INSERT INTO `wp_posts` VALUES (939,4,'2021-05-03 12:04:18','2021-05-03 16:04:18','<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n\r\n&nbsp;','BULLY','','inherit','closed','closed','','899-revision-v1','','','2021-05-03 12:04:18','2021-05-03 16:04:18','',899,'https://motorcomusic.com/?p=939',0,'revision','',0),(940,4,'2021-05-03 12:04:30','2021-05-03 16:04:30','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-DRAG/423706?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','inherit','closed','closed','','820-revision-v1','','','2021-05-03 12:04:30','2021-05-03 16:04:30','',820,'https://motorcomusic.com/?p=940',0,'revision','',0),(941,4,'2021-05-03 12:04:43','2021-05-03 16:04:43','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-The-Wusses/424306?afflky=UGStrategiesLLC\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h2>THE WUSSES</h2>\r\nOne speaks of the majesty of the Wusses in hushed, reverent tones the same way one speaks of someone of great power and prestige like members of the school board or a guy who owns his own tux. In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional acts <em>The Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonics</em> in the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. The article Hit-morrhage speculated that perhaps since no regular people could churn out so many fine hits that the Wusses were actually multi-dimensional beings who\'s multi-point existence allowed them to bring in hit songs from other worlds. Of course, that person is dead now.\r\n\r\nYes, these men are heroes of our time and stopped pain, famine, suffering and the loss of blood and babies to the ocean. Love them, why don\'t you?','Live In the Lot presents: THE WUSSES','','inherit','closed','closed','','866-revision-v1','','','2021-05-03 12:04:43','2021-05-03 16:04:43','',866,'https://motorcomusic.com/?p=941',0,'revision','',0),(942,4,'2021-05-03 12:04:53','2021-05-03 16:04:53','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: Diali Cissokho and Kaira Ba','','inherit','closed','closed','','824-revision-v1','','','2021-05-03 12:04:53','2021-05-03 16:04:53','',824,'https://motorcomusic.com/?p=942',0,'revision','',0),(943,4,'2021-05-03 12:05:24','2021-05-03 16:05:24','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live In the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-05-03 12:05:24','2021-05-03 16:05:24','',800,'https://motorcomusic.com/?p=943',0,'revision','',0),(945,4,'2021-05-03 13:44:34','2021-05-03 17:44:34','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3>Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: Diali Cissokho and Kaira Ba','','inherit','closed','closed','','824-revision-v1','','','2021-05-03 13:44:34','2021-05-03 17:44:34','',824,'https://motorcomusic.com/?p=945',0,'revision','',0),(946,4,'2021-05-03 13:52:16','2021-05-03 17:52:16','{\n    \"custom_css[motorco]\": {\n        \"value\": \"/* Ticket Links Active */\\n.tribe-events-content h4 a\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #d64c31;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\ttext-transform: uppercase;\\n} \\n\\n/* Ticket Links Active */\\n.tribe-events-content h4 a:link \\n{\\n\\tborder-radius: 24px;\\n\\tborder-bottom: 0px solid;\\n\\tpadding: 10px 20px 10px 20px;\\n} \\n\\n/* Ticket Links Hover */\\n.tribe-events-content h4 a:hover\\n{\\n\\tbackground: #e18c2f;\\n\\tcolor: #ffffff;\\n}     \\n\\n\\n/* Doors vs Show */\\n.tribe-events-content h3\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #e18c2f;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\tpadding-left: 12px;\\n\\ttext-transform: uppercase;\\n} \",\n        \"type\": \"custom_css\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-05-03 17:47:48\"\n    }\n}','','','trash','closed','closed','','e873d0f1-ec4d-4453-a216-aa13baf4d5cc','','','2021-05-03 13:52:16','2021-05-03 17:52:16','',0,'https://motorcomusic.com/?p=946',0,'customize_changeset','',0),(947,4,'2021-05-03 13:52:16','2021-05-03 17:52:16','/* Ticket Links Active */\n.tribe-events-content h4 a\n{\n	font-size: 18px;\n	background: #d64c31;\n	border-bottom: 0px solid;\n	color: #ffffff;\n	text-transform: uppercase;\n} \n\n/* Ticket Links Active */\n.tribe-events-content h4 a:link \n{\n	border-radius: 24px;\n	border-bottom: 0px solid;\n	padding: 10px 20px 10px 20px;\n} \n\n/* Ticket Links Hover */\n.tribe-events-content h4 a:hover\n{\n	background: #e18c2f;\n	color: #ffffff;\n}     \n\n\n/* Doors vs Show */\n.tribe-events-content h3\n{\n	font-size: 18px;\n	background: #e18c2f;\n	border-bottom: 0px solid;\n	color: #ffffff;\n	padding-left: 12px;\n	text-transform: uppercase;\n} ','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-05-03 13:52:16','2021-05-03 17:52:16','',874,'https://motorcomusic.com/?p=947',0,'revision','',0),(948,4,'2021-05-03 13:58:13','2021-05-03 17:58:13','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents Abbey Road Live!','','inherit','closed','closed','','815-revision-v1','','','2021-05-03 13:58:13','2021-05-03 17:58:13','',815,'https://motorcomusic.com/?p=948',0,'revision','',0),(949,4,'2021-05-03 13:59:04','2021-05-03 17:59:04','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-Quartet-for-The-End-of-Time-Reimagined/423622?