedealer originally formed in 1994 in Lubbock, TX, under the name REO Speedealer. When REO Speedwagon served the band a cease-and-desist order on their moniker, they shortened their name to Speedealer.\r\n\r\nIn 1998, the band released their debut, self-titled album on Royalty Records. The following year, the hard rocking foursome -- made up of singer/guitarist Jeff Hirshberg, bassist Rodney Skelton, drummer Harden Harrison, and guitarist Eric Schmidt -- released their follow-up record, Here Comes Death, on the same label. Royalty Records went bankrupt soon after the band\'s second release, leaving Speedealer to their own devices for exposure. Label-less and musically driven, they played 309 shows in 1999 to stay in the public eye, pairing up with such like-minded, aggressive rockers as Zeke, Fu Manchu, Neurosis, and GWAR. Speedealer\'s efforts finally paid off when Palm Records &amp; man Michael Alago (who signed Metallica to Elektra and White Zombie to Geffen) contracted the band to his label. Palm Records re-released Here Comes Death in 2000, and Second Sight in 2002.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Speedealer-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" class=\"alignnone size-medium wp-image-753\" />\r\n\r\n<a href=\"http://speedealerband.com/\" rel=\"noopener\" target=\"_blank\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://twitter.com/Speedealerband\" rel=\"noopener\" target=\"_blank\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/Speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/speedealerband/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','FU MANCHU / Speedealer','','inherit','closed','closed','','739-revision-v1','','','2021-04-07 16:54:08','2021-04-07 20:54:08','',739,'https://motorcomusic.com/?p=754',0,'revision','',0),(756,4,'2021-04-07 17:03:03','2021-04-07 21:03:03','<!-- wp:heading -->\n<h2>During Covid19...</h2>\n<!-- /wp:heading -->\n\n<p><a href=\"https://partsnlabor.com\"><strong>Parts &amp; Labor </strong><strong>Socially Distanced Patio and our Indoor/Outdoor Veranda Space are both open </strong></a><a href=\"https://partsnlabor.com\"><strong>PLUS we have curbside take-out! </strong></a><br />Tuesday – Friday: from 3:00 pm – 10:00 pm<br />Saturday &amp; Sundays: Noon – 10:00 pm</p>\n<p><span style=\"font-size: inherit;\">Please go to </span><a style=\"font-size: inherit;\" href=\"https://partsnlabor.com\">https://partsnlabor.com</a><span style=\"font-size: inherit;\"> for our online and take-out menu.</span></p>\n\n<!-- wp:paragraph -->\n<p>Motorco with Parts &amp; Labor<br>723 Rigsbee Ave<br>Durham, NC 27701, US<br><a href=\"tel:+1 919-901-0875\">+1 919-901-0875</a><br><a href=\"mailto:square@motorcomusic.com\">info@partsnlabor.com</a></p>\n<!-- /wp:paragraph -->\n\n<!-- wp:paragraph -->\n<p>(Note: we do not offer reservations)</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:heading -->\n<h2>Patio &amp; Veranda Policies</h2>\n<!-- /wp:heading -->\n\n<!-- wp:paragraph -->\n<p>Our <strong>Socially Distanced Patio</strong> and <strong>Indoor/Outdoor Veranda</strong> are designed to make it possible for you to enjoy casual food and drinks while prioritizing the <strong>health and safety</strong> of all of our guests and our staff during the ongoing COVID-19 pandemic. Here are the guidelines that we have established:</p>\n<!-- /wp:paragraph -->\n\n<!-- wp:list -->\n<ul><li>Everyone must wear a face covering (covering nose and mouth) at all times. The only exception to this is while you are seated at a table. If for any reason you need to stand up, you must first put on your mask.</li><li>We have a designated Host who will manage the seating process. Unfortunately, our patio is no longer a free and open space. If all tables are occupied, we will add you to our waitlist and the system will send you a text when your spot is ready.</li><li>There is a maximum party size of 6 individuals per table. This includes children of any age. This helps us maintain distance from guests while they are un-masked</li><li>We will guide you to one of our tables and direct your party to sit at one end. This will allow our staff to maintain proper distancing while delivering food and drink in the designated Service Zone of your table. Please push your empty cans and cups and your tray to the Service Zone when you are done with those items so that we may buss them for you.</li><li>Ordering will be via our website at https://partsnlabor.com which you should access via your phone. You will be able to indicate your table number and we will bring your order out directly to your table when it is ready. If you need more, simply place another order and we’ll bring it out to you.</li></ul>\n<!-- /wp:list -->','Motorco Music Hall','','inherit','closed','closed','','632-revision-v1','','','2021-04-07 17:03:03','2021-04-07 21:03:03','',632,'https://motorcomusic.com/?p=756',0,'revision','',0),(757,4,'2021-04-07 17:07:04','2021-04-07 21:07:04','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-heart-attack-man-meet-me-the-altar-super-american-tickets-92221873105\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\n<h3>FBT presents HOT MULLIGAN with HEART ATTACK MAN / MEET ME @ THE ALTAR / SUPER AMERICAN</h3>\n<h2>HOT MULLIGAN</h2>\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\n\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\n\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96239942%2F282946456193%2F1%2Foriginal.20200310-214653?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=47be0afbecdf412a890f1f5594628ef6\" />\n\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\n\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\n\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\n\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\n\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\n\n\n\n<hr />\n\n<h2>HEART ATTACK MAN</h2>\nHeart Attack Man was birthed by the combustion of dark cosmic forces that have been swirling in my mind since the days of old. Alongside Adam Paduch since the beginning, this ancient and powerful energy spawned two EPs, as well as our debut album The Manson Family, whereupon Seamus Groman and Tyler Sickels joined us on our journey of extensive touring, with an intensity and velocity identical to the combustion of forces that begat this band.   As stated in Newton’s Third Law of Motion; for every action, there is an equal and opposite reaction. Despite the unbelievable power that Heart Attack Man wields, we are not exempt from the laws of physics; and the equal, opposite reaction pushing against us has certainly shaped us.   Against this reaction, we’ve carved out our own path—our own niche—connecting with an enthusiastic following, as well as releasing singles 100 mg (Millennial), 99%, and Boring in the thermal trail emanating from The Manson Family.  Riding along this seismic wave through the simulation, the creative energy has only gotten darker and more intense; leading to the creation of our sophomore album Fake Blood.   Picking up right where The Manson Family left off, Fake Blood is a refined offering that is both musically and thematically more calculated than ever before. The downtrodden confusion of The Manson Family has festered into anger and frustration, and the ransom has been increased.\n\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96242540%2F282946456193%2F1%2Foriginal.20200310-220807?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=198a03d7405c29cfe7a8fa0e000f6f36\" />\n\n<a href=\"http://official.heartattackman.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\n\n<a href=\"https://heartattackman.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a>\n\n<a href=\"https://www.facebook.com/heartattackmane/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\n\n<a href=\"https://twitter.com/HeartAttackMane\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\n\n<a href=\"https://www.instagram.com/heartattackmon/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\n\n<hr />\n\n<h2>MEET ME @ THE ALTAR</h2>\n\nMeet Me @ The Altar is a energetic WOC pop punk band, consisting of guitarist Téa Campbell (Florida), drummer Ada Juarez (New Jersey), and lead singer Edith Johnson (Georgia).\n\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F114815559%2F285702372506%2F1%2Foriginal.20201015-181938?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=457ad7c5f414ddb69ddcabf6ea9f6441\" />\n\n<a href=\"https://www.meetmeatthealtar.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\n\n<a href=\"https://mmata.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a>\n\n<a href=\"https://www.facebook.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\n\n<a href=\"https://twitter.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\n\n<a href=\"https://www.instagram.com/mmataband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\n\n<hr />\n\n<h2>SUPER AMERICAN</h2>\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\n\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\n\n<p><a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a></p>\n\n<p><a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a></p>\n\n<div><img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96245628%2F282946456193%2F1%2Foriginal.20200310-223407?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=81ec7decdce921f1eb7fd1724cb5062b\" /></div>\n','HOT MULLIGAN','','inherit','closed','closed','','464-autosave-v1','','','2021-04-07 17:07:04','2021-04-07 21:07:04','',464,'https://motorcomusic.com/?p=757',0,'revision','',0),(758,4,'2021-04-07 17:07:55','2021-04-07 21:07:55','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-heart-attack-man-meet-me-the-altar-super-american-tickets-92221873105\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n<h3>FBT presents HOT MULLIGAN with HEART ATTACK MAN / MEET ME @ THE ALTAR / SUPER AMERICAN</h3>\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96239942%2F282946456193%2F1%2Foriginal.20200310-214653?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=47be0afbecdf412a890f1f5594628ef6\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n\r\n\r\n<hr />\r\n\r\n<h2>HEART ATTACK MAN</h2>\r\nHeart Attack Man was birthed by the combustion of dark cosmic forces that have been swirling in my mind since the days of old. Alongside Adam Paduch since the beginning, this ancient and powerful energy spawned two EPs, as well as our debut album The Manson Family, whereupon Seamus Groman and Tyler Sickels joined us on our journey of extensive touring, with an intensity and velocity identical to the combustion of forces that begat this band.   As stated in Newton’s Third Law of Motion; for every action, there is an equal and opposite reaction. Despite the unbelievable power that Heart Attack Man wields, we are not exempt from the laws of physics; and the equal, opposite reaction pushing against us has certainly shaped us.   Against this reaction, we’ve carved out our own path—our own niche—connecting with an enthusiastic following, as well as releasing singles 100 mg (Millennial), 99%, and Boring in the thermal trail emanating from The Manson Family.  Riding along this seismic wave through the simulation, the creative energy has only gotten darker and more intense; leading to the creation of our sophomore album Fake Blood.   Picking up right where The Manson Family left off, Fake Blood is a refined offering that is both musically and thematically more calculated than ever before. The downtrodden confusion of The Manson Family has festered into anger and frustration, and the ransom has been increased.\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96242540%2F282946456193%2F1%2Foriginal.20200310-220807?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=198a03d7405c29cfe7a8fa0e000f6f36\" />\r\n\r\n<a href=\"http://official.heartattackman.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://heartattackman.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/heartattackmane/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/HeartAttackMane\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/heartattackmon/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>MEET ME @ THE ALTAR</h2>\r\n\r\nMeet Me @ The Altar is a energetic WOC pop punk band, consisting of guitarist Téa Campbell (Florida), drummer Ada Juarez (New Jersey), and lead singer Edith Johnson (Georgia).\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F114815559%2F285702372506%2F1%2Foriginal.20201015-181938?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=457ad7c5f414ddb69ddcabf6ea9f6441\" />\r\n\r\n<a href=\"https://www.meetmeatthealtar.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://mmata.bandcamp.com/\" target=\"_blank\" rel=\"noopener\"><strong>Bandcamp</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/MMATAband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/mmataband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96245628%2F282946456193%2F1%2Foriginal.20200310-223407?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=81ec7decdce921f1eb7fd1724cb5062b\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>\r\n\r\n\r\n','HOT MULLIGAN','','inherit','closed','closed','','464-revision-v1','','','2021-04-07 17:07:55','2021-04-07 21:07:55','',464,'https://motorcomusic.com/?p=758',0,'revision','',0),(759,4,'2021-04-07 17:09:14','2021-04-07 21:09:14','<h4><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" rel=\"noopener\" target=\"_blank\">BUY TICKETS HERE</a></h4>\r\n\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\n\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live,and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<a href=\"https://www.facebook.com/neilhamburger/\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hamburgerneil\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/NeilHamburger\" rel=\"noopener\" target=\"_blank\"><strong>Twitter</strong></a>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-07 17:09:14','2021-04-07 21:09:14','',719,'https://motorcomusic.com/?p=759',0,'revision','',0),(760,4,'2021-04-08 09:12:49','2021-04-08 13:12:49','<a href=\"https://www.eventbrite.com/e/party-til-we-break-featuring-the-cybertronic-spree-tickets-92252013255\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a>\n<h4>Crank it Loud presents Party ‘Til We Break” tour featuring THE CYBERTRONIC SPREE</h4>\n<h2>THE CYBERTRONIC SPREE</h2>\nMore than meets the eye, The Cybertronic Spree are here on Earth with one critical mission: To party like it’s 1986! This band of Transformers has been brought together by the power of rock ’n roll and they can’t be stopped. Join Hotrod, Arcee, Rumble, Unicron, Soundwave, Bumblebee, Shockwave and a Quintesson as they prove they’ve got the power to light your darkest hour. Known across the galaxy for having cast aside their warring factions in the search for the ultimate party, these rockstars in disguise play music from The Transformers: The Movie, hit film and anime songs, and video game covers. They blend their love for the ’80s and ’80s metal into an energon-fueled, unforgettable live show!\n\n<a href=\"http://thecybertronicspree.com\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Official Website</strong></a>\n\n<a href=\"http://facebook.com/thecybertronicspree\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Facebook</strong></a>\n\n<a href=\"http://instagram.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Instagram</strong></a>\n\n<a href=\"http://twitter.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Twitter</strong></a>\n\n<a href=\"http://thecybertronicspree.bandcamp.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Bandcamp</strong></a>','THE CYBERTRONIC SPREE','','inherit','closed','closed','','453-autosave-v1','','','2021-04-08 09:12:49','2021-04-08 13:12:49','',453,'https://motorcomusic.com/?p=760',0,'revision','',0),(761,4,'2021-04-08 09:02:47','2021-04-08 13:02:47','<a href=\"https://www.eventbrite.com/e/party-til-we-break-featuring-the-cybertronic-spree-tickets-92252013255\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a>\r\n\r\n<h4>Crank it Loud presents Party ‘Til We Break” tour featuring THE CYBERTRONIC SPREE</h4>\r\n\r\n<h2>THE CYBERTRONIC SPREE</h2>\r\nMore than meets the eye, The Cybertronic Spree are here on Earth with one critical mission: To party like it’s 1986! This band of Transformers has been brought together by the power of rock ’n roll and they can’t be stopped. Join Hotrod, Arcee, Rumble, Unicron, Soundwave, Bumblebee, Shockwave and a Quintesson as they prove they’ve got the power to light your darkest hour. Known across the galaxy for having cast aside their warring factions in the search for the ultimate party, these rockstars in disguise play music from The Transformers: The Movie, hit film and anime songs, and video game covers. They blend their love for the ’80s and ’80s metal into an energon-fueled, unforgettable live show!\r\n\r\n<a href=\"http://thecybertronicspree.com\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://facebook.com/thecybertronicspree\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"http://instagram.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"http://thecybertronicspree.bandcamp.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Bandcamp</strong></a>\r\n','THE CYBERTRONIC SPREE','','inherit','closed','closed','','453-revision-v1','','','2021-04-08 09:02:47','2021-04-08 13:02:47','',453,'https://motorcomusic.com/?p=761',0,'revision','',0),(762,4,'2021-04-08 09:04:11','2021-04-08 13:04:11','<h4><a href=\"https://www.eventbrite.com/e/okilly-dokilly-steaksauce-mustache-tickets-91452385547\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h4>\r\n\r\n<h2>OKILLY DOKILLY</h2>\r\nOkilly Dokilly is the world\'s only Nedal band. Hailing from Phoenix, Arizona, a majority of the band\'s lyrics are direct Ned quotes. The band\'s members include Head Ned, Red Ned, Thread Ned, Stead Ned and Bled Ned.\r\n\r\nEstablished in 2015, the band found success before ever playing their first show, becoming a viral phenomenon after releasing just a few press photos and a 4-song demo. Within 2 weeks, the band had nearly 30,000 Facebook fans and was featured by numerous publications including Billboard, Time, The Independent, BBC, Esquire, Vice and many more.\r\n\r\nOkilly Dokilly\'s live shows are high energy affairs that weave together comedy and brutality. Guttural screams and pounding drums provide a soundtrack for the pummeling of an inflatable donut as green sweaters and round glasses blur across the stage.\r\nAs of early 2016, Okilly Dokilly has been steadily working on their debut record, which is projected to release later in the year.\r\n\r\n<img class=\"size-medium wp-image-731\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Okilly-Dokilly-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\r\n\r\n<a href=\"http://www.okillydokilly.com/bio\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/OkillyDokillyBand/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/okillydokillyband/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/Okilly_Dokilly\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC1pDThpnBp-qE3oStpCKKBA\"><strong>Youtube</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>STEAKSAUCE MUSTACHE</h2>\r\nSteaksauce Mustache is a chaotic “party-core” band hailing from Medford, OR. With a sound blending bands like The Dillinger Escape Plan, Every Time I Die, The Chariot and Andrew W.K., they are known for their wild and zany live performance that resembles that of a Tim and Eric sketch. Bring your party pants because its on!\r\n\r\n<img class=\"alignnone size-medium wp-image-732\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Steaksauce-Mustache-300x214.jpg\" alt=\"\" width=\"300\" height=\"214\" />\r\n\r\n<a href=\"http://www.steaksaucemustache.com/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/steaksaucemustache\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/steaksaucemustache/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/steaksauceband\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://youtu.be/gS-ZLYrXrqA\" target=\"_blank\" rel=\"noopener\"><strong>YouTube</strong></a>','OKILLY DOKILLY / Steaksauce Mustache','','inherit','closed','closed','','726-revision-v1','','','2021-04-08 09:04:11','2021-04-08 13:04:11','',726,'https://motorcomusic.com/?p=762',0,'revision','',0),(763,4,'2021-04-08 09:05:16','2021-04-08 13:05:16','<h4><a href=\"https://www.eventbrite.com/e/southern-culture-on-the-skids-tickets-139034248179\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h2>SOUTHERN CULTURE ON THE SKIDS</h2>\r\n\r\nSouthern Culture On The Skids has been consistently recording and touring around the world since 1983. The band (Rick Miller – guitar and vocals, Mary Huff – bass and vocals, Dave Hartman – drums) has been playing together for over 30 years. Their musical journey has taken them from all-night North Carolina house parties to late night TV talk shows (Conan O\'Brien, The Tonight Show), from performing at the base of Mt. Fuji in Japan to rockin\' out for the inmates at North Carolina correctional facilities. They\'ve shared a stage with many musical luminaries including Link Wray, Loretta Lynn, Hasil Adkins and Patti Smith. Their music has been featured in movies and TV, parodied by Weird Al, and used to sell everything from diamonds to pork sausage. In 2014 the band was honored by the Southern Folklife Collection at the University of North Carolina Chapel Hill with an exhibition featuring their music and cultural contributions. Their legendary live shows are a testament to the therapeutic powers of foot-stomping, butt-shaking rock and roll and what Rolling Stone dubbed \"a hell raising rock and roll party.