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Quartet For The End Of Time</strong> <em>Reimagined</em>\r\n\r\n<strong>With A Blue Dress On</strong> - <em>Julia Wolfe</em>\r\n\r\n<strong>Searching For The Edge</strong> - <em>Zachary W. Smith</em>\r\n\r\n<strong>New Work Premiere</strong> - collaboratively composed by <em>Jil Christensen</em> and <em>Kenneth Stewart</em>\r\n<h4>INTERMISSION</h4>\r\n<strong>Quartet For The End Of Time</strong> - <em>Olivier Messiaen</em>\r\n\r\n<hr />\r\n\r\n<em><strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong></em>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nPlease fill out the <a href=\"https://forms.gle/rpCZpe3nnoPpyWWb9\" target=\"_blank\" rel=\"noopener\">Health Questionnaire</a> on the day of the event.\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h4>MORE INFO ABOUT THIS PERFORMANCE</h4>\r\nTo say the very least, the years 2020 and 2021 have been unprecedented. In the age of COVID-19, the experience of time seems to have shifted. Technology has changed the connectedness of humanity and our presence on the planet. Quartet For The End Of Time was composed in the dead of winter of 1940-41, in Stalag VIII-A - a prisoner-of-war camp in Grlitz, Germany - Messiaen wrote the quartet for himself on piano and the instrumentalists on hand from among the camps inmates. At its premiere, time itself was also in question and this piece is more timely than ever. The work is inspired by the following passage from the book of Revelation 10:5-7.\r\n<blockquote>5 Then the angel I had seen standing on the sea and on the land lifted up his right hand to heaven.</blockquote>\r\n<blockquote>6 And he swore by Him who lives forever and ever, who created heaven and everything in it, the earth and everything in it, and the sea and everything in it: There will be no more delay!</blockquote>\r\n<blockquote>7 But in the days of the voice of the seventh angel, when he is about to sound his trumpet, the mystery of God will be fulfilled, just as He proclaimed to His servants the prophets.</blockquote>\r\nViolinist <em>Kate Dreyfuss</em>, clarinettist <em>Wesley Rhodes</em>, cellist <em>Kenneth Stewart</em> and pianist <em>Jil Christensen</em> will present a concert featuring <strong>Quartet For The End Of Time</strong> and works that weave classical instruments alongside electronic and processing at Motorco Music Hall in Durham, NC on June 12th, 2021.\r\n\r\nRounding out the program will be <em>Julia Wolfe\'s</em> <strong>With A Blue Dress On</strong>, a piece inspired by the classic fiddle tune and the playing of <em>Bruce Molesky</em>, a new collaboratively composed piece featuring improvisation and electronics by <em>Jil Christensen</em> and <em>Kenneth D. Stewart</em>, and the piece <strong>Searching For The Edge</strong> for bass clarinet by <em>Zachary W. Smith</em>. Additionally the ensemble will be augmenting the <strong>Quartet For The End Of Time</strong> with amplification, synthesizers and effects.','Live In the Lot presents: Quartet For The End Of Time','','inherit','closed','closed','','800-revision-v1','','','2021-05-03 13:59:04','2021-05-03 17:59:04','',800,'https://motorcomusic.com/?p=949',0,'revision','',0),(950,4,'2021-05-03 13:59:38','2021-05-03 17:59:38','<h4><a href=\"https://wl.seetickets.us/event/Live-in-the-Lot-The-Wusses/424306?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<h2>THE WUSSES</h2>\r\nOne speaks of the majesty of the Wusses in hushed, reverent tones the same way one speaks of someone of great power and prestige like members of the school board or a guy who owns his own tux. In fact, one of the central problems of language is that there is no better way to describe the Wusses than to just go outside at night, lift your face to the moon and whisper Wusses over and over.\r\n\r\nThe group formed out of several popular regional acts <em>The Sailing Crabs, Shag-o-phelia, Thee Inchworm-Del-Tone-Phonics</em> in the late to mid sixties or seventies.\r\n\r\nOnce the band was assembled, they began gigging around the Northern and Southern Carolina coasts. And, as we and our grandchildren know, they began writing hit after hit. So many hits, in fact, at one point esteemed national music magazines of the region began wondering if they were actually songs that were already hits that other people wrote and the Wusses were perhaps just playing them. The article Hit-morrhage speculated that perhaps since no regular people could churn out so many fine hits that the Wusses were actually multi-dimensional beings who\'s multi-point existence allowed them to bring in hit songs from other worlds. Of course, that person is dead now.