\"\r\n\r\nAt Home with Southern Culture on the Skids is the latest full length album from the band and is due to drop into stores on March 12th. The album consists of 11 tracks recorded and mixed in Rick Miller\'s living room with some additional tracks recorded at his studio, The Kudzu Ranch.\r\n\r\nThe first radio single off the album is \"Run Baby Run\"—a rocking number with deep garage roots. SCOTS bassist Mary Huff provides an urgent vocal while the band pulls back the throttle on a full race fuzz fest—cause she\'s gotta to go fast! Run Baby Run!\r\n\r\nThe other songs on the album are a combination of the band\'s unique mix of musical genres: rock and roll, surf, folk and country—all a bit off-center, what Rick proudly calls \"our wobbly Americana\". Rick goes on, \"We put a few more acoustic guitars on this one, as you would expect if you recorded in your living room, but it still rocks like SCOTS. So put your headphones on, get in your favorite chair/sofa/recliner, put on \"At Home With\" and let\'s hang out for a while.\"','SOUTHERN CULTURE ON THE SKIDS','','inherit','closed','closed','','686-revision-v1','','','2021-04-08 09:05:16','2021-04-08 13:05:16','',686,'https://motorcomusic.com/?p=763',0,'revision','',0),(764,4,'2021-04-08 09:13:51','2021-04-08 13:13:51','<h4><a href=\"https://www.eventbrite.com/e/party-til-we-break-featuring-the-cybertronic-spree-tickets-92252013255\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>Crank it Loud presents Party ‘Til We Break” tour featuring THE CYBERTRONIC SPREE</h3>\r\n\r\n<h2>THE CYBERTRONIC SPREE</h2>\r\nMore than meets the eye, The Cybertronic Spree are here on Earth with one critical mission: To party like it’s 1986! This band of Transformers has been brought together by the power of rock ’n roll and they can’t be stopped. Join Hotrod, Arcee, Rumble, Unicron, Soundwave, Bumblebee, Shockwave and a Quintesson as they prove they’ve got the power to light your darkest hour. Known across the galaxy for having cast aside their warring factions in the search for the ultimate party, these rockstars in disguise play music from The Transformers: The Movie, hit film and anime songs, and video game covers. They blend their love for the ’80s and ’80s metal into an energon-fueled, unforgettable live show!\r\n\r\n<a href=\"http://thecybertronicspree.com\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://facebook.com/thecybertronicspree\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"http://instagram.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/cybertronicband\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"http://thecybertronicspree.bandcamp.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>Bandcamp</strong></a>','THE CYBERTRONIC SPREE','','inherit','closed','closed','','453-revision-v1','','','2021-04-08 09:13:51','2021-04-08 13:13:51','',453,'https://motorcomusic.com/?p=764',0,'revision','',0),(765,4,'2021-04-08 16:35:10','2021-04-08 20:35:10','<label> Your name\r\n    [text* your-name] </label>\r\n\r\n<label> Your email\r\n    [email* your-email] </label>\r\n\r\n<label> Subject\r\n    [text* your-subject] </label>\r\n\r\n<label> Your message (optional)\r\n    [textarea your-message] </label>\r\n\r\n<label> Answer this math test \r\n[quiz math-quiz \"9x9=|81\" \"8+1=|9\" \"9+9=|18\"] </label>\r\n\r\n[submit \"Submit\"]\n1\n[_site_title] \"[your-subject]\"\n[_site_title] <rental@motorcomusic.com>\nrental@motorcomusic.com\nFrom: [your-name] <[your-email]>\r\nSubject: [your-subject]\r\n\r\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [your-email]\n\n\n\n\n[_site_title] \"[your-subject]\"\n[_site_title] <info@motorcomusic.com>\n[your-email]\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [_site_admin_email]\n\n\n\nThank you for your message. It has been sent.\nThere was an error trying to send your message. Please try again later.\nOne or more fields have an error. Please check and try again.\nThere was an error trying to send your message. Please try again later.\nYou must accept the terms and conditions before sending your message.\nThe field is required.\nThe field is too long.\nThe field is too short.\nThere was an unknown error uploading the file.\nYou are not allowed to upload files of this type.\nThe file is too big.\nThere was an error uploading the file.\nThe date format is incorrect.\nThe date is before the earliest one allowed.\nThe date is after the latest one allowed.\nThe number format is invalid.\nThe number is smaller than the minimum allowed.\nThe number is larger than the maximum allowed.\nThe answer to the quiz is incorrect.\nThe e-mail address entered is invalid.\nThe URL is invalid.\nThe telephone number is invalid.','Rental','','publish','closed','closed','','rental','','','2021-04-09 17:00:15','2021-04-09 21:00:15','',0,'https://motorcomusic.com/?post_type=wpcf7_contact_form&#038;p=765',0,'wpcf7_contact_form','',0),(766,4,'2021-04-08 16:37:08','2021-04-08 20:37:08','Looking for a place to host your next birthday party, corporate event or wedding? We host a wide variety of events at Motorco  and a surprising number of weddings and receptions!\n\nWe can cater your event with Parts &amp; Labor menu items but don\'t let that limit your imagination. We can create an amazing menu just for your event - even a full scale, tented, southern Pig Picking. If you\'d like more information on policies, prices and availability, please fill out the form below.\n\n[contact-form-7 id=\"765\" title=\"Rental\"]','Rentals & Special Events','','inherit','closed','closed','','20-revision-v1','','','2021-04-08 16:37:08','2021-04-08 20:37:08','',20,'https://motorcomusic.com/?p=766',0,'revision','',0),(768,4,'2021-04-09 17:28:29','2021-04-09 21:28:29','<label> Your name\r\n    [text* your-name] </label>\r\n\r\n<label> Your email\r\n    [email* your-email] </label>\r\n\r\n<label> Subject\r\n    [text* your-subject] </label>\r\n\r\n<label> Your message (optional)\r\n    [textarea your-message] </label>\r\n\r\n[submit \"Submit\"]\n1\n[_site_title] \"[your-subject]\"\n[_site_title] <wordpress@motorcomusic.com>\n[_site_admin_email]\nFrom: [your-name] <[your-email]>\r\nSubject: [your-subject]\r\n\r\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [your-email]\n\n\n\n\n[_site_title] \"[your-subject]\"\n[_site_title] <wordpress@motr.co>\n[your-email]\nMessage Body:\r\n[your-message]\r\n\r\n-- \r\nThis e-mail was sent from a contact form on [_site_title] ([_site_url])\nReply-To: [_site_admin_email]\n\n\n\nThank you for your message. It has been sent.\nThere was an error trying to send your message. Please try again later.\nOne or more fields have an error. Please check and try again.\nThere was an error trying to send your message. Please try again later.\nYou must accept the terms and conditions before sending your message.\nThe field is required.\nThe field is too long.\nThe field is too short.\nThere was an unknown error uploading the file.\nYou are not allowed to upload files of this type.\nThe file is too big.\nThere was an error uploading the file.\nThe date format is incorrect.\nThe date is before the earliest one allowed.\nThe date is after the latest one allowed.\nThe number format is invalid.\nThe number is smaller than the minimum allowed.\nThe number is larger than the maximum allowed.\nThe answer to the quiz is incorrect.\nThe e-mail address entered is invalid.\nThe URL is invalid.\nThe telephone number is invalid.','Rental 2','','publish','closed','closed','','contact-form-1_copy','','','2021-04-09 17:30:38','2021-04-09 21:30:38','',0,'https://motorcomusic.com/?post_type=wpcf7_contact_form&#038;p=768',0,'wpcf7_contact_form','',0),(769,4,'2021-04-09 17:31:11','2021-04-09 21:31:11','Looking for a place to host your next birthday party, corporate event or wedding? We host a wide variety of events at Motorco  and a surprising number of weddings and receptions!\n\nWe can cater your event with Parts &amp; Labor menu items but don\'t let that limit your imagination. We can create an amazing menu just for your event - even a full scale, tented, southern Pig Picking. If you\'d like more information on policies, prices and availability, please fill out the form below.\n\n[contact-form-7 id=\"768\" title=\"Rental 2\"]','Rentals & Special Events','','inherit','closed','closed','','20-revision-v1','','','2021-04-09 17:31:11','2021-04-09 21:31:11','',20,'https://motorcomusic.com/?p=769',0,'revision','',0),(770,4,'2021-04-13 12:00:52','2021-04-13 16:00:52','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-775\" />\r\n\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\r\n\r\n<a href=\"https://www.shanesmithmusic.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','publish','open','closed','','shane-smith-the-saints','','','2021-04-13 10:33:38','2021-04-13 14:33:38','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=770',0,'tribe_events','',0),(771,4,'2021-04-13 10:18:21','2021-04-13 14:18:21','','Shane-Smith','','inherit','open','closed','','shane-smith','','','2021-04-13 10:18:21','2021-04-13 14:18:21','',770,'https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith.jpg',0,'attachment','image/jpeg',0),(772,4,'2021-04-13 10:19:37','2021-04-13 14:19:37','<h4>Buy Tickets Here</h4>\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:19:37','2021-04-13 14:19:37','',770,'https://motorcomusic.com/?p=772',0,'revision','',0),(773,4,'2021-04-13 10:20:12','2021-04-13 14:20:12','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\">Buy Tickets Here</a></h4>\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:20:12','2021-04-13 14:20:12','',770,'https://motorcomusic.com/?p=773',0,'revision','',0),(774,4,'2021-04-13 10:22:18','2021-04-13 14:22:18','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\">Buy Tickets Here</a></h4>\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\r\n\r\n<a href=\"https://www.shanesmithmusic.com/\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:22:18','2021-04-13 14:22:18','',770,'https://motorcomusic.com/?p=774',0,'revision','',0),(775,4,'2021-04-13 10:23:11','2021-04-13 14:23:11','','Shane-Smith-2','','inherit','open','closed','','shane-smith-2','','','2021-04-13 10:23:11','2021-04-13 14:23:11','',770,'https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2.jpg',0,'attachment','image/jpeg',0),(776,4,'2021-04-13 10:23:27','2021-04-13 14:23:27','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\">Buy Tickets Here</a></h4>\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-775\" />\r\n\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\r\n\r\n<a href=\"https://www.shanesmithmusic.com/\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:23:27','2021-04-13 14:23:27','',770,'https://motorcomusic.com/?p=776',0,'revision','',0),(777,4,'2021-04-19 10:00:06','2021-04-19 14:00:06','<h4><a href=\"https://www.eventbrite.com/e/jake-miller-tickets-150117456353\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','publish','open','closed','','jake-miller','','','2021-04-24 10:22:39','2021-04-24 14:22:39','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=777',0,'tribe_events','',0),(778,4,'2021-04-13 10:32:40','2021-04-13 14:32:40','<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-13 10:32:40','2021-04-13 14:32:40','',777,'https://motorcomusic.com/?p=778',0,'revision','',0),(779,4,'2021-04-13 10:33:03','2021-04-13 14:33:03','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-775\" />\r\n\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\r\n\r\n<a href=\"https://www.shanesmithmusic.com/\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:33:03','2021-04-13 14:33:03','',770,'https://motorcomusic.com/?p=779',0,'revision','',0),(780,4,'2021-04-21 15:45:43','2021-04-21 19:45:43','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\n<img class=\"alignnone size-medium wp-image-775\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" />\n\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\n\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\n\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\n\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\n\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\n\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\n\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\n\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\n\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\n\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\n\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\n\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\n\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\n\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\n\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\n\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\n\n<a href=\"https://www.shanesmithmusic.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-autosave-v1','','','2021-04-21 15:45:43','2021-04-21 19:45:43','',770,'https://motorcomusic.com/?p=780',0,'revision','',0),(781,4,'2021-04-13 10:33:38','2021-04-13 14:33:38','<h4><a href=\"https://www.eventbrite.com/preview?eid=150119983913/\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>SHANE SMITH &amp; THE SAINTS</h2>\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Shane-Smith-2-300x200.jpg\" alt=\"\" width=\"300\" height=\"200\" class=\"alignnone size-medium wp-image-775\" />\r\n\r\nOn the opening track of Shane Smith &amp; the Saints\' Hail Mary LP, \"Heaven Knows,\" singer and guitarist Shane Smith lays bare the last four years of his band\'s journey. \"We set our sails for deeper seas, heaven knows what we will find,\" he sings.\r\n\r\nSince releasing their last prior album, 2015\'s Geronimo, the Austin, Texas, five-piece have plunged ever deeper into their adventure as a touring band. Hundreds of shows a year in more than 40 different states and on three different continents, including visits to Ireland and Malaysia, have brought them to the 10 stormy tracks that make up Hail Mary.\r\n\r\nNow three albums and 10 years into their career, Shane Smith &amp; the Saints are ready to go for broke. \"It pretty much summarizes where we are as a band and where I am as an individual after pursuing this for practically the last decade,\" Smith says of Hail Mary. \"We\'re a scrappy group of guys and this is more or less one of those moments where we\'re really trying to put it all out there. We\'re trying to give it our best shot on this record.\"\r\n\r\nRecorded at the same hometown studio as Geronimo, Matt Noveskey (of Blue October)\'s Orb Recording Studio, Hail Mary was produced by Mark Needham (Imagine Dragons, The Killers), marking the first time the band has worked with an outside producer. Inspired by Shane Smith &amp; the Saints\' reputation as a high-energy live act with stunning four-part harmonies, Needham focused on capturing that un-doctored chemistry in the studio.\r\n\r\n\"A lot of these songs he had us in there with Shure SM58 microphones, live, in front of each one of the guys. He\'d be actually using it for the final song rather than going in and overdubbing every single voice, which is a very rare thing,\" says Smith of the sessions, which were largely tracked live in the studio. \"That gave us a little more confidence hearing him build us up on that whole thing.\"\r\n\r\nThat extra self-assuredness comes through in each of Smith\'s roaring vocals and in the band\'s stampeding melodies. From the crunching title track to the slow burn of \"Oklahoma City\" to the triumphant blaze of glory that is \"Parliament Smoke,\" Hail Mary crosses the gritty, blue-collar storytelling of Bruce Springsteen with the singsong hooks of Mumford &amp; Sons. Most of all, it\'s an album with a lot of heart.\r\n\r\n\"I don\'t like just throwing stuff out there. If I\'m going to be singing about something every night, I try to make it personal, make it something I can really relate to,\" says Smith, the band\'s lyricist and primary songwriter. \"I like to sing with conviction, an honest conviction.\" Having first starting playing music while he attended college in Austin, Smith follows in the footsteps of such Lone Star songsmiths as Ray Wylie Hubbard, Hayes Carll, and Ryan Bingham.\r\n\r\nA native of Terrell, Texas, about an hour outside of Dallas, Smith first headed to Tyler Junior College in East Texas, where he was part of the tennis program. But he was soon lured to the \"Live Music Capital of the World,\" where he attended St. Edwards University and soon connected with another group of players, those who now make up the Saints. Today that group includes Bennett Brown on fiddle, Dustin Schaefer on lead guitar, Chase Satterwhite on bass, and Zach Stover on drums.\r\n\r\nMuch like the care that Smith puts into his lyrics, the Saints have been deliberate in crafting their recorded material. Their first album, Coast, was released in 2013, and featured appearances by fellow Texas underdogs Aaron Watson and Ryan Engleman. Two years later came Geronimo, which Smith sees carrying a similar sort of double meaning to Hail Mary. \"The title track did talk a lot about the historical figure, but it was a leap of faith thing as well, where we were as a band truly trying to find our sound,\" he says of the band\'s sophomore effort.\r\n\r\nShane Smith &amp; the Saints\' busy touring schedule meant that almost three years elapsed after Geronimo\'s release before they had the time to start recording Hail Mary. Even when the album had been completed, now more than a year ago, they were careful not to rush its release. As in the past, that will be done through Geronimo West Records, the label Smith runs with his wife.\r\n\r\n\"It\'s been such a long time coming. And honestly, for me, it\'s such a personal album in terms of the lyrical content, what the band has gone through and the band\'s families have gone through over the years,\" Smith says. \"It means a lot to me, I know it means a lot to the guys, and I wanted to make sure we gave it good legs to stand on.\"\r\n\r\nThough Smith and his bandmates have been the ones logging in the miles in their \"Cousin Eddie-looking\" RV, their friends, family, and other loved ones are the ties that bind together the songs on Hail Mary. \"The last couple years of doing this stuff I\'ve started to realize how much of a sacrifice it is for those outside characters. A lot of my lyrics are paying tribute to those people and the fact that we wouldn\'t be able to do this if it wasn\'t for them,\" says Smith. \"A lot of people paint [the music business] as a glamorous thing, but it\'s truly difficult to pull off if you have any intention of being a family man.\"\r\n\r\nLucky for them, Shane Smith &amp; the Saints\' family has only grown through their tireless touring in recent years. Having long been grouped in with the sprawling, grassroots genres of Texas Country and Red Dirt music, Smith says that fanbase is uniquely suited to their own single-minded approach.\r\n\r\n\"It\'s a massive network of people that are music lovers, but they\'re not like your standard music lover. They\'re so passionate that they not only support the music, they show it to every one of their friends and promote it for you,\" Smith marvels. \"It\'s a support system of people who want to hear really good music, but a lot of the time get frustrated with what they hear on the radio.\"\r\n\r\nWith Hail Mary, those fans will have their best representation yet of the barnstorming concerts that likely drew them to Shane Smith &amp; the Saints in the first place. \"After four years of touring and sweat equity, it\'s significantly helped and changed our sound,\" Smith says. \"But the really cool thing is that, as our sound has truly started going away even further from what the norm is in Texas Country and Red Dirt, that same group of people is jumping on board now more than ever before.\"\r\n\r\nHeaven knows Shane Smith &amp; the Saints have earned that loyalty.\r\n\r\n<a href=\"https://www.shanesmithmusic.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','SHANE SMITH & THE SAINTS','','inherit','closed','closed','','770-revision-v1','','','2021-04-13 10:33:38','2021-04-13 14:33:38','',770,'https://motorcomusic.com/?p=781',0,'revision','',0),(782,4,'2021-04-13 10:39:45','2021-04-13 14:39:45','','Fly-By-Midnight','','inherit','open','closed','','fly-by-midnight','','','2021-04-13 10:39:45','2021-04-13 14:39:45','',777,'https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg',0,'attachment','image/jpeg',0),(783,4,'2021-04-13 10:40:09','2021-04-13 14:40:09','','Jake-Miller','','inherit','open','closed','','jake-miller','','','2021-04-13 10:40:09','2021-04-13 14:40:09','',777,'https://motorcomusic.com/wp-content/uploads/2021/04/Jake-Miller.jpg',0,'attachment','image/jpeg',0),(784,4,'2021-04-13 10:40:28','2021-04-13 14:40:28','','Just-Seconds-Apart','','inherit','open','closed','','just-seconds-apart','','','2021-04-13 10:40:28','2021-04-13 14:40:28','',777,'https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg',0,'attachment','image/jpeg',0),(785,4,'2021-04-13 10:41:06','2021-04-13 14:41:06','<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>Fly By Midnight</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>Just Seconds Apart</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-13 10:41:06','2021-04-13 14:41:06','',777,'https://motorcomusic.com/?p=785',0,'revision','',0),(786,4,'2021-04-13 10:43:48','2021-04-13 14:43:48','<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-13 10:43:48','2021-04-13 14:43:48','',777,'https://motorcomusic.com/?p=786',0,'revision','',0),(787,4,'2021-04-19 10:29:07','2021-04-19 14:29:07','<h4>Tickets on sale Friday April 23</h4>\r\n\r\n<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-autosave-v1','','','2021-04-19 10:29:07','2021-04-19 14:29:07','',777,'https://motorcomusic.com/?p=787',0,'revision','',0),(791,4,'2021-04-17 17:00:27','2021-04-17 21:00:27','','Calendar','','publish','closed','closed','','calendar-2','','','2021-04-17 17:00:27','2021-04-17 21:00:27','',0,'https://motorcomusic.com/?page_id=791',0,'page','',0),(792,4,'2021-04-17 17:00:27','2021-04-17 21:00:27','{\n    \"nav_menus_created_posts\": {\n        \"value\": [\n            791\n        ],\n        \"type\": \"option\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-04-17 21:00:27\"\n    },\n    \"nav_menu_item[-7739596826943515000]\": {\n        \"value\": {\n            \"object_id\": 791,\n            \"object\": \"page\",\n            \"menu_item_parent\": 0,\n            \"position\": 9,\n            \"type\": \"post_type\",\n            \"title\": \"Calendar\",\n            \"url\": \"https://motorcomusic.com/?page_id=791\",\n            \"target\": \"\",\n            \"attr_title\": \"\",\n            \"description\": \"\",\n            \"classes\": \"\",\n            \"xfn\": \"\",\n            \"status\": \"publish\",\n            \"original_title\": \"Calendar\",\n            \"nav_menu_term_id\": 2,\n            \"_invalid\": false,\n            \"type_label\": \"Page\"\n        },\n        \"type\": \"nav_menu_item\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-04-17 21:00:27\"\n    },\n    \"nav_menu_item[-8044561658770879000]\": {\n        \"value\": false,\n        \"type\": \"nav_menu_item\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-04-17 21:00:27\"\n    }\n}','','','trash','closed','closed','','ce9ceab6-008d-47be-9486-3d0cb46367c8','','','2021-04-17 17:00:27','2021-04-17 21:00:27','',0,'https://motorcomusic.com/2021/04/17/ce9ceab6-008d-47be-9486-3d0cb46367c8/',0,'customize_changeset','',0),(793,4,'2021-04-17 17:00:27','2021-04-17 21:00:27','','Calendar','','inherit','closed','closed','','791-revision-v1','','','2021-04-17 17:00:27','2021-04-17 21:00:27','',791,'https://motorcomusic.com/?p=793',0,'revision','',0),(795,4,'2021-04-17 17:02:17','2021-04-17 21:02:17','{\n    \"nav_menu[2]\": {\n        \"value\": {\n            \"name\": \"Home\",\n            \"description\": \"\",\n            \"parent\": 0,\n            \"auto_add\": false\n        },\n        \"type\": \"nav_menu\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-04-17 21:02:17\"\n    }\n}','','','trash','closed','closed','','a367deea-e3cd-42fb-b7b9-9979a5bc9f4f','','','2021-04-17 17:02:17','2021-04-17 21:02:17','',0,'https://motorcomusic.com/2021/04/17/a367deea-e3cd-42fb-b7b9-9979a5bc9f4f/',0,'customize_changeset','',0),(797,4,'2021-04-19 10:17:04','2021-04-19 14:17:04','<h4>Tickets on sale Friday April 23</h4>\n\n<h2>JAKE MILLER</h2>\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\n\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\n\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\n\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\n\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\n\n<hr />\n\n<h2>FLY BY MIDNIGHT</h2>\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\n\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\n\n<hr />\n\n<h2>JUST SECONDS APART</h2>\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\n\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\n\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-19 10:17:04','2021-04-19 14:17:04','',777,'https://motorcomusic.com/?p=797',0,'revision','',0),(798,4,'2021-04-19 10:29:23','2021-04-19 14:29:23','<h4>Tickets on sale Friday April 23</h4>\r\n<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-19 10:29:23','2021-04-19 14:29:23','',777,'https://motorcomusic.com/?p=798',0,'revision','',0),(799,4,'2021-04-19 10:31:55','2021-04-19 14:31:55','<h4><a href=\"https://www.eventbrite.com/manage/events/150117456353/preview_publish\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-19 10:31:55','2021-04-19 14:31:55','',777,'https://motorcomusic.com/?p=799',0,'revision','',0),(800,4,'2021-04-21 11:10:49','2021-04-21 15:10:49','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live In the Lot presents: Quartet For The End Of Time','','publish','open','closed','','live-in-the-lot-presents-quartet-for-the-end-of-time','','','2021-05-03 13:59:04','2021-05-03 17:59:04','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=800',0,'tribe_events','',0),(801,4,'2021-04-21 11:00:58','2021-04-21 15:00:58','<strong>Quartet For The End Of Time</strong> <em>Reimagined</em><strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\nEvent tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" rel=\"noopener\" target=\"_blank\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" rel=\"noopener\" target=\"_blank\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" rel=\"noopener\" target=\"_blank\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\nMORE INFO ABOUT THIS PERFORMANCE\r\n\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n\r\n5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.\r\n\r\n6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!\r\n\r\n7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.\r\n\r\nViolinist Kate Dreyfuss, clarinettist Wesley Rhodes, cellist Kenneth Stewart and pianist Jil Christensen will present a concert featuring Quartet For The End Of Time and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be Julia Wolfe\'s With A Blue Dress On, a piece inspired by the classic fiddle tune and the playing of Bruce Molesky, a new collaboratively composed piece featuring improvisation and electronics by Jil Christensen and Kenneth D. Stewart, and the piece Searching for the Edge for bass clarinet by Zachary W. Smith. Additionally the ensemble will be augmenting the Quartet For The End Of Time with amplification, synthesizers and effects.','Live in the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 11:00:58','2021-04-21 15:00:58','',800,'https://motorcomusic.com/?p=801',0,'revision','',0),(802,4,'2021-04-21 11:01:11','2021-04-21 15:01:11','<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\nEvent tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\nMORE INFO ABOUT THIS PERFORMANCE\r\n\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n\r\n5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.\r\n\r\n6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!\r\n\r\n7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.\r\n\r\nViolinist Kate Dreyfuss, clarinettist Wesley Rhodes, cellist Kenneth Stewart and pianist Jil Christensen will present a concert featuring Quartet For The End Of Time and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be Julia Wolfe\'s With A Blue Dress On, a piece inspired by the classic fiddle tune and the playing of Bruce Molesky, a new collaboratively composed piece featuring improvisation and electronics by Jil Christensen and Kenneth D. Stewart, and the piece Searching for the Edge for bass clarinet by Zachary W. Smith. Additionally the ensemble will be augmenting the Quartet For The End Of Time with amplification, synthesizers and effects.','Live in the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 11:01:11','2021-04-21 15:01:11','',800,'https://motorcomusic.com/?p=802',0,'revision','',0),(803,4,'2021-04-21 11:02:20','2021-04-21 15:02:20','<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\nEvent tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\n\r\nViolinist Kate Dreyfuss, clarinettist Wesley Rhodes, cellist Kenneth Stewart and pianist Jil Christensen will present a concert featuring Quartet For The End Of Time and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be Julia Wolfe\'s With A Blue Dress On, a piece inspired by the classic fiddle tune and the playing of Bruce Molesky, a new collaboratively composed piece featuring improvisation and electronics by Jil Christensen and Kenneth D. Stewart, and the piece Searching for the Edge for bass clarinet by Zachary W. Smith. Additionally the ensemble will be augmenting the Quartet For The End Of Time with amplification, synthesizers and effects.','Live in the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 11:02:20','2021-04-21 15:02:20','',800,'https://motorcomusic.com/?p=803',0,'revision','',0),(804,4,'2021-04-21 11:04:59','2021-04-21 15:04:59','<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live in the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 11:04:59','2021-04-21 15:04:59','',800,'https://motorcomusic.com/?p=804',0,'revision','',0),(805,4,'2021-04-21 11:06:57','2021-04-21 15:06:57','','Quartet-for-end-of-time','','inherit','open','closed','','quartet-for-end-of-time','','','2021-04-21 11:06:57','2021-04-21 15:06:57','',800,'https://motorcomusic.com/wp-content/uploads/2021/04/Quartet-for-end-of-time.jpg',0,'attachment','image/jpeg',0),(806,4,'2021-04-21 11:07:56','2021-04-21 15:07:56','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live in the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 11:07:56','2021-04-21 15:07:56','',800,'https://motorcomusic.com/?p=806',0,'revision','',0),(807,4,'2021-04-21 12:57:08','2021-04-21 16:57:08','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> by <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live in the Lot resents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 12:57:08','2021-04-21 16:57:08','',800,'https://motorcomusic.com/?p=807',0,'revision','',0),(808,4,'2021-04-22 10:00:02','2021-04-22 14:00:02','<h4><a href=\"https://www.eventbrite.com/preview?eid=151825952511/\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n\r\n<h2>Iceage</h2>\r\n\r\nWith each new release, Elias Bender Rnnenfelt, Jakob Tvilling Pless, Johan Surrballe Wieth and Dan Kjr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist in the form of Casper Morilla Fernandez, Seek Shelter sees Iceages propulsive momentum pushing them in new, expansive, ecstatic directions. A decade on from their first record, Iceage continue to harness their lives together through music. This journey, in music and life, has never progressed in a linear fashion.\r\n\r\nSeek Shelter is the sound of a tight emotional core unwound. Rain dripped through cracks in the ceiling of Namouche, the dilapidated wood-paneled vintage studio in Lisbon where the band set up for 12 days. The band had to arrange their equipment around puddles. Pieces of cloth covered slowly filling buckets so that the sound of raindrops wouldnt reach the microphones. Kember arranged garden lamps from a nearby party store for mood lighting in the high-ceiling space. It was the longest time Iceage have ever spent making an album. When the rain had stopped, Seek Shelter revealed itself as a collection of songs radiating warmth and a profound desire for salvation in a world thats spinning further and further out of control.\r\n\r\nIceage started making music together in 2008 as young teens in their hometown of Copenhagen. The bands 2011 debut, New Brigade, crystallized the raucous energy and unbreakable brotherhood of Danish teenagers weaned on post-punk, hardcore and no wave, and it found ears and kin around the world. 2012s Youre Nothing was hard, fast and raw, a bold doubling-down on the aggression of youth in the first record as well as the weight of expectation. Plowing Into the Field of Love (2014) and Beyondless (2018) saw a softening of the bands hardest edges and the arrival of a certain world-weary vaudeville in the Iceage sound. In an extraordinary and unexpected run, the band had gone from the fertile hyperlocal Copenhagen scene to stages all over the world. Iceages past two records all filtered twangy guitar riffs, sparse piano arrangements, and slinky, slow-moving rhythms ventured into an intoxicated but knowing swirl, surveying the party at the end of the night. Theyd seen it all, at least once, and their music rode the crest of that chaos.\r\n\r\nSeek Shelter, the bands first record made with an outside producer brought in alongside longtime collaborator Nis Bysted, is the place they have been called to next. Elias Bender Rnnenfelt casts the influence of producer Sonic Boom as that of a sparring partner, another wayward mind to bounce ideas off of and another pair of hands (along with Shawn Everett, who mixed the record) to help shape the sound. Kember had said in an interview that hed like to produce for the band, and the feeling was mutual. Rnnenfelt recalls being 12 or 13, listening to Spacemen 3, the band Kember co-founded in 1982 at the age of 16. It was one of those things that just reverberated with my being, he explains. For Seek Shelter, we wanted a partner that had some noise that we didnt have, more a wizard than a producer. We thought hed be that kind of wizard for us, and we were right he came in with a truckload of strange equipment that wed never seen before. Kember, reflecting on the session and reaching for his highest praise, describes Iceage as fucking show offs, like everyone who was ever great and emotional and honest.\r\n\r\nFor Seek Shelters story of scorched-earth salvation, the bands songwriting embraces conventional structures more conspicuously than it has in the past. The dirge-like drone that opens the record gives way to a wall of reverb that sounds fuller and brighter than anything they\'ve committed to tape, signalling a clarity of clouds breaking. American gospel and blues signatures break to the front of the slow-grooving Vendetta and harmonica-flecked Gold City, a record which sounds like the road, a desert mission under a blazing sun. The Lisboa Gospel Collective, who joined the band for two tracks on the final day in the studio, provide a new scale to Rnnenfelts incantations. There are moments of unvarnished romanticism, as on the brisk Jacques Brel-like Drink Rain, and an overcast tenderness that gently glides over Love Kills Slowly. The massive High &amp; Hurt interpolates Will the Circle Be Unbroken, a warhorse of the American religious vernacular that has become an increasingly urgent plea over the past century. Its not the only anthem that calls out to the heavens: later on, Rnnenfelt invokes the patron saint of music and poetry on Dear Saint Cecilia, a song for seekers everywhere. Writing a song is like trying to find a space where you can make something thats been riled up and down through the years feel like it belongs to your present moment, says Rnnenfelt. Its all just scaffolding that you can project something onto.\r\n\r\nRnnenfelts lyricism reaches grand heights despite its classic opacity he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine, a natural result of his desire to take a kernel of ordinary emotion and, as he explains, blow it up like a balloon. For Seek Shelter, as with all Iceages previous albums, Rnnenfelt stowed away for a set period of weeks and wrote the lyrics in one shot. I set a time just to make sure that all the lyrics are written from the same mindset, he explains of these weeks alone. The lyrics stem from journals that hes kept over the past few years: it becomes an amalgamation of ideas and impressions of things that youve been provoked by or had to live through. You end up with something that is a rough, blurry perspective of what that period of time was like, a mishmash of personal struggle that is shaded throughout by a world that seems more transparent in its inherently cruel ways. Romance and desire, as described in Love Kills Slowly and the album closer The Holding Hand, are feelings that stretch torturously a race without a finish line.\r\n\r\nWhat precisely makes an Iceage song is still a mysterious thing, and the band wishes to maintain this protean quality. If theres ever a point in our history when something in the songs starts to seem easy but doesnt really excite us that much, we just discard that shit right away, he says. Youve always got to find a new vantage point to attack the assignment of writing a song. If we had a formula, it would be just a continuous watering down of what we do until we hated ourselves and quit. With Seek Shelter, theyve managed to hold onto this core of presence and risk while writing their most ambitious songs. Even Rnnenfelt was surprised with what they were able to create together. I think when we started we were just lashing out completely blindfolded with no idea as to why we were doing anything. Hes speaking of the new record and also of their entire existence as a band, a travelogue that has catapulted these four friends far past the horizons of punk. Some of that we wanted to remain intact. We try to keep the mystery. If there\'s no sense of mystery in it for us, then it\'s not fun. Seek Shelter is a record that now exists at a moment of a collective unknown, when every beating heart wonders what will happens next.\r\n\r\n<a href=\"https://iceagecopenhagen.eu/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/IceageCopenhagen\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/iceage/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','ICEAGE','','publish','open','closed','','iceage','','','2021-05-03 12:02:27','2021-05-03 16:02:27','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=808',0,'tribe_events','',0),(809,4,'2021-04-21 13:07:23','2021-04-21 17:07:23','','Iceage','','inherit','open','closed','','iceage','','','2021-04-21 13:07:23','2021-04-21 17:07:23','',808,'https://motorcomusic.com/wp-content/uploads/2021/04/Iceage.jpeg',0,'attachment','image/jpeg',0),(810,4,'2021-04-21 13:07:28','2021-04-21 17:07:28','<h3><a href=\"https://www.eventbrite.com/preview?eid=151825952511/\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\n<h2>Iceage</h2>\r\n\r\nWith each new release, Elias Bender Rnnenfelt, Jakob Tvilling Pless, Johan Surrballe Wieth and Dan Kjr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist in the form of Casper Morilla Fernandez, Seek Shelter sees Iceages propulsive momentum pushing them in new, expansive, ecstatic directions. A decade on from their first record, Iceage continue to harness their lives together through music. This journey, in music and life, has never progressed in a linear fashion.\r\n\r\nSeek Shelter is the sound of a tight emotional core unwound. Rain dripped through cracks in the ceiling of Namouche, the dilapidated wood-paneled vintage studio in Lisbon where the band set up for 12 days. The band had to arrange their equipment around puddles. Pieces of cloth covered slowly filling buckets so that the sound of raindrops wouldnt reach the microphones. Kember arranged garden lamps from a nearby party store for mood lighting in the high-ceiling space. It was the longest time Iceage have ever spent making an album. When the rain had stopped, Seek Shelter revealed itself as a collection of songs radiating warmth and a profound desire for salvation in a world thats spinning further and further out of control.\r\n\r\nIceage started making music together in 2008 as young teens in their hometown of Copenhagen. The bands 2011 debut, New Brigade, crystallized the raucous energy and unbreakable brotherhood of Danish teenagers weaned on post-punk, hardcore and no wave, and it found ears and kin around the world. 2012s Youre Nothing was hard, fast and raw, a bold doubling-down on the aggression of youth in the first record as well as the weight of expectation. Plowing Into the Field of Love (2014) and Beyondless (2018) saw a softening of the bands hardest edges and the arrival of a certain world-weary vaudeville in the Iceage sound. In an extraordinary and unexpected run, the band had gone from the fertile hyperlocal Copenhagen scene to stages all over the world. Iceages past two records all filtered twangy guitar riffs, sparse piano arrangements, and slinky, slow-moving rhythms ventured into an intoxicated but knowing swirl, surveying the party at the end of the night. Theyd seen it all, at least once, and their music rode the crest of that chaos.\r\nSeek Shelter, the bands first record made with an outside producer brought in alongside longtime collaborator Nis Bysted, is the place they have been called to next. Elias Bender Rnnenfelt casts the influence of producer Sonic Boom as that of a sparring partner, another wayward mind to bounce ideas off of and another pair of hands (along with Shawn Everett, who mixed the record) to help shape the sound. Kember had said in an interview that hed like to produce for the band, and the feeling was mutual. Rnnenfelt recalls being 12 or 13, listening to Spacemen 3, the band Kember co-founded in 1982 at the age of 16. It was one of those things that just reverberated with my being, he explains. For Seek Shelter, we wanted a partner that had some noise that we didnt have, more a wizard than a producer. We thought hed be that kind of wizard for us, and we were right he came in with a truckload of strange equipment that wed never seen before. Kember, reflecting on the session and reaching for his highest praise, describes Iceage as fucking show offs, like everyone who was ever great and emotional and honest.\r\n\r\nFor Seek Shelters story of scorched-earth salvation, the bands songwriting embraces conventional structures more conspicuously than it has in the past. The dirge-like drone that opens the record gives way to a wall of reverb that sounds fuller and brighter than anything they\'ve committed to tape, signalling a clarity of clouds breaking. American gospel and blues signatures break to the front of the slow-grooving Vendetta and harmonica-flecked Gold City, a record which sounds like the road, a desert mission under a blazing sun. The Lisboa Gospel Collective, who joined the band for two tracks on the final day in the studio, provide a new scale to Rnnenfelts incantations. There are moments of unvarnished romanticism, as on the brisk Jacques Brel-like Drink Rain, and an overcast tenderness that gently glides over Love Kills Slowly. The massive High &amp; Hurt interpolates Will the Circle Be Unbroken, a warhorse of the American religious vernacular that has become an increasingly urgent plea over the past century. Its not the only anthem that calls out to the heavens: later on, Rnnenfelt invokes the patron saint of music and poetry on Dear Saint Cecilia, a song for seekers everywhere. Writing a song is like trying to find a space where you can make something thats been riled up and down through the years feel like it belongs to your present moment, says Rnnenfelt. Its all just scaffolding that you can project something onto.\r\n\r\nRnnenfelts lyricism reaches grand heights despite its classic opacity he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine, a natural result of his desire to take a kernel of ordinary emotion and, as he explains, blow it up like a balloon. For Seek Shelter, as with all Iceages previous albums, Rnnenfelt stowed away for a set period of weeks and wrote the lyrics in one shot. I set a time just to make sure that all the lyrics are written from the same mindset, he explains of these weeks alone. The lyrics stem from journals that hes kept over the past few years: it becomes an amalgamation of ideas and impressions of things that youve been provoked by or had to live through. You end up with something that is a rough, blurry perspective of what that period of time was like, a mishmash of personal struggle that is shaded throughout by a world that seems more transparent in its inherently cruel ways. Romance and desire, as described in Love Kills Slowly and the album closer The Holding Hand, are feelings that stretch torturously a race without a finish line.\r\n\r\nWhat precisely makes an Iceage song is still a mysterious thing, and the band wishes to maintain this protean quality. If theres ever a point in our history when something in the songs starts to seem easy but doesnt really excite us that much, we just discard that shit right away, he says. Youve always got to find a new vantage point to attack the assignment of writing a song. If we had a formula, it would be just a continuous watering down of what we do until we hated ourselves and quit. With Seek Shelter, theyve managed to hold onto this core of presence and risk while writing their most ambitious songs. Even Rnnenfelt was surprised with what they were able to create together. I think when we started we were just lashing out completely blindfolded with no idea as to why we were doing anything. Hes speaking of the new record and also of their entire existence as a band, a travelogue that has catapulted these four friends far past the horizons of punk. Some of that we wanted to remain intact. We try to keep the mystery. If there\'s no sense of mystery in it for us, then it\'s not fun. Seek Shelter is a record that now exists at a moment of a collective unknown, when every beating heart wonders what will happens next.\r\n\r\n<a href=\"https://iceagecopenhagen.eu/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/IceageCopenhagen\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/iceage/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','','','inherit','closed','closed','','808-revision-v1','','','2021-04-21 13:07:28','2021-04-21 17:07:28','',808,'https://motorcomusic.com/?p=810',0,'revision','',0),(811,4,'2021-04-21 13:07:39','2021-04-21 17:07:39','<h3><a href=\"https://www.eventbrite.com/preview?eid=151825952511/\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\n<h2>Iceage</h2>\r\n\r\nWith each new release, Elias Bender Rnnenfelt, Jakob Tvilling Pless, Johan Surrballe Wieth and Dan Kjr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist in the form of Casper Morilla Fernandez, Seek Shelter sees Iceages propulsive momentum pushing them in new, expansive, ecstatic directions. A decade on from their first record, Iceage continue to harness their lives together through music. This journey, in music and life, has never progressed in a linear fashion.\r\n\r\nSeek Shelter is the sound of a tight emotional core unwound. Rain dripped through cracks in the ceiling of Namouche, the dilapidated wood-paneled vintage studio in Lisbon where the band set up for 12 days. The band had to arrange their equipment around puddles. Pieces of cloth covered slowly filling buckets so that the sound of raindrops wouldnt reach the microphones. Kember arranged garden lamps from a nearby party store for mood lighting in the high-ceiling space. It was the longest time Iceage have ever spent making an album. When the rain had stopped, Seek Shelter revealed itself as a collection of songs radiating warmth and a profound desire for salvation in a world thats spinning further and further out of control.\r\n\r\nIceage started making music together in 2008 as young teens in their hometown of Copenhagen. The bands 2011 debut, New Brigade, crystallized the raucous energy and unbreakable brotherhood of Danish teenagers weaned on post-punk, hardcore and no wave, and it found ears and kin around the world. 2012s Youre Nothing was hard, fast and raw, a bold doubling-down on the aggression of youth in the first record as well as the weight of expectation. Plowing Into the Field of Love (2014) and Beyondless (2018) saw a softening of the bands hardest edges and the arrival of a certain world-weary vaudeville in the Iceage sound. In an extraordinary and unexpected run, the band had gone from the fertile hyperlocal Copenhagen scene to stages all over the world. Iceages past two records all filtered twangy guitar riffs, sparse piano arrangements, and slinky, slow-moving rhythms ventured into an intoxicated but knowing swirl, surveying the party at the end of the night. Theyd seen it all, at least once, and their music rode the crest of that chaos.\r\nSeek Shelter, the bands first record made with an outside producer brought in alongside longtime collaborator Nis Bysted, is the place they have been called to next. Elias Bender Rnnenfelt casts the influence of producer Sonic Boom as that of a sparring partner, another wayward mind to bounce ideas off of and another pair of hands (along with Shawn Everett, who mixed the record) to help shape the sound. Kember had said in an interview that hed like to produce for the band, and the feeling was mutual. Rnnenfelt recalls being 12 or 13, listening to Spacemen 3, the band Kember co-founded in 1982 at the age of 16. It was one of those things that just reverberated with my being, he explains. For Seek Shelter, we wanted a partner that had some noise that we didnt have, more a wizard than a producer. We thought hed be that kind of wizard for us, and we were right he came in with a truckload of strange equipment that wed never seen before. Kember, reflecting on the session and reaching for his highest praise, describes Iceage as fucking show offs, like everyone who was ever great and emotional and honest.\r\n\r\nFor Seek Shelters story of scorched-earth salvation, the bands songwriting embraces conventional structures more conspicuously than it has in the past. The dirge-like drone that opens the record gives way to a wall of reverb that sounds fuller and brighter than anything they\'ve committed to tape, signalling a clarity of clouds breaking. American gospel and blues signatures break to the front of the slow-grooving Vendetta and harmonica-flecked Gold City, a record which sounds like the road, a desert mission under a blazing sun. The Lisboa Gospel Collective, who joined the band for two tracks on the final day in the studio, provide a new scale to Rnnenfelts incantations. There are moments of unvarnished romanticism, as on the brisk Jacques Brel-like Drink Rain, and an overcast tenderness that gently glides over Love Kills Slowly. The massive High &amp; Hurt interpolates Will the Circle Be Unbroken, a warhorse of the American religious vernacular that has become an increasingly urgent plea over the past century. Its not the only anthem that calls out to the heavens: later on, Rnnenfelt invokes the patron saint of music and poetry on Dear Saint Cecilia, a song for seekers everywhere. Writing a song is like trying to find a space where you can make something thats been riled up and down through the years feel like it belongs to your present moment, says Rnnenfelt. Its all just scaffolding that you can project something onto.\r\n\r\nRnnenfelts lyricism reaches grand heights despite its classic opacity he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine, a natural result of his desire to take a kernel of ordinary emotion and, as he explains, blow it up like a balloon. For Seek Shelter, as with all Iceages previous albums, Rnnenfelt stowed away for a set period of weeks and wrote the lyrics in one shot. I set a time just to make sure that all the lyrics are written from the same mindset, he explains of these weeks alone. The lyrics stem from journals that hes kept over the past few years: it becomes an amalgamation of ideas and impressions of things that youve been provoked by or had to live through. You end up with something that is a rough, blurry perspective of what that period of time was like, a mishmash of personal struggle that is shaded throughout by a world that seems more transparent in its inherently cruel ways. Romance and desire, as described in Love Kills Slowly and the album closer The Holding Hand, are feelings that stretch torturously a race without a finish line.\r\n\r\nWhat precisely makes an Iceage song is still a mysterious thing, and the band wishes to maintain this protean quality. If theres ever a point in our history when something in the songs starts to seem easy but doesnt really excite us that much, we just discard that shit right away, he says. Youve always got to find a new vantage point to attack the assignment of writing a song. If we had a formula, it would be just a continuous watering down of what we do until we hated ourselves and quit. With Seek Shelter, theyve managed to hold onto this core of presence and risk while writing their most ambitious songs. Even Rnnenfelt was surprised with what they were able to create together. I think when we started we were just lashing out completely blindfolded with no idea as to why we were doing anything. Hes speaking of the new record and also of their entire existence as a band, a travelogue that has catapulted these four friends far past the horizons of punk. Some of that we wanted to remain intact. We try to keep the mystery. If there\'s no sense of mystery in it for us, then it\'s not fun. Seek Shelter is a record that now exists at a moment of a collective unknown, when every beating heart wonders what will happens next.\r\n\r\n<a href=\"https://iceagecopenhagen.eu/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/IceageCopenhagen\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/iceage/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','Iceage','','inherit','closed','closed','','808-revision-v1','','','2021-04-21 13:07:39','2021-04-21 17:07:39','',808,'https://motorcomusic.com/?p=811',0,'revision','',0),(813,4,'2021-04-21 13:11:49','2021-04-21 17:11:49','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live in the Lot resents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 13:11:49','2021-04-21 17:11:49','',800,'https://motorcomusic.com/?p=813',0,'revision','',0),(815,4,'2021-04-21 13:40:27','2021-04-21 17:40:27','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents ABBEY ROAD LIVE!','','publish','open','closed','','abbey-road','','','2021-05-15 13:36:44','2021-05-15 17:36:44','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=815',0,'tribe_events','',0),(816,4,'2021-04-21 13:19:45','2021-04-21 17:19:45','<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\nEvent tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD. \r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\n\r\nGot questions, check out our FAQ page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, click here.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\nMORE INFO ABOUT THIS EVENT!\r\n\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw & spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-04-21 13:19:45','2021-04-21 17:19:45','',815,'https://motorcomusic.com/?p=816',0,'revision','',0),(817,4,'2021-04-21 13:34:24','2021-04-21 17:34:24','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our FAQ page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, click here.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\nMORE INFO ABOUT THIS EVENT!\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-04-21 13:34:24','2021-04-21 17:34:24','',815,'https://motorcomusic.com/?p=817',0,'revision','',0),(818,4,'2021-04-21 13:34:32','2021-04-21 17:34:32','','Abbey-Road','','inherit','open','closed','','abbey-road-2','','','2021-04-21 13:34:32','2021-04-21 17:34:32','',815,'https://motorcomusic.com/wp-content/uploads/2021/04/Abbey-Road.jpg',0,'attachment','image/jpeg',0),(819,4,'2021-04-21 13:37:22','2021-04-21 17:37:22','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" rel=\"noopener\" target=\"_blank\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" rel=\"noopener\" target=\"_blank\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-04-21 13:37:22','2021-04-21 17:37:22','',815,'https://motorcomusic.com/?p=819',0,'revision','',0),(820,4,'2021-04-27 15:48:04','2021-04-27 19:48:04','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-DRAG/423706?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','publish','open','closed','','live-in-the-lot-presents-drag','','','2021-05-03 14:00:06','2021-05-03 18:00:06','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=820',0,'tribe_events','',0),(821,4,'2021-04-21 13:49:06','2021-04-21 17:49:06','','Drag','','inherit','open','closed','','drag','','','2021-04-21 13:49:06','2021-04-21 17:49:06','',820,'https://motorcomusic.com/wp-content/uploads/2021/04/Drag.jpg',0,'attachment','image/jpeg',0),(822,4,'2021-04-21 13:50:20','2021-04-21 17:50:20','They\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','inherit','closed','closed','','820-revision-v1','','','2021-04-21 13:50:20','2021-04-21 17:50:20','',820,'https://motorcomusic.com/?p=822',0,'revision','',0),(823,4,'2021-04-21 13:52:21','2021-04-21 17:52:21','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-DRAG/423706?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','inherit','closed','closed','','820-revision-v1','','','2021-04-21 13:52:21','2021-04-21 17:52:21','',820,'https://motorcomusic.com/?p=823',0,'revision','',0),(824,4,'2021-04-21 14:03:41','2021-04-21 18:03:41','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3>Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: DIALI CISSOKHO & KAIRA BA','','publish','open','closed','','live-in-the-lot-presents-diali-cissokho-and-kaira-ba','','','2021-05-15 13:38:07','2021-05-15 17:38:07','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=824',0,'tribe_events','',0),(825,4,'2021-04-21 13:54:40','2021-04-21 17:54:40','','Diali Cissokho','','inherit','open','closed','','diali-cissokho','','','2021-04-21 13:54:40','2021-04-21 17:54:40','',824,'https://motorcomusic.com/wp-content/uploads/2021/04/Diali-Cissokho.jpg',0,'attachment','image/jpeg',0),(826,4,'2021-04-21 13:58:24','2021-04-21 17:58:24','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" rel=\"noopener\" target=\"_blank\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" rel=\"noopener\" target=\"_blank\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" rel=\"noopener\" target=\"_blank\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: Diali Cissokho and Kaira Ba','','inherit','closed','closed','','824-revision-v1','','','2021-04-21 13:58:24','2021-04-21 17:58:24','',824,'https://motorcomusic.com/?p=826',0,'revision','',0),(827,4,'2021-04-21 14:00:01','2021-04-21 18:00:01','<h3><a href=\"https://www.eventbrite.com/preview?eid=151825952511/\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n\r\n<h2>Iceage</h2>\r\n\r\nWith each new release, Elias Bender Rnnenfelt, Jakob Tvilling Pless, Johan Surrballe Wieth and Dan Kjr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist in the form of Casper Morilla Fernandez, Seek Shelter sees Iceages propulsive momentum pushing them in new, expansive, ecstatic directions. A decade on from their first record, Iceage continue to harness their lives together through music. This journey, in music and life, has never progressed in a linear fashion.\r\n\r\nSeek Shelter is the sound of a tight emotional core unwound. Rain dripped through cracks in the ceiling of Namouche, the dilapidated wood-paneled vintage studio in Lisbon where the band set up for 12 days. The band had to arrange their equipment around puddles. Pieces of cloth covered slowly filling buckets so that the sound of raindrops wouldnt reach the microphones. Kember arranged garden lamps from a nearby party store for mood lighting in the high-ceiling space. It was the longest time Iceage have ever spent making an album. When the rain had stopped, Seek Shelter revealed itself as a collection of songs radiating warmth and a profound desire for salvation in a world thats spinning further and further out of control.\r\n\r\nIceage started making music together in 2008 as young teens in their hometown of Copenhagen. The bands 2011 debut, New Brigade, crystallized the raucous energy and unbreakable brotherhood of Danish teenagers weaned on post-punk, hardcore and no wave, and it found ears and kin around the world. 2012s Youre Nothing was hard, fast and raw, a bold doubling-down on the aggression of youth in the first record as well as the weight of expectation. Plowing Into the Field of Love (2014) and Beyondless (2018) saw a softening of the bands hardest edges and the arrival of a certain world-weary vaudeville in the Iceage sound. In an extraordinary and unexpected run, the band had gone from the fertile hyperlocal Copenhagen scene to stages all over the world. Iceages past two records all filtered twangy guitar riffs, sparse piano arrangements, and slinky, slow-moving rhythms ventured into an intoxicated but knowing swirl, surveying the party at the end of the night. Theyd seen it all, at least once, and their music rode the crest of that chaos.\r\n\r\nSeek Shelter, the bands first record made with an outside producer brought in alongside longtime collaborator Nis Bysted, is the place they have been called to next. Elias Bender Rnnenfelt casts the influence of producer Sonic Boom as that of a sparring partner, another wayward mind to bounce ideas off of and another pair of hands (along with Shawn Everett, who mixed the record) to help shape the sound. Kember had said in an interview that hed like to produce for the band, and the feeling was mutual. Rnnenfelt recalls being 12 or 13, listening to Spacemen 3, the band Kember co-founded in 1982 at the age of 16. It was one of those things that just reverberated with my being, he explains. For Seek Shelter, we wanted a partner that had some noise that we didnt have, more a wizard than a producer. We thought hed be that kind of wizard for us, and we were right he came in with a truckload of strange equipment that wed never seen before. Kember, reflecting on the session and reaching for his highest praise, describes Iceage as fucking show offs, like everyone who was ever great and emotional and honest.\r\n\r\nFor Seek Shelters story of scorched-earth salvation, the bands songwriting embraces conventional structures more conspicuously than it has in the past. The dirge-like drone that opens the record gives way to a wall of reverb that sounds fuller and brighter than anything they\'ve committed to tape, signalling a clarity of clouds breaking. American gospel and blues signatures break to the front of the slow-grooving Vendetta and harmonica-flecked Gold City, a record which sounds like the road, a desert mission under a blazing sun. The Lisboa Gospel Collective, who joined the band for two tracks on the final day in the studio, provide a new scale to Rnnenfelts incantations. There are moments of unvarnished romanticism, as on the brisk Jacques Brel-like Drink Rain, and an overcast tenderness that gently glides over Love Kills Slowly. The massive High &amp; Hurt interpolates Will the Circle Be Unbroken, a warhorse of the American religious vernacular that has become an increasingly urgent plea over the past century. Its not the only anthem that calls out to the heavens: later on, Rnnenfelt invokes the patron saint of music and poetry on Dear Saint Cecilia, a song for seekers everywhere. Writing a song is like trying to find a space where you can make something thats been riled up and down through the years feel like it belongs to your present moment, says Rnnenfelt. Its all just scaffolding that you can project something onto.\r\n\r\nRnnenfelts lyricism reaches grand heights despite its classic opacity he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine, a natural result of his desire to take a kernel of ordinary emotion and, as he explains, blow it up like a balloon. For Seek Shelter, as with all Iceages previous albums, Rnnenfelt stowed away for a set period of weeks and wrote the lyrics in one shot. I set a time just to make sure that all the lyrics are written from the same mindset, he explains of these weeks alone. The lyrics stem from journals that hes kept over the past few years: it becomes an amalgamation of ideas and impressions of things that youve been provoked by or had to live through. You end up with something that is a rough, blurry perspective of what that period of time was like, a mishmash of personal struggle that is shaded throughout by a world that seems more transparent in its inherently cruel ways. Romance and desire, as described in Love Kills Slowly and the album closer The Holding Hand, are feelings that stretch torturously a race without a finish line.\r\n\r\nWhat precisely makes an Iceage song is still a mysterious thing, and the band wishes to maintain this protean quality. If theres ever a point in our history when something in the songs starts to seem easy but doesnt really excite us that much, we just discard that shit right away, he says. Youve always got to find a new vantage point to attack the assignment of writing a song. If we had a formula, it would be just a continuous watering down of what we do until we hated ourselves and quit. With Seek Shelter, theyve managed to hold onto this core of presence and risk while writing their most ambitious songs. Even Rnnenfelt was surprised with what they were able to create together. I think when we started we were just lashing out completely blindfolded with no idea as to why we were doing anything. Hes speaking of the new record and also of their entire existence as a band, a travelogue that has catapulted these four friends far past the horizons of punk. Some of that we wanted to remain intact. We try to keep the mystery. If there\'s no sense of mystery in it for us, then it\'s not fun. Seek Shelter is a record that now exists at a moment of a collective unknown, when every beating heart wonders what will happens next.\r\n\r\n<a href=\"https://iceagecopenhagen.eu/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/IceageCopenhagen\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/iceage/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','ICEAGE','','inherit','closed','closed','','808-revision-v1','','','2021-04-21 14:00:01','2021-04-21 18:00:01','',808,'https://motorcomusic.com/?p=827',0,'revision','',0),(828,4,'2021-04-21 14:01:06','2021-04-21 18:01:06','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live In the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-21 14:01:06','2021-04-21 18:01:06','',800,'https://motorcomusic.com/?p=828',0,'revision','',0),(829,4,'2021-05-03 13:44:34','2021-05-03 17:44:34','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\n<h3>Doors @ 6pm - Show @ 8pm</h3>\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\n\n<hr />\n\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\n\nBYOC - BRING YOUR OWN CHAIR\n\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\n\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\n\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\n\n<hr />\n\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\n\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\n\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\n\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\n\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\n\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\n\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\n\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: Diali Cissokho and Kaira Ba','','inherit','closed','closed','','824-autosave-v1','','','2021-05-03 13:44:34','2021-05-03 17:44:34','',824,'https://motorcomusic.com/?p=829',0,'revision','',0),(830,4,'2021-04-24 10:22:07','2021-04-24 14:22:07','<h4><a href=\"https://www.eventbrite.com/e/jake-miller-tickets-150117456353\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n\r\n<h2>JAKE MILLER</h2>\r\nJake Miller is a Miami-raised and Los Angeles-based recording artist, songwriter, and producer who takes matters into his own hands. Not only does he craft all of his own beats and lyrics, but the multiinstrumentalist also plays guitar and piano. His approach adds a tactile touch and heartfelt honesty to soulful pop melodies augmented by trap drum beats and 808s.\r\n\r\nOver the course of his promising career, Miller has amassed a diehard following dubbed The Millertary, clocked 275 million cumulative streams, shared the stage with the likes of Ariana Grande, Shawn Mendes, and Fifth Harmony, embarked on 8 headlining nationwide tours, and has garnered the endorsement of People Magazine, Billboard, MTV, Teen VOGUE, Forbes, and Cosmopolitan along the way. In 2019, he issued BASED ON A TRUE STORY, his 6-song EP that he wrote and produced exclusively in his bedroom, which has gone on to clock 15 million U.S. streams to date and yielded the Billboard Top 40-charting hit single \"WAIT FOR YOU,\" which he performed on LIVE with Kelly and Ryan.\r\n\r\nIn May 2020, Jake took TikTok by storm when he accumulated more than 795K followers, 50 million views, and 9 million likes on the platform as well as national press coverage in PEOPLE, Entertainment Tonight, GRAMMY.com, and Yahoo! in support of his viral Quarantunes. He dropped a steady string of releases including the fiery \"SAVED ME,\" bouncy follow up \"BLAME IT ON YOU, the Friends-inspired love song ROSS AND RACHEL, EDM banger RESET, and the upbeat JUMPIN collab with MILES, all of which Millers mindset heading into this next chapter of his multifaceted career.\r\n\r\nGearing up for the release of his new album out later this year, Miller has redefined his sound by working with notable producers and songwriters to establish a new wave of pop-trap music his fans wouldnt normally expect from him.\r\n\r\n<a href=\"https://www.jakemiller.com/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<hr />\r\n\r\n<h2>FLY BY MIDNIGHT</h2>\r\n<img class=\"alignnone size-full wp-image-782\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Fly-By-Midnight.jpg\" alt=\"\" width=\"720\" height=\"846\" />\r\n\r\nIndie-pop duo Fly By Midnight have garnered a global fanbase with their unique blend of pop-driven anthems. The duo have racked in over 30 million streams across platforms, produced hit singles Love Me Like A Friend and Lovely, and been featured on numerous Spotify playlists (Chill Hits, NMF US &amp; more). Also known amongst the industry as the writing/production duo behind artists such as Julie Bergan, VHS Collection, Shawn Hook, Betty Who &amp; more, Fly By Midnight has garnered praise from tastemakers such as Billboard, Buzzfeed, NYLON, Huffington Post, MTV, Forbes, etc.\r\n\r\n<hr />\r\n\r\n<h2>JUST SECONDS APART</h2>\r\n<img class=\"alignnone size-full wp-image-784\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Just-Seconds-Apart.jpg\" alt=\"\" width=\"720\" height=\"480\" />\r\n\r\nJust Seconds Apart is made up of Sela, Ari, &amp; Alex Poulos - 20-year-old triplets who have devoted most of their lives to making music. Featuring Sela on drums, Ari on guitar, and Alex on keyboards and basswith all three siblings lending their vocal talents. Just Seconds Apart delivers a timeless pop-rock sound built on irresistible hooks, heart-stirring lyrics, and breathtaking three-part harmonies.\r\n\r\nJust Seconds Apart thrives on their unbreakable bond as siblings and musicians. Every day I think we realize more and more how lucky we are to have this band, says Sela. Were so close anywaywere best friendsand being able to create and play this music together just makes everything that much more special.','JAKE MILLER','','inherit','closed','closed','','777-revision-v1','','','2021-04-24 10:22:07','2021-04-24 14:22:07','',777,'https://motorcomusic.com/?p=830',0,'revision','',0),(831,4,'2021-04-26 12:00:31','2021-04-26 16:00:31','<h4><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>SUMMER SALT / Covey / Breakup Shoes</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\" Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img class=\"alignnone size-full wp-image-835\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','publish','open','closed','','summer-salt-covey-breakup-shoes','','','2021-05-15 13:39:22','2021-05-15 17:39:22','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=831',0,'tribe_events','',0),(832,4,'2021-04-24 15:30:45','2021-04-24 19:30:45','','Summer-Salt','','inherit','open','closed','','summer-salt','','','2021-04-24 15:30:45','2021-04-24 19:30:45','',831,'https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt.jpg',0,'attachment','image/jpeg',0),(833,4,'2021-04-24 15:30:46','2021-04-24 19:30:46','','Summer-Salt-4','','inherit','open','closed','','summer-salt-4','','','2021-04-24 15:30:46','2021-04-24 19:30:46','',831,'https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-4.jpg',0,'attachment','image/jpeg',0),(834,4,'2021-04-24 15:30:46','2021-04-24 19:30:46','','Summer-Salt-2','','inherit','open','closed','','summer-salt-2','','','2021-04-24 15:30:46','2021-04-24 19:30:46','',831,'https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-2.jpg',0,'attachment','image/jpeg',0),(835,4,'2021-04-24 15:30:47','2021-04-24 19:30:47','','Summer-Salt-3','','inherit','open','closed','','summer-salt-3','','','2021-04-24 15:30:47','2021-04-24 19:30:47','',831,'https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg',0,'attachment','image/jpeg',0),(836,4,'2021-04-24 15:52:35','2021-04-24 19:52:35','<h3><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>SUMMER SALT / Covey / Breakup Shoes</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\" Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','831-revision-v1','','','2021-04-24 15:52:35','2021-04-24 19:52:35','',831,'https://motorcomusic.com/?p=836',0,'revision','',0),(838,4,'2021-04-24 15:57:07','2021-04-24 19:57:07','<h3><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>SUMMER SALT / Covey / Breakup Shoes</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\" Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" class=\"alignnone size-full wp-image-835\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','831-revision-v1','','','2021-04-24 15:57:07','2021-04-24 19:57:07','',831,'https://motorcomusic.com/?p=838',0,'revision','',0),(839,4,'2021-04-26 10:40:16','2021-04-26 14:40:16','<h4><a href=\"#\">SOLD OUT!</a></h4>\r\n\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','BEACH BUNNY','','publish','open','closed','','beach-bunny','','','2021-05-08 09:42:31','2021-05-08 13:42:31','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=839',0,'tribe_events','',0),(840,4,'2021-04-26 10:38:33','2021-04-26 14:38:33','','Beach-Bunny','','inherit','open','closed','','beach-bunny','','','2021-04-26 10:38:33','2021-04-26 14:38:33','',839,'https://motorcomusic.com/wp-content/uploads/2021/04/Beach-Bunny.jpg',0,'attachment','image/jpeg',0),(841,4,'2021-04-26 10:38:37','2021-04-26 14:38:37','Few artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year. \r\n','Beach Bunny','','inherit','closed','closed','','839-revision-v1','','','2021-04-26 10:38:37','2021-04-26 14:38:37','',839,'https://motorcomusic.com/?p=841',0,'revision','',0),(842,4,'2021-04-26 10:39:42','2021-04-26 14:39:42','<h3>Buy Tickets Here</h3>\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','Beach Bunny','','inherit','closed','closed','','839-revision-v1','','','2021-04-26 10:39:42','2021-04-26 14:39:42','',839,'https://motorcomusic.com/?p=842',0,'revision','',0),(843,4,'2021-04-26 10:40:03','2021-04-26 14:40:03','<h3><a href=\"https://www.eventbrite.com/e/beach-bunny-tickets-152002249821\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','Beach Bunny','','inherit','closed','closed','','839-revision-v1','','','2021-04-26 10:40:03','2021-04-26 14:40:03','',839,'https://motorcomusic.com/?p=843',0,'revision','',0),(844,4,'2021-04-26 10:49:10','2021-04-26 14:49:10','<h3><a href=\"https://www.eventbrite.com/e/beach-bunny-tickets-152002249821\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','BEACH BUNNY','','inherit','closed','closed','','839-revision-v1','','','2021-04-26 10:49:10','2021-04-26 14:49:10','',839,'https://motorcomusic.com/?p=844',0,'revision','',0),(845,4,'2021-04-26 11:02:11','2021-04-26 15:02:11','<h3><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>SUMMER SALT</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\"Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" class=\"alignnone size-full wp-image-835\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','trash','open','closed','','summer-salt-covey-breakup-shoes-2__trashed','','','2021-04-26 11:03:16','2021-04-26 15:03:16','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=845',0,'tribe_events','',0),(846,4,'2021-04-26 10:56:21','2021-04-26 14:56:21','As kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\"Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<a href=\"https://www.summersalt.band/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" rel=\"noopener\" target=\"_blank\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','845-revision-v1','','','2021-04-26 10:56:21','2021-04-26 14:56:21','',845,'https://motorcomusic.com/?p=846',0,'revision','',0),(847,4,'2021-04-26 10:58:22','2021-04-26 14:58:22','<h3><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>SUMMER SALT</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\"Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" class=\"alignnone size-full wp-image-835\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','845-revision-v1','','','2021-04-26 10:58:22','2021-04-26 14:58:22','',845,'https://motorcomusic.com/?p=847',0,'revision','',0),(850,4,'2021-04-27 11:22:35','2021-04-27 15:22:35','<h4><a href=\"https://www.eventbrite.com/e/jmsn-tickets-99028596197\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<img class=\"alignnone size-full wp-image-855\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/JMSM-2.jpg\" alt=\"\" width=\"720\" height=\"1080\" />\r\n\r\n<a href=\"https://iamjmsn.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','JMSN','','publish','open','closed','','jmsn','','','2021-05-15 13:39:49','2021-05-15 17:39:49','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=850',0,'tribe_events','',0),(851,4,'2021-04-27 11:18:21','2021-04-27 15:18:21','<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<a href=\"https://iamjmsn.com/\" rel=\"noopener\" target=\"_blank\"><strong>Official Website</strong></a>','','','inherit','closed','closed','','850-revision-v1','','','2021-04-27 11:18:21','2021-04-27 15:18:21','',850,'https://motorcomusic.com/?p=851',0,'revision','',0),(852,4,'2021-04-27 11:18:28','2021-04-27 15:18:28','<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<a href=\"https://iamjmsn.com/\" rel=\"noopener\" target=\"_blank\"><strong>Official Website</strong></a>','JMSN','','inherit','closed','closed','','850-revision-v1','','','2021-04-27 11:18:28','2021-04-27 15:18:28','',850,'https://motorcomusic.com/?p=852',0,'revision','',0),(853,4,'2021-04-27 11:21:40','2021-04-27 15:21:40','<h3><a href=\"https://www.eventbrite.com/e/jmsn-tickets-99028596197\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<a href=\"https://iamjmsn.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','JMSN','','inherit','closed','closed','','850-revision-v1','','','2021-04-27 11:21:40','2021-04-27 15:21:40','',850,'https://motorcomusic.com/?p=853',0,'revision','',0),(854,4,'2021-04-27 11:21:56','2021-04-27 15:21:56','','JMSM','','inherit','open','closed','','jmsm','','','2021-04-27 11:21:56','2021-04-27 15:21:56','',850,'https://motorcomusic.com/wp-content/uploads/2021/04/JMSM.jpg',0,'attachment','image/jpeg',0),(855,4,'2021-04-27 11:22:08','2021-04-27 15:22:08','','JMSM-2','','inherit','open','closed','','jmsm-2','','','2021-04-27 11:22:08','2021-04-27 15:22:08','',850,'https://motorcomusic.com/wp-content/uploads/2021/04/JMSM-2.jpg',0,'attachment','image/jpeg',0),(856,4,'2021-04-27 11:22:12','2021-04-27 15:22:12','<h3><a href=\"https://www.eventbrite.com/e/jmsn-tickets-99028596197\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/JMSM-2.jpg\" alt=\"\" width=\"720\" height=\"1080\" class=\"alignnone size-full wp-image-855\" />\r\n\r\n<a href=\"https://iamjmsn.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','JMSN','','inherit','closed','closed','','850-revision-v1','','','2021-04-27 11:22:12','2021-04-27 15:22:12','',850,'https://motorcomusic.com/?p=856',0,'revision','',0),(859,4,'2021-04-27 12:00:04','2021-04-27 16:00:04','<h4><a href=\"https://www.eventbrite.com/e/fruit-bats-tickets-152000099389\" target=\"_blank\" rel=\"noopener\">Get Tickets Here</a></h3>\r\n<h2>FRUIT BATS</h4>\r\nFruit Bats\' eighth LP opens with this invocation, this call from an isolated vocal room to your headphones somewhere out in the world. It\'s a beckoning for your trust and attention, but also an assurance in lonely timesa distillation of melancholy wrapped in a danceable waltz.\r\n\r\n\"The Pet Parade,\" the title track to Fruit Bats\' newest album, might be a surprising opening track for longtime fans of Eric D. Johnson\'s beloved indie folk-rock project. The six-and-a half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence.\r\n\r\nWhile many of the songs on The Pet Parade were actually written before the pandemic, it\'s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anas Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Paradedrummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron &amp; Wine) were forced to self-record their parts in bedrooms and home studios across America. Still, says Johnson, \"The songs have enough intimacy that it doesn\'t sound like it was made a million miles away.\"\r\n\r\nSuch tension and turmoil also impacted the lyrics of The Pet Parade. While \"Cub Pilot\" and \"Here For Now, For You\" began as more traditional love songsfrom a personal \"I\" to a specific \"you\"Johnson quickly realized that these songs needed to comfort broader audiences, changing the words to a more inclusive \"we\" and \"us.\" So too in \"The Balcony,\" a song ostensibly about a particular space in his grandmother\'s apartment, but one that evolved into a metaphor on patience.\r\n\r\nAt times upbeat and reassuring (\"Eagles Below Us\") and at times quietly contemplative (\"On the Avalon Stairs\"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.\r\n\r\nAnd Johnson himselfwho has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and most recently, earned two GRAMMY nominations with Bonny Light Horseman – doesn\'t take this long route of life\'s pet parade for granted. \"I\'m still really excited to make records,\" he says. \"Lucky and happy and maybe happier that things went slower for me. I\'m savoring it a lot more.\"','FRUIT BATS','','publish','open','closed','','fruit-bats','','','2021-05-03 12:02:06','2021-05-03 16:02:06','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=859',0,'tribe_events','',0),(860,4,'2021-04-27 11:36:24','2021-04-27 15:36:24','<h3><a href=\"https://www.eventbrite.com/e/fruit-bats-tickets-152000099389\" target=\"_blank\" rel=\"noopener\">Get Tickets Here</a></h3>\r\n<h2>FRUIT BATS</h2>\r\nFruit Bats\' eighth LP opens with this invocation, this call from an isolated vocal room to your headphones somewhere out in the world. It\'s a beckoning for your trust and attention, but also an assurance in lonely timesa distillation of melancholy wrapped in a danceable waltz.\r\n\r\n\"The Pet Parade,\" the title track to Fruit Bats\' newest album, might be a surprising opening track for longtime fans of Eric D. Johnson\'s beloved indie folk-rock project. The six-and-a half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence.\r\n\r\nWhile many of the songs on The Pet Parade were actually written before the pandemic, it\'s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anas Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Paradedrummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron &amp; Wine) were forced to self-record their parts in bedrooms and home studios across America. Still, says Johnson, \"The songs have enough intimacy that it doesn\'t sound like it was made a million miles away.\"\r\n\r\nSuch tension and turmoil also impacted the lyrics of The Pet Parade. While \"Cub Pilot\" and \"Here For Now, For You\" began as more traditional love songsfrom a personal \"I\" to a specific \"you\"Johnson quickly realized that these songs needed to comfort broader audiences, changing the words to a more inclusive \"we\" and \"us.\" So too in \"The Balcony,\" a song ostensibly about a particular space in his grandmother\'s apartment, but one that evolved into a metaphor on patience.\r\n\r\nAt times upbeat and reassuring (\"Eagles Below Us\") and at times quietly contemplative (\"On the Avalon Stairs\"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.\r\n\r\nAnd Johnson himselfwho has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and most recently, earned two GRAMMY nominations with Bonny Light Horseman – doesn\'t take this long route of life\'s pet parade for granted. \"I\'m still really excited to make records,\" he says. \"Lucky and happy and maybe happier that things went slower for me. I\'m savoring it a lot more.\"','FRUIT BATS','','inherit','closed','closed','','859-revision-v1','','','2021-04-27 11:36:24','2021-04-27 15:36:24','',859,'https://motorcomusic.com/?p=860',0,'revision','',0),(861,4,'2021-04-27 11:36:58','2021-04-27 15:36:58','','Fruit-Bats','','inherit','open','closed','','fruit-bats','','','2021-04-27 11:36:58','2021-04-27 15:36:58','',859,'https://motorcomusic.com/wp-content/uploads/2021/04/Fruit-Bats.jpeg',0,'attachment','image/jpeg',0),(863,4,'2021-04-27 11:47:30','2021-04-27 15:47:30','<h4><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h4>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live, and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n\r\n“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”—<strong>NEW YORK TIMES</strong>\r\n\r\n<a href=\"https://www.facebook.com/neilhamburger/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hamburgerneil\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/NeilHamburger\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-27 11:47:30','2021-04-27 15:47:30','',719,'https://motorcomusic.com/?p=863',0,'revision','',0),(864,4,'2021-04-27 11:49:55','2021-04-27 15:49:55','<h4><a href=\"https://www.eventbrite.com/e/new-date-neil-hamburger-major-entertainer-tickets-85682782509\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></h4>\r\n<h2><strong>NEIL HAMBURGER</strong></h2>\r\nFor over 20 years, ‘America’s Funnyman’ Neil Hamburger has worked every imaginable stage, from New York’s Madison Square Garden and the UK’s Reading Festival, to a Hollywood cemetery, Tasmanian pubs, and an abandoned monkey cage in a decrepit Catskills zoo.\r\n\r\nHe has performed countless headlining American, Australian, British, and Canadian tours, as well as shows in Norway, New Zealand, Ireland, and the Bahamas. He has toured internationally as the cherry-picked opening act for Tenacious D and Faith No More.\r\n\r\nNeil Hamburger was the subject of the critically acclaimed dramatic 2015 feature film Entertainment, co-starring John C. Reilly, Tye Sheridan, and Michael Cera. Neil’s many TV credits include Tim and Eric Awesome Show, Tom Green Live, and Jimmy Kimmel Live.\r\n\r\nAmong his dozen album releases is Live at Third Man, produced by Jack White in Nashville; an earlier Hamburger effort was included in SPIN’s ‘40 Greatest Comedy Albums of All Time’. His latest LP, the chamber-pop epic Still Dwelling, features guest appearances from Jack Black and Mike Patton.\r\n<blockquote>“A brilliantly awful persona of an old-school, C-list funnyman—the kind with an ill-fitting tuxedo and an enormous, greasy combover—on a very bad night. Neil Hamburger toys with an audience’s expectations (and patience), and indeed his act is a kind of rude commentary on stand-up comedy altogether.”— <strong><em>New York Times</em></strong></blockquote>\r\n<a href=\"https://www.facebook.com/neilhamburger/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hamburgerneil\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/NeilHamburger\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','NEIL HAMBURGER','','inherit','closed','closed','','719-revision-v1','','','2021-04-27 11:49:55','2021-04-27 15:49:55','',719,'https://motorcomusic.com/?p=864',0,'revision','',0),(866,4,'2021-04-28 12:44:17','2021-04-28 16:44:17','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-The-Wusses/424306?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<h2>THE WUSSES</h2>\r\nOne speaks of the majesty of the Wusses in hushed, reverent tones the same way one speaks of someone of great power and prestige like members of the school board or a guy who owns his own tux. In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional acts <em>The Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonics</em> in the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. The article Hit-morrhage speculated that perhaps since no regular people could churn out so many fine hits that the Wusses were actually multi-dimensional beings who\'s multi-point existence allowed them to bring in hit songs from other worlds. Of course, that person is dead now.\r\n\r\nYes, these men are heroes of our time and stopped pain, famine, suffering and the loss of blood and babies to the ocean. Love them, why don\'t you?','Live In the Lot presents: THE WUSSES','','publish','open','closed','','the-wusses','','','2021-05-03 13:59:38','2021-05-03 17:59:38','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=866',0,'tribe_events','',0),(867,4,'2021-04-27 15:48:04','2021-04-27 19:48:04','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-DRAG/423706?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','inherit','closed','closed','','820-revision-v1','','','2021-04-27 15:48:04','2021-04-27 19:48:04','',820,'https://motorcomusic.com/?p=867',0,'revision','',0),(868,4,'2021-04-27 15:48:35','2021-04-27 19:48:35','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: Diali Cissokho and Kaira Ba','','inherit','closed','closed','','824-revision-v1','','','2021-04-27 15:48:35','2021-04-27 19:48:35','',824,'https://motorcomusic.com/?p=868',0,'revision','',0),(869,4,'2021-04-27 15:48:45','2021-04-27 19:48:45','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live In the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-04-27 15:48:45','2021-04-27 19:48:45','',800,'https://motorcomusic.com/?p=869',0,'revision','',0),(870,4,'2021-04-27 15:48:53','2021-04-27 19:48:53','<h3><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-04-27 15:48:53','2021-04-27 19:48:53','',815,'https://motorcomusic.com/?p=870',0,'revision','',0),(871,4,'2021-04-28 12:36:21','2021-04-28 16:36:21','<h3>Buy Tickets Here</h3>\r\n<h2>THE WUSSES</h2>\r\nOne speaks of the majesty of the Wusses in hushed, reverent tones the same way one speaks of someone of great power and prestige like members of the school board or a guy who owns his own tux. In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional actsthe Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonicsin the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. The article Hit-morrhage speculated that perhapssince no regular people could churn out so many fine hitsthat the Wusses were actually multi-dimensional beings whos multi-point existence allowed them to bring in hit songs from other worlds. Of course, that person is dead now.\r\n\r\nYes, these men are heroes of our time and stopped pain, famine, suffering and the loss of blood and babies to the ocean. Love them, why dont you?','Live In the Lot presents: THE WUSSES','','inherit','closed','closed','','866-revision-v1','','','2021-04-28 12:36:21','2021-04-28 16:36:21','',866,'https://motorcomusic.com/?p=871',0,'revision','',0),(872,4,'2021-04-28 12:36:37','2021-04-28 16:36:37','<h3><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-The-Wusses/424306?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>THE WUSSES</h2>\r\nOne speaks of the majesty of the Wusses in hushed, reverent tones the same way one speaks of someone of great power and prestige like members of the school board or a guy who owns his own tux. In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional actsthe Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonicsin the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. The article Hit-morrhage speculated that perhapssince no regular people could churn out so many fine hitsthat the Wusses were actually multi-dimensional beings whos multi-point existence allowed them to bring in hit songs from other worlds. Of course, that person is dead now.\r\n\r\nYes, these men are heroes of our time and stopped pain, famine, suffering and the loss of blood and babies to the ocean. 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In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional acts <em>The Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonics</em> in the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. 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900px;\n}','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-04-28 13:16:01','2021-04-28 17:16:01','',874,'https://motorcomusic.com/?p=896',0,'revision','',0),(897,4,'2021-04-28 13:16:18','2021-04-28 17:16:18','{\n    \"custom_css[motorco]\": {\n        \"value\": \"\",\n        \"type\": \"custom_css\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-04-28 17:16:18\"\n    }\n}','','','trash','closed','closed','','7f429772-86c0-45fd-aa13-3127066ebc97','','','2021-04-28 13:16:18','2021-04-28 17:16:18','',0,'https://motorcomusic.com/2021/04/28/7f429772-86c0-45fd-aa13-3127066ebc97/',0,'customize_changeset','',0),(898,4,'2021-04-28 13:16:19','2021-04-28 17:16:19','','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-04-28 13:16:19','2021-04-28 17:16:19','',874,'https://motorcomusic.com/?p=898',0,'revision','',0),(899,4,'2021-05-03 12:00:53','2021-05-03 16:00:53','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\r\n<ul>\r\n 	<li>All attendees must have proof of vaccination</li>\r\n 	<li>Masks will be required</li>\r\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\r\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\r\n</ul>\r\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n\r\n<hr />\r\n\r\n<h2>Pom Pom Squad</h2>\r\nPom Pom Squad is an indie rock/grunge band from Brooklyn, New York. Begun in 2015 as a solo project of frontwoman Mia Berrin, Pom Pom Squad evolved into a four-piece band consisting of Berrin, bassist Mari Alé Figeman, drummer Shelby Keller, and guitarist Alex Mercuri.\r\n\r\n<img class=\"alignnone size-full wp-image-973\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Pom-Pom-Squad.png\" alt=\"\" width=\"826\" height=\"826\" />','BULLY / Pom Pom Squad','','publish','open','closed','','bully','','','2021-05-15 12:48:07','2021-05-15 16:48:07','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=899',0,'tribe_events','',0),(900,4,'2021-04-29 16:51:00','2021-04-29 20:51:00','<h3><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n\r\n&nbsp;','BULLY','','inherit','closed','closed','','899-revision-v1','','','2021-04-29 16:51:00','2021-04-29 20:51:00','',899,'https://motorcomusic.com/?p=900',0,'revision','',0),(901,4,'2021-04-29 16:52:09','2021-04-29 20:52:09','','Bully','','inherit','open','closed','','bully','','','2021-04-29 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17:07:22','2021-04-29 21:07:22','',0,'https://motorcomusic.com/?p=910',0,'customize_changeset','',0),(911,4,'2021-04-29 17:07:22','2021-04-29 21:07:22','','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-04-29 17:07:22','2021-04-29 21:07:22','',874,'https://motorcomusic.com/?p=911',0,'revision','',0),(913,4,'2021-05-03 12:00:16','2021-05-03 16:00:16','<h4><a href=\"https://www.eventbrite.com/e/chloe-moriondo-tickets-152431421485\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>CHLOE MORIONDO / Kid Sistr / Shortly</h2>\r\nOn her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that\'s bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.\r\n\r\nHer debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo\'s outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018\'s Rabbit Hearted.—a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming—Blood Bunny undeniably heightens the raw intimacy of her songwriting.\r\n\r\n\"I wrote more honestly on this album than I ever have before,\" says Moriondo, who first started writing songs as a little kid in Michigan. \"I think it has to do with becoming more honest with myself in general, especially since graduating high school, and really figuring out what I actually care about and what I want to express in my music.\"\r\n\r\nAs a happy outcome of that newfound clarity, Blood Bunny more brightly illuminates the landscape of Moriondo\'s ultravivid imagination. To that end, the album\'s deceptively breezy lead single \"I Eat Boys\" pays brilliant homage to the queer cult classic Jennifer\'s Body, twisting an instance of street harassment into a cannibalistic daydream (\"I\'ll eat you whole/Pull out your teeth and take your soul/Stir some blood into the punch bowl\"). \"I wrote that song as a way to vent my hatred for the percentage of the male population that is terrible,\" Moriondo notes. An equally potent burst of angst, the album-opening \"Rly Dont Care\" unfolds as a wildly cathartic anthem for anyone who\'s ever been the recipient of unsolicited commentary or advice. \"There\'s a lot of people online and in the world in general who feel the need to tell me their opinions on things that don\'t really matter much, like my hair or piercings or tattoos,\" says Moriondo. \"Most of the time I just want to respond by telling them, \'I don\'t care\'—but instead I wrote a song that will hopefully encourage other people to do whatever they want to do.\"\r\n\r\nWhile Blood Bunny has its share of explosive moments, the album also finds Moriondo documenting her emotional experience with a delicate balance of dreamy sensitivity and painful self-awareness. Built on a kinetic back-and-forth between stripped-back verse and soaring chorus, \"I Want To Be With You\" begins in shy self-consciousness (\"Swimming in my T-shirts, no matter the weather\"), soon arriving at a sweetly poetic expression of affection (\"You shut my mouth/And you buckle my knees\"). On \"Bodybag,\" Moriondo muses on the strange phenomenon she refers to as \"that feeling when you\'re attracted to someone, but you also kind of hate them,\" channeling that turmoil in her charmingly unhinged lyrics (\"Wanna kiss you on your cheeks/But I also wanna punch your teeth\"). And on \"Slacker,\" Blood Bunny drifts into a melancholy mood, setting her heavy-hearted introspection to a backdrop of hazy textures and languid beats. \"\'Slacker\' is about feeling like you just dropped the ball on something that could\'ve been so good, if only you\'d done the right thing,\" Moriondo says. \"I wrote it when I was going through a weird time and it helped me to feel better about everything, and now it just feels really sweet to sing.\"\r\n\r\nOn the album\'s closer, Moriondo presents another song born from her attempts at self-soothing, the beautifully slow-building \"What If It Doesn\'t End Well.\" \"The only real fear I\'ve ever had in life is the fear of losing the people I love,\" she says. \"That song came from me writing about the anxiety I felt about the world and my relationships and my friendships and my family—I was trying to find some comfort, and it worked out pretty well.\" Fueled by a powerful vocal performance from Moriondo, the result is a soul-baring epic that closes out Blood Bunny with an invaluable question: \"When the world is over and we go under/Would you still be mine?\"\r\n\r\nLike several other songs on the record, \"What If It Doesn\'t End Well\" includes vocal takes Moriondo captured while sitting in her car in the parking lot of a nearby church she attended as a child. Growing up in a suburb of Detroit, the lifelong music obsessive got her start singing as a little girl and took up guitar and ukulele by the time she was 12. \"I\'ve always been surrounded by music, so it felt like there was never really another option for me as far as what I\'d do with my life,\" says Moriondo, whose parents raised her on bands like Metallica and the Misfits and Green Day and Queen. At the age of 13, she\'d begun posting covers on YouTube and SoundCloud, first gaining serious traction with a Rex Orange County song she impulsively recorded after finishing up a choir recital. As her following expanded, Moriondo started posting her original material, beginning with the gently heartbreaking \"Waves\" (a song she\'d written while on vacation in Puerto Rico with her family and her best friend). Released two months before she turned 16, Rabbit Hearted. featured \"Waves\" as its opening track, and soon led to such milestones as touring the U.S. and Europe with Cavetown and landing her deal with Fueled By Ramen in 2019. With her recent accolades including appearing on the \"Essential Emerging Artists for 2021\" list from NME (who hailed her as a \"YouTuber-turned-bedroom pop revolutionary\"), Moriondo has also earned acclaim from leading outlets like the New York Times (who praised \"I Want To Be With You\" as \"acutely observed bedroom pop…served with a side of arena-emo triumph\").\r\n\r\nIn the making of Blood Bunny, Moriondo approached her songwriting with a greater level of self-assurance than she had ever felt in the past. \"I\'ve gotten better at getting down my song ideas before I can stop myself and say, \'No, that sounds stupid, never mind,\'\" she reveals. \"Now I just go ahead and write it, and save the filter for later.\" By way of example she points to \"Manta Rays,\" a softly hypnotic track made even more mesmerizing by its stream-of-consciousness confession (\"My therapist will tell me that it\'s best to let it be/But I wanna light fires, I wanna explode/I want to be everything you want to know\"). \"I was nervous as hell about showing that song to anyone, but I ended up doing it anyway, and I love the way it turned out,\" she says. \"There are so many things on the album that I never imagined myself being able to make, and now I just want to keep experimenting and collaborating and see what else I can come up with.\"\r\n\r\nBy overcoming that self-doubt and embracing more boldness in her music, Moriondo has ultimately doubled-down on her intentions as an artist. \"I\'ve always been a little weird, a little morbid and a little too excitable, and I think that definitely translates into my songs,\" she says. \"Ever since I started writing I\'ve felt the need to share as much as myself as I can, so that people who feel the same way might find some kind of comfort. I hope when people hear this album it\'ll be refreshing to them, and help them feel better about themselves and maybe stop caring about what other people think. I hope it helps them know that being weird is actually a good thing.\"','CHLOE MORIONDO','','publish','open','closed','','chloe-moriondo','','','2021-05-03 12:02:40','2021-05-03 16:02:40','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=913',0,'tribe_events','',0),(914,4,'2021-05-01 12:35:55','2021-05-01 16:35:55','<h3>Buy Tickets Here</h3>\r\n<h2>CHLOE MORIONDO</h2>\r\nOn her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that\'s bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.\r\n\r\nHer debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo\'s outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018\'s Rabbit Hearted.—a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming—Blood Bunny undeniably heightens the raw intimacy of her songwriting.\r\n\r\n\"I wrote more honestly on this album than I ever have before,\" says Moriondo, who first started writing songs as a little kid in Michigan. \"I think it has to do with becoming more honest with myself in general, especially since graduating high school, and really figuring out what I actually care about and what I want to express in my music.\"\r\n\r\nAs a happy outcome of that newfound clarity, Blood Bunny more brightly illuminates the landscape of Moriondo\'s ultravivid imagination. To that end, the album\'s deceptively breezy lead single \"I Eat Boys\" pays brilliant homage to the queer cult classic Jennifer\'s Body, twisting an instance of street harassment into a cannibalistic daydream (\"I\'ll eat you whole/Pull out your teeth and take your soul/Stir some blood into the punch bowl\"). \"I wrote that song as a way to vent my hatred for the percentage of the male population that is terrible,\" Moriondo notes. An equally potent burst of angst, the album-opening \"Rly Dont Care\" unfolds as a wildly cathartic anthem for anyone who\'s ever been the recipient of unsolicited commentary or advice. \"There\'s a lot of people online and in the world in general who feel the need to tell me their opinions on things that don\'t really matter much, like my hair or piercings or tattoos,\" says Moriondo. \"Most of the time I just want to respond by telling them, \'I don\'t care\'—but instead I wrote a song that will hopefully encourage other people to do whatever they want to do.\"\r\n\r\nWhile Blood Bunny has its share of explosive moments, the album also finds Moriondo documenting her emotional experience with a delicate balance of dreamy sensitivity and painful self-awareness. Built on a kinetic back-and-forth between stripped-back verse and soaring chorus, \"I Want To Be With You\" begins in shy self-consciousness (\"Swimming in my T-shirts, no matter the weather\"), soon arriving at a sweetly poetic expression of affection (\"You shut my mouth/And you buckle my knees\"). On \"Bodybag,\" Moriondo muses on the strange phenomenon she refers to as \"that feeling when you\'re attracted to someone, but you also kind of hate them,\" channeling that turmoil in her charmingly unhinged lyrics (\"Wanna kiss you on your cheeks/But I also wanna punch your teeth\"). And on \"Slacker,\" Blood Bunny drifts into a melancholy mood, setting her heavy-hearted introspection to a backdrop of hazy textures and languid beats. \"\'Slacker\' is about feeling like you just dropped the ball on something that could\'ve been so good, if only you\'d done the right thing,\" Moriondo says. \"I wrote it when I was going through a weird time and it helped me to feel better about everything, and now it just feels really sweet to sing.\"\r\n\r\nOn the album\'s closer, Moriondo presents another song born from her attempts at self-soothing, the beautifully slow-building \"What If It Doesn\'t End Well.\" \"The only real fear I\'ve ever had in life is the fear of losing the people I love,\" she says. \"That song came from me writing about the anxiety I felt about the world and my relationships and my friendships and my family—I was trying to find some comfort, and it worked out pretty well.\" Fueled by a powerful vocal performance from Moriondo, the result is a soul-baring epic that closes out Blood Bunny with an invaluable question: \"When the world is over and we go under/Would you still be mine?\"\r\n\r\nLike several other songs on the record, \"What If It Doesn\'t End Well\" includes vocal takes Moriondo captured while sitting in her car in the parking lot of a nearby church she attended as a child. Growing up in a suburb of Detroit, the lifelong music obsessive got her start singing as a little girl and took up guitar and ukulele by the time she was 12. \"I\'ve always been surrounded by music, so it felt like there was never really another option for me as far as what I\'d do with my life,\" says Moriondo, whose parents raised her on bands like Metallica and the Misfits and Green Day and Queen. At the age of 13, she\'d begun posting covers on YouTube and SoundCloud, first gaining serious traction with a Rex Orange County song she impulsively recorded after finishing up a choir recital. As her following expanded, Moriondo started posting her original material, beginning with the gently heartbreaking \"Waves\" (a song she\'d written while on vacation in Puerto Rico with her family and her best friend). Released two months before she turned 16, Rabbit Hearted. featured \"Waves\" as its opening track, and soon led to such milestones as touring the U.S. and Europe with Cavetown and landing her deal with Fueled By Ramen in 2019. With her recent accolades including appearing on the \"Essential Emerging Artists for 2021\" list from NME (who hailed her as a \"YouTuber-turned-bedroom pop revolutionary\"), Moriondo has also earned acclaim from leading outlets like the New York Times (who praised \"I Want To Be With You\" as \"acutely observed bedroom pop…served with a side of arena-emo triumph\").\r\n\r\nIn the making of Blood Bunny, Moriondo approached her songwriting with a greater level of self-assurance than she had ever felt in the past. \"I\'ve gotten better at getting down my song ideas before I can stop myself and say, \'No, that sounds stupid, never mind,\'\" she reveals. \"Now I just go ahead and write it, and save the filter for later.\" By way of example she points to \"Manta Rays,\" a softly hypnotic track made even more mesmerizing by its stream-of-consciousness confession (\"My therapist will tell me that it\'s best to let it be/But I wanna light fires, I wanna explode/I want to be everything you want to know\"). \"I was nervous as hell about showing that song to anyone, but I ended up doing it anyway, and I love the way it turned out,\" she says. \"There are so many things on the album that I never imagined myself being able to make, and now I just want to keep experimenting and collaborating and see what else I can come up with.\"\r\n\r\nBy overcoming that self-doubt and embracing more boldness in her music, Moriondo has ultimately doubled-down on her intentions as an artist. \"I\'ve always been a little weird, a little morbid and a little too excitable, and I think that definitely translates into my songs,\" she says. \"Ever since I started writing I\'ve felt the need to share as much as myself as I can, so that people who feel the same way might find some kind of comfort. I hope when people hear this album it\'ll be refreshing to them, and help them feel better about themselves and maybe stop caring about what other people think. I hope it helps them know that being weird is actually a good thing.\"','CHLOE MORIONDO','','inherit','closed','closed','','913-revision-v1','','','2021-05-01 12:35:55','2021-05-01 16:35:55','',913,'https://motorcomusic.com/?p=914',0,'revision','',0),(915,4,'2021-05-01 12:52:47','2021-05-01 16:52:47','<h3><a href=\"https://www.eventbrite.com/e/chloe-moriondo-tickets-152431421485\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h3>\r\n<h2>CHLOE MORIONDO / Kid Sistr / Shortly</h2>\r\nOn her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that\'s bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.\r\n\r\nHer debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo\'s outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018\'s Rabbit Hearted.—a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming—Blood Bunny undeniably heightens the raw intimacy of her songwriting.\r\n\r\n\"I wrote more honestly on this album than I ever have before,\" says Moriondo, who first started writing songs as a little kid in Michigan. \"I think it has to do with becoming more honest with myself in general, especially since graduating high school, and really figuring out what I actually care about and what I want to express in my music.\"\r\n\r\nAs a happy outcome of that newfound clarity, Blood Bunny more brightly illuminates the landscape of Moriondo\'s ultravivid imagination. To that end, the album\'s deceptively breezy lead single \"I Eat Boys\" pays brilliant homage to the queer cult classic Jennifer\'s Body, twisting an instance of street harassment into a cannibalistic daydream (\"I\'ll eat you whole/Pull out your teeth and take your soul/Stir some blood into the punch bowl\"). \"I wrote that song as a way to vent my hatred for the percentage of the male population that is terrible,\" Moriondo notes. An equally potent burst of angst, the album-opening \"Rly Dont Care\" unfolds as a wildly cathartic anthem for anyone who\'s ever been the recipient of unsolicited commentary or advice. \"There\'s a lot of people online and in the world in general who feel the need to tell me their opinions on things that don\'t really matter much, like my hair or piercings or tattoos,\" says Moriondo. \"Most of the time I just want to respond by telling them, \'I don\'t care\'—but instead I wrote a song that will hopefully encourage other people to do whatever they want to do.\"\r\n\r\nWhile Blood Bunny has its share of explosive moments, the album also finds Moriondo documenting her emotional experience with a delicate balance of dreamy sensitivity and painful self-awareness. Built on a kinetic back-and-forth between stripped-back verse and soaring chorus, \"I Want To Be With You\" begins in shy self-consciousness (\"Swimming in my T-shirts, no matter the weather\"), soon arriving at a sweetly poetic expression of affection (\"You shut my mouth/And you buckle my knees\"). On \"Bodybag,\" Moriondo muses on the strange phenomenon she refers to as \"that feeling when you\'re attracted to someone, but you also kind of hate them,\" channeling that turmoil in her charmingly unhinged lyrics (\"Wanna kiss you on your cheeks/But I also wanna punch your teeth\"). And on \"Slacker,\" Blood Bunny drifts into a melancholy mood, setting her heavy-hearted introspection to a backdrop of hazy textures and languid beats. \"\'Slacker\' is about feeling like you just dropped the ball on something that could\'ve been so good, if only you\'d done the right thing,\" Moriondo says. \"I wrote it when I was going through a weird time and it helped me to feel better about everything, and now it just feels really sweet to sing.\"\r\n\r\nOn the album\'s closer, Moriondo presents another song born from her attempts at self-soothing, the beautifully slow-building \"What If It Doesn\'t End Well.\" \"The only real fear I\'ve ever had in life is the fear of losing the people I love,\" she says. \"That song came from me writing about the anxiety I felt about the world and my relationships and my friendships and my family—I was trying to find some comfort, and it worked out pretty well.\" Fueled by a powerful vocal performance from Moriondo, the result is a soul-baring epic that closes out Blood Bunny with an invaluable question: \"When the world is over and we go under/Would you still be mine?\"\r\n\r\nLike several other songs on the record, \"What If It Doesn\'t End Well\" includes vocal takes Moriondo captured while sitting in her car in the parking lot of a nearby church she attended as a child. Growing up in a suburb of Detroit, the lifelong music obsessive got her start singing as a little girl and took up guitar and ukulele by the time she was 12. \"I\'ve always been surrounded by music, so it felt like there was never really another option for me as far as what I\'d do with my life,\" says Moriondo, whose parents raised her on bands like Metallica and the Misfits and Green Day and Queen. At the age of 13, she\'d begun posting covers on YouTube and SoundCloud, first gaining serious traction with a Rex Orange County song she impulsively recorded after finishing up a choir recital. As her following expanded, Moriondo started posting her original material, beginning with the gently heartbreaking \"Waves\" (a song she\'d written while on vacation in Puerto Rico with her family and her best friend). Released two months before she turned 16, Rabbit Hearted. featured \"Waves\" as its opening track, and soon led to such milestones as touring the U.S. and Europe with Cavetown and landing her deal with Fueled By Ramen in 2019. With her recent accolades including appearing on the \"Essential Emerging Artists for 2021\" list from NME (who hailed her as a \"YouTuber-turned-bedroom pop revolutionary\"), Moriondo has also earned acclaim from leading outlets like the New York Times (who praised \"I Want To Be With You\" as \"acutely observed bedroom pop…served with a side of arena-emo triumph\").\r\n\r\nIn the making of Blood Bunny, Moriondo approached her songwriting with a greater level of self-assurance than she had ever felt in the past. \"I\'ve gotten better at getting down my song ideas before I can stop myself and say, \'No, that sounds stupid, never mind,\'\" she reveals. \"Now I just go ahead and write it, and save the filter for later.\" By way of example she points to \"Manta Rays,\" a softly hypnotic track made even more mesmerizing by its stream-of-consciousness confession (\"My therapist will tell me that it\'s best to let it be/But I wanna light fires, I wanna explode/I want to be everything you want to know\"). \"I was nervous as hell about showing that song to anyone, but I ended up doing it anyway, and I love the way it turned out,\" she says. \"There are so many things on the album that I never imagined myself being able to make, and now I just want to keep experimenting and collaborating and see what else I can come up with.\"\r\n\r\nBy overcoming that self-doubt and embracing more boldness in her music, Moriondo has ultimately doubled-down on her intentions as an artist. \"I\'ve always been a little weird, a little morbid and a little too excitable, and I think that definitely translates into my songs,\" she says. \"Ever since I started writing I\'ve felt the need to share as much as myself as I can, so that people who feel the same way might find some kind of comfort. I hope when people hear this album it\'ll be refreshing to them, and help them feel better about themselves and maybe stop caring about what other people think. I hope it helps them know that being weird is actually a good thing.\"','CHLOE MORIONDO','','inherit','closed','closed','','913-revision-v1','','','2021-05-01 12:52:47','2021-05-01 16:52:47','',913,'https://motorcomusic.com/?p=915',0,'revision','',0),(917,4,'2021-05-01 12:59:53','2021-05-01 16:59:53','','Chloe-Moriondo','','inherit','open','closed','','chloe-moriondo-2','','','2021-05-01 12:59:53','2021-05-01 16:59:53','',913,'https://motorcomusic.com/wp-content/uploads/2021/05/Chloe-Moriondo.jpg',0,'attachment','image/jpeg',0),(919,4,'2021-05-01 14:11:48','2021-05-01 18:11:48','{\n    \"custom_css[motorco]\": {\n        \"value\": \"h3 {\\n  width: 180px;\\n\\theight: 30px;\\n  border: 1px;\\n\\tborder-radius: 5px;\\n\\tbackground-color: #d64c31;\\n  color: #d64c31;\\n\\tpadding-left: 20px;\\n\\tfont-family: \\\"PT sans\\\";\\n}\",\n        \"type\": \"custom_css\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-05-01 18:11:48\"\n    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*/\n.tribe-events-content h4 a:link \n{\n	border-radius: 24px;\n	border-bottom: 0px solid;\n	padding: 10px 20px 10px 20px;\n} \n\n/* Ticket Links Hover */\n.tribe-events-content h4 a:hover\n{\n	background: #e18c2f;\n	color: #ffffff;\n}     \n','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-05-03 12:01:01','2021-05-03 16:01:01','',874,'https://motorcomusic.com/?p=930',0,'revision','',0),(931,4,'2021-05-03 12:01:34','2021-05-03 16:01:34','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-05-03 12:01:34','2021-05-03 16:01:34','',815,'https://motorcomusic.com/?p=931',0,'revision','',0),(932,4,'2021-05-03 12:02:06','2021-05-03 16:02:06','<h4><a href=\"https://www.eventbrite.com/e/fruit-bats-tickets-152000099389\" target=\"_blank\" rel=\"noopener\">Get Tickets Here</a></h3>\r\n<h2>FRUIT BATS</h4>\r\nFruit Bats\' eighth LP opens with this invocation, this call from an isolated vocal room to your headphones somewhere out in the world. It\'s a beckoning for your trust and attention, but also an assurance in lonely timesa distillation of melancholy wrapped in a danceable waltz.\r\n\r\n\"The Pet Parade,\" the title track to Fruit Bats\' newest album, might be a surprising opening track for longtime fans of Eric D. Johnson\'s beloved indie folk-rock project. The six-and-a half-minute tone poem smolders and drones over just two chords, inspired by the strange and silly community events that he saw growing up outside of Chicago, in La Grange, Illinois, in which people dressed up and showed off their pets. Decades later, The Pet Parade emerges in troubled times, living within what Johnson refers to as the beauty and absurdity of existence.\r\n\r\nWhile many of the songs on The Pet Parade were actually written before the pandemic, it\'s impossible to disassociate the record from the times. As an example, producer Josh Kaufman (The Hold Steady, Bob Weir, The National, and Bonny Light Horseman, in which he plays with Johnson and Anas Mitchell) was brought in for his deep emotional touch and bandleading abilities. However, Johnson, Kaufman, and the other musicians on The Pet Paradedrummers Joe Russo and Matt Barrick (The Walkmen, Fleet Foxes, Muzz), singer songwriter Johanna Samuels, pianist Thomas Bartlett (Nico Muhly, Sufjan Stevens), and fiddler Jim Becker (Califone, Iron &amp; Wine) were forced to self-record their parts in bedrooms and home studios across America. Still, says Johnson, \"The songs have enough intimacy that it doesn\'t sound like it was made a million miles away.\"\r\n\r\nSuch tension and turmoil also impacted the lyrics of The Pet Parade. While \"Cub Pilot\" and \"Here For Now, For You\" began as more traditional love songsfrom a personal \"I\" to a specific \"you\"Johnson quickly realized that these songs needed to comfort broader audiences, changing the words to a more inclusive \"we\" and \"us.\" So too in \"The Balcony,\" a song ostensibly about a particular space in his grandmother\'s apartment, but one that evolved into a metaphor on patience.\r\n\r\nAt times upbeat and reassuring (\"Eagles Below Us\") and at times quietly contemplative (\"On the Avalon Stairs\"), The Pet Parade marks a milestone for Johnson, who celebrates 20 years of Fruit Bats in 2021. In some ways still a cult band, in other ways a time-tested act, Fruit Bats has consistently earned enough small victories to carve out a career in a notoriously fickle scene.\r\n\r\nAnd Johnson himselfwho has played in The Shins, composed film scores, gone solo and returned back to the moniker that started it all, and most recently, earned two GRAMMY nominations with Bonny Light Horseman – doesn\'t take this long route of life\'s pet parade for granted. \"I\'m still really excited to make records,\" he says. \"Lucky and happy and maybe happier that things went slower for me. I\'m savoring it a lot more.\"','FRUIT BATS','','inherit','closed','closed','','859-revision-v1','','','2021-05-03 12:02:06','2021-05-03 16:02:06','',859,'https://motorcomusic.com/?p=932',0,'revision','',0),(933,4,'2021-05-03 12:02:27','2021-05-03 16:02:27','<h4><a href=\"https://www.eventbrite.com/preview?eid=151825952511/\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n\r\n<h2>Iceage</h2>\r\n\r\nWith each new release, Elias Bender Rnnenfelt, Jakob Tvilling Pless, Johan Surrballe Wieth and Dan Kjr Nielsen refigure the contours of a typical Iceage song. This is especially true of Seek Shelter, their fifth LP and first for Mexican Summer. Enrolling Sonic Boom (Pete Kember of Spacemen 3) to produce the record and an additional guitarist in the form of Casper Morilla Fernandez, Seek Shelter sees Iceages propulsive momentum pushing them in new, expansive, ecstatic directions. A decade on from their first record, Iceage continue to harness their lives together through music. This journey, in music and life, has never progressed in a linear fashion.\r\n\r\nSeek Shelter is the sound of a tight emotional core unwound. Rain dripped through cracks in the ceiling of Namouche, the dilapidated wood-paneled vintage studio in Lisbon where the band set up for 12 days. The band had to arrange their equipment around puddles. Pieces of cloth covered slowly filling buckets so that the sound of raindrops wouldnt reach the microphones. Kember arranged garden lamps from a nearby party store for mood lighting in the high-ceiling space. It was the longest time Iceage have ever spent making an album. When the rain had stopped, Seek Shelter revealed itself as a collection of songs radiating warmth and a profound desire for salvation in a world thats spinning further and further out of control.\r\n\r\nIceage started making music together in 2008 as young teens in their hometown of Copenhagen. The bands 2011 debut, New Brigade, crystallized the raucous energy and unbreakable brotherhood of Danish teenagers weaned on post-punk, hardcore and no wave, and it found ears and kin around the world. 2012s Youre Nothing was hard, fast and raw, a bold doubling-down on the aggression of youth in the first record as well as the weight of expectation. Plowing Into the Field of Love (2014) and Beyondless (2018) saw a softening of the bands hardest edges and the arrival of a certain world-weary vaudeville in the Iceage sound. In an extraordinary and unexpected run, the band had gone from the fertile hyperlocal Copenhagen scene to stages all over the world. Iceages past two records all filtered twangy guitar riffs, sparse piano arrangements, and slinky, slow-moving rhythms ventured into an intoxicated but knowing swirl, surveying the party at the end of the night. Theyd seen it all, at least once, and their music rode the crest of that chaos.\r\n\r\nSeek Shelter, the bands first record made with an outside producer brought in alongside longtime collaborator Nis Bysted, is the place they have been called to next. Elias Bender Rnnenfelt casts the influence of producer Sonic Boom as that of a sparring partner, another wayward mind to bounce ideas off of and another pair of hands (along with Shawn Everett, who mixed the record) to help shape the sound. Kember had said in an interview that hed like to produce for the band, and the feeling was mutual. Rnnenfelt recalls being 12 or 13, listening to Spacemen 3, the band Kember co-founded in 1982 at the age of 16. It was one of those things that just reverberated with my being, he explains. For Seek Shelter, we wanted a partner that had some noise that we didnt have, more a wizard than a producer. We thought hed be that kind of wizard for us, and we were right he came in with a truckload of strange equipment that wed never seen before. Kember, reflecting on the session and reaching for his highest praise, describes Iceage as fucking show offs, like everyone who was ever great and emotional and honest.\r\n\r\nFor Seek Shelters story of scorched-earth salvation, the bands songwriting embraces conventional structures more conspicuously than it has in the past. The dirge-like drone that opens the record gives way to a wall of reverb that sounds fuller and brighter than anything they\'ve committed to tape, signalling a clarity of clouds breaking. American gospel and blues signatures break to the front of the slow-grooving Vendetta and harmonica-flecked Gold City, a record which sounds like the road, a desert mission under a blazing sun. The Lisboa Gospel Collective, who joined the band for two tracks on the final day in the studio, provide a new scale to Rnnenfelts incantations. There are moments of unvarnished romanticism, as on the brisk Jacques Brel-like Drink Rain, and an overcast tenderness that gently glides over Love Kills Slowly. The massive High &amp; Hurt interpolates Will the Circle Be Unbroken, a warhorse of the American religious vernacular that has become an increasingly urgent plea over the past century. Its not the only anthem that calls out to the heavens: later on, Rnnenfelt invokes the patron saint of music and poetry on Dear Saint Cecilia, a song for seekers everywhere. Writing a song is like trying to find a space where you can make something thats been riled up and down through the years feel like it belongs to your present moment, says Rnnenfelt. Its all just scaffolding that you can project something onto.\r\n\r\nRnnenfelts lyricism reaches grand heights despite its classic opacity he sings of taking shelter, of tranquil affections that threaten to combust, and of a limp-wristed god with a cavalcade of devotees in search of relief. His expressionist imagery consistently hinges on the divine, a natural result of his desire to take a kernel of ordinary emotion and, as he explains, blow it up like a balloon. For Seek Shelter, as with all Iceages previous albums, Rnnenfelt stowed away for a set period of weeks and wrote the lyrics in one shot. I set a time just to make sure that all the lyrics are written from the same mindset, he explains of these weeks alone. The lyrics stem from journals that hes kept over the past few years: it becomes an amalgamation of ideas and impressions of things that youve been provoked by or had to live through. You end up with something that is a rough, blurry perspective of what that period of time was like, a mishmash of personal struggle that is shaded throughout by a world that seems more transparent in its inherently cruel ways. Romance and desire, as described in Love Kills Slowly and the album closer The Holding Hand, are feelings that stretch torturously a race without a finish line.\r\n\r\nWhat precisely makes an Iceage song is still a mysterious thing, and the band wishes to maintain this protean quality. If theres ever a point in our history when something in the songs starts to seem easy but doesnt really excite us that much, we just discard that shit right away, he says. Youve always got to find a new vantage point to attack the assignment of writing a song. If we had a formula, it would be just a continuous watering down of what we do until we hated ourselves and quit. With Seek Shelter, theyve managed to hold onto this core of presence and risk while writing their most ambitious songs. Even Rnnenfelt was surprised with what they were able to create together. I think when we started we were just lashing out completely blindfolded with no idea as to why we were doing anything. Hes speaking of the new record and also of their entire existence as a band, a travelogue that has catapulted these four friends far past the horizons of punk. Some of that we wanted to remain intact. We try to keep the mystery. If there\'s no sense of mystery in it for us, then it\'s not fun. Seek Shelter is a record that now exists at a moment of a collective unknown, when every beating heart wonders what will happens next.\r\n\r\n<a href=\"https://iceagecopenhagen.eu/\" rel=\"noopener\" target=\"_blank\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/IceageCopenhagen\" rel=\"noopener\" target=\"_blank\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/iceage/\" rel=\"noopener\" target=\"_blank\"><strong>Instagram</strong></a>','ICEAGE','','inherit','closed','closed','','808-revision-v1','','','2021-05-03 12:02:27','2021-05-03 16:02:27','',808,'https://motorcomusic.com/?p=933',0,'revision','',0),(934,4,'2021-05-03 12:02:40','2021-05-03 16:02:40','<h4><a href=\"https://www.eventbrite.com/e/chloe-moriondo-tickets-152431421485\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>CHLOE MORIONDO / Kid Sistr / Shortly</h2>\r\nOn her sophomore album Blood Bunny, singer/songwriter Chloe Moriondo puts her fantastically warped inner life on full and glorious display. With both intense specificity and idiosyncratic humor, the 18-year-old artist opens up on everything from hopeless crushes to gory revenge fantasies to the many elaborate thoughts that endlessly run through her brain (whether or not to shave her head, the boredom of the suburbs and the longing to escape, her undying love for Paramore and Girlpool, the freakishly large wingspan of manta rays). In that unchecked sharing of her obsessions and frustrations and deepest anxieties, Moriondo arrives at a body of work that\'s bitingly honest yet tenderhearted, a lovingly delivered offering to the fellow weirdos of the world.\r\n\r\nHer debut release for Fueled By Ramen/Public Consumption Recording Co., Blood Bunny brings Moriondo\'s outpouring to a gorgeously composed collage of bedroom-pop and skate-punk and indie-rock. In shaping that mercurial sound, Moriondo worked with producers/co-writers like David Pramik (Oliver Tree, Selena Gomez), Keith Varon (Machine Gun Kelly, Zara Larsson), and Jake Aron (Snail Mail, Yumi Zouma), mostly collaborating remotely in the throes of quarantine. But despite its departure from the lo-fi aesthetic of 2018\'s Rabbit Hearted.—a self-produced, entirely D.I.Y. effort centered on her understated vocal work and graceful ukulele strumming—Blood Bunny undeniably heightens the raw intimacy of her songwriting.\r\n\r\n\"I wrote more honestly on this album than I ever have before,\" says Moriondo, who first started writing songs as a little kid in Michigan. \"I think it has to do with becoming more honest with myself in general, especially since graduating high school, and really figuring out what I actually care about and what I want to express in my music.\"\r\n\r\nAs a happy outcome of that newfound clarity, Blood Bunny more brightly illuminates the landscape of Moriondo\'s ultravivid imagination. To that end, the album\'s deceptively breezy lead single \"I Eat Boys\" pays brilliant homage to the queer cult classic Jennifer\'s Body, twisting an instance of street harassment into a cannibalistic daydream (\"I\'ll eat you whole/Pull out your teeth and take your soul/Stir some blood into the punch bowl\"). \"I wrote that song as a way to vent my hatred for the percentage of the male population that is terrible,\" Moriondo notes. An equally potent burst of angst, the album-opening \"Rly Dont Care\" unfolds as a wildly cathartic anthem for anyone who\'s ever been the recipient of unsolicited commentary or advice. \"There\'s a lot of people online and in the world in general who feel the need to tell me their opinions on things that don\'t really matter much, like my hair or piercings or tattoos,\" says Moriondo. \"Most of the time I just want to respond by telling them, \'I don\'t care\'—but instead I wrote a song that will hopefully encourage other people to do whatever they want to do.\"\r\n\r\nWhile Blood Bunny has its share of explosive moments, the album also finds Moriondo documenting her emotional experience with a delicate balance of dreamy sensitivity and painful self-awareness. Built on a kinetic back-and-forth between stripped-back verse and soaring chorus, \"I Want To Be With You\" begins in shy self-consciousness (\"Swimming in my T-shirts, no matter the weather\"), soon arriving at a sweetly poetic expression of affection (\"You shut my mouth/And you buckle my knees\"). On \"Bodybag,\" Moriondo muses on the strange phenomenon she refers to as \"that feeling when you\'re attracted to someone, but you also kind of hate them,\" channeling that turmoil in her charmingly unhinged lyrics (\"Wanna kiss you on your cheeks/But I also wanna punch your teeth\"). And on \"Slacker,\" Blood Bunny drifts into a melancholy mood, setting her heavy-hearted introspection to a backdrop of hazy textures and languid beats. \"\'Slacker\' is about feeling like you just dropped the ball on something that could\'ve been so good, if only you\'d done the right thing,\" Moriondo says. \"I wrote it when I was going through a weird time and it helped me to feel better about everything, and now it just feels really sweet to sing.\"\r\n\r\nOn the album\'s closer, Moriondo presents another song born from her attempts at self-soothing, the beautifully slow-building \"What If It Doesn\'t End Well.\" \"The only real fear I\'ve ever had in life is the fear of losing the people I love,\" she says. \"That song came from me writing about the anxiety I felt about the world and my relationships and my friendships and my family—I was trying to find some comfort, and it worked out pretty well.\" Fueled by a powerful vocal performance from Moriondo, the result is a soul-baring epic that closes out Blood Bunny with an invaluable question: \"When the world is over and we go under/Would you still be mine?\"\r\n\r\nLike several other songs on the record, \"What If It Doesn\'t End Well\" includes vocal takes Moriondo captured while sitting in her car in the parking lot of a nearby church she attended as a child. Growing up in a suburb of Detroit, the lifelong music obsessive got her start singing as a little girl and took up guitar and ukulele by the time she was 12. \"I\'ve always been surrounded by music, so it felt like there was never really another option for me as far as what I\'d do with my life,\" says Moriondo, whose parents raised her on bands like Metallica and the Misfits and Green Day and Queen. At the age of 13, she\'d begun posting covers on YouTube and SoundCloud, first gaining serious traction with a Rex Orange County song she impulsively recorded after finishing up a choir recital. As her following expanded, Moriondo started posting her original material, beginning with the gently heartbreaking \"Waves\" (a song she\'d written while on vacation in Puerto Rico with her family and her best friend). Released two months before she turned 16, Rabbit Hearted. featured \"Waves\" as its opening track, and soon led to such milestones as touring the U.S. and Europe with Cavetown and landing her deal with Fueled By Ramen in 2019. With her recent accolades including appearing on the \"Essential Emerging Artists for 2021\" list from NME (who hailed her as a \"YouTuber-turned-bedroom pop revolutionary\"), Moriondo has also earned acclaim from leading outlets like the New York Times (who praised \"I Want To Be With You\" as \"acutely observed bedroom pop…served with a side of arena-emo triumph\").\r\n\r\nIn the making of Blood Bunny, Moriondo approached her songwriting with a greater level of self-assurance than she had ever felt in the past. \"I\'ve gotten better at getting down my song ideas before I can stop myself and say, \'No, that sounds stupid, never mind,\'\" she reveals. \"Now I just go ahead and write it, and save the filter for later.\" By way of example she points to \"Manta Rays,\" a softly hypnotic track made even more mesmerizing by its stream-of-consciousness confession (\"My therapist will tell me that it\'s best to let it be/But I wanna light fires, I wanna explode/I want to be everything you want to know\"). \"I was nervous as hell about showing that song to anyone, but I ended up doing it anyway, and I love the way it turned out,\" she says. \"There are so many things on the album that I never imagined myself being able to make, and now I just want to keep experimenting and collaborating and see what else I can come up with.\"\r\n\r\nBy overcoming that self-doubt and embracing more boldness in her music, Moriondo has ultimately doubled-down on her intentions as an artist. \"I\'ve always been a little weird, a little morbid and a little too excitable, and I think that definitely translates into my songs,\" she says. \"Ever since I started writing I\'ve felt the need to share as much as myself as I can, so that people who feel the same way might find some kind of comfort. I hope when people hear this album it\'ll be refreshing to them, and help them feel better about themselves and maybe stop caring about what other people think. I hope it helps them know that being weird is actually a good thing.\"','CHLOE MORIONDO','','inherit','closed','closed','','913-revision-v1','','','2021-05-03 12:02:40','2021-05-03 16:02:40','',913,'https://motorcomusic.com/?p=934',0,'revision','',0),(935,4,'2021-05-03 12:03:01','2021-05-03 16:03:01','<h4><a href=\"https://www.eventbrite.com/e/beach-bunny-tickets-152002249821\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h2>Beach Bunny</h4>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','BEACH BUNNY','','inherit','closed','closed','','839-revision-v1','','','2021-05-03 12:03:01','2021-05-03 16:03:01','',839,'https://motorcomusic.com/?p=935',0,'revision','',0),(936,4,'2021-05-03 12:03:15','2021-05-03 16:03:15','<h4><strong><a href=\"https://www.eventbrite.com/e/new-date-todd-barry-tickets-97752772173\" target=\"_blank\" rel=\"noopener\">BUY TICKETS HERE</a></strong></h4>\r\n\r\n<h3>Deb Aronin presents Todd Barry</h3>\r\n\r\n<h2>TODD BARRY</h2>\r\nTodd Barry has released three one-hour stand-up specials including his latest one for Netflix, Spicy Honey.\r\n\r\nHe\'s appeared on The Late Show with Stephen Colbert ,The Late Show with David Letterman, Conan and Late Night With Seth Meyers and his acting credits include The Wrestler, Road Trip, Flight of the Concords, Chappelle\'s Show, Spin City, Sex and the City. You may have heard his voice on the animated series Bob’s Burgers, Dr. Katz, Professional Therapist, and Aqua Teen Hunger Force.\r\n\r\nTodd is also the author of the critically-acclaimed 2017 travel memoir Thank You For Coming To Hattiesburg.\r\n\r\n<a href=\"https://www.toddbarry.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"http://www.facebook.com/pages/Todd-Barry/19232692936\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/toddbarry/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"http://twitter.com/toddbarry\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','TODD BARRY','','inherit','closed','closed','','699-revision-v1','','','2021-05-03 12:03:15','2021-05-03 16:03:15','',699,'https://motorcomusic.com/?p=936',0,'revision','',0),(937,4,'2021-05-03 12:03:46','2021-05-03 16:03:46','<h4><a href=\"https://www.eventbrite.com/e/jmsn-tickets-99028596197\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>JMSN</h2>\r\nHailing from Detroit, Michigan - JMSN has emerged on the international stage as one of the music industry\'s most sought-after performers and producers.\r\n\r\nIn 2018, JMSN unveiled the next chapter of his sound evolution with the track, \"So Badly.\" The single was released on his self-founded label, White Room Records.\r\n\r\nJMSN has built a reputation for himself through his unforgettable live performances and his trademark sounds, garnering nods from R&amp;B/Soul legends, such as Puff Daddy, Usher, and founding member of The Commodores, Thomas McClary. JMSN\'s impressive talents have been tapped by the likes of Kendrick Lamar, Game, Mac Miller, J. Cole, Tyga, Ab-Soul, Kaytranada, Ta-ku, and many more.\r\n\r\nIn 2017, JMSN completed tours of North America, Europe, and Asia in support of his album, Whatever Makes U Happy. JMSN kicks off 2018 with a sold out performance in Warsaw, Poland before making his debuts in Russia, Japan, and Mexico.\r\n\r\n<img class=\"alignnone size-full wp-image-855\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/JMSM-2.jpg\" alt=\"\" width=\"720\" height=\"1080\" />\r\n\r\n<a href=\"https://iamjmsn.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>','JMSN','','inherit','closed','closed','','850-revision-v1','','','2021-05-03 12:03:46','2021-05-03 16:03:46','',850,'https://motorcomusic.com/?p=937',0,'revision','',0),(938,4,'2021-05-03 12:04:07','2021-05-03 16:04:07','<h4><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h2>SUMMER SALT / Covey / Breakup Shoes</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\" Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" class=\"alignnone size-full wp-image-835\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','831-revision-v1','','','2021-05-03 12:04:07','2021-05-03 16:04:07','',831,'https://motorcomusic.com/?p=938',0,'revision','',0);