\r\n\r\nYes, these men are heroes of our time and stopped pain, famine, suffering and the loss of blood and babies to the ocean. Love them, why don\'t you?','Live In the Lot presents: THE WUSSES','','inherit','closed','closed','','866-revision-v1','','','2021-05-03 13:59:38','2021-05-03 17:59:38','',866,'https://motorcomusic.com/?p=950',0,'revision','',0),(951,4,'2021-05-03 14:00:06','2021-05-03 18:00:06','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-DRAG/423706?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all!\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4 or 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a \"rain check\" for another date.\r\n\r\n<hr />\r\n\r\n<h2>DRAG!</h2>\r\nThey\'re BAAAAAACK, wigs, pads, nails, boots and all! Yes ma\'am the QUEENS Naomi Dix and Stormie Daie are here to give you a reason to get that vaccine and put all your quarantine blues to rest. Come out, bring your good Judy\'s, your ducklings, that rhinestoned mask and some wig glue for your edges because the crew is ready to death drop your minds! Now shant you stay because we will not sashay away until we lip sync for our lives on that Live in the Lot stage!','Live In The Lot presents: DRAG!','','inherit','closed','closed','','820-revision-v1','','','2021-05-03 14:00:06','2021-05-03 18:00:06','',820,'https://motorcomusic.com/?p=951',0,'revision','',0),(952,4,'2021-05-15 12:47:52','2021-05-15 16:47:52','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\n<ul>\n 	<li>All attendees must have proof of vaccination</li>\n 	<li>Masks will be required</li>\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\n</ul>\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\n<h2>BULLY</h2>\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\n\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\n\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\n\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\n\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\n\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\n\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\n\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\n\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\n\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\n\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\n\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\n\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\n\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\n\n<hr />\n\n<h2>Pom Pom Squad</h2>\nPom Pom Squad is an indie rock/grunge band from Brooklyn, New York. Begun in 2015 as a solo project of frontwoman Mia Berrin, Pom Pom Squad evolved into a four-piece band consisting of Berrin, bassist Mari Alé Figeman, drummer Shelby Keller, and guitarist Alex Mercuri.\n\n&nbsp;','BULLY / Pom Pom Squad','','inherit','closed','closed','','899-autosave-v1','','','2021-05-15 12:47:52','2021-05-15 16:47:52','',899,'https://motorcomusic.com/?p=952',0,'revision','',0),(953,4,'2021-05-05 11:46:53','2021-05-05 15:46:53','{\n    \"custom_css[motorco]\": {\n        \"value\": \"/* Ticket Links Active */\\n.tribe-events-content h4 a\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #d64c31;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\ttext-transform: uppercase;\\n} \\n\\n/* Ticket Links Active */\\n.tribe-events-content h4 a:link \\n{\\n\\tborder-radius: 24px;\\n\\tborder-bottom: 0px solid;\\n\\tpadding: 10px 20px 10px 20px;\\n} \\n\\n/* Ticket Links Hover */\\n.tribe-events-content h4 a:hover\\n{\\n\\tbackground: #e18c2f;\\n\\tcolor: #ffffff;\\n}     \\n\\n\\n/* Doors vs Show */\\n.tribe-events-content h3\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #e18c2f;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\tpadding-left: 12px;\\n\\ttext-transform: uppercase;\\n}\\n\\n\\n\\n.tribe-events-single-event-description .tribe-events-content ul, li\\n{\\nlist-style-type: none\\n\\tpadding-left: 30px;\\n\\tpadding-left: 30px;\\n\\tline-height: 1.6;\\n}\",\n        \"type\": \"custom_css\",\n        \"user_id\": 4,\n        \"date_modified_gmt\": \"2021-05-05 15:44:29\"\n    }\n}','','','trash','closed','closed','','966a7894-fabc-44cf-9372-89fc1b20f49f','','','2021-05-05 11:46:53','2021-05-05 15:46:53','',0,'https://motorcomusic.com/?p=953',0,'customize_changeset','',0),(954,4,'2021-05-05 11:46:42','2021-05-05 15:46:42','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\r\n<ul>\r\n 	<li>All attendees must have proof of vaccination</li>\r\n 	<li>Masks will be required</li>\r\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\r\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\r\n</ul>\r\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n\r\n&nbsp;','BULLY','','inherit','closed','closed','','899-revision-v1','','','2021-05-05 11:46:42','2021-05-05 15:46:42','',899,'https://motorcomusic.com/?p=954',0,'revision','',0),(955,4,'2021-05-05 11:46:53','2021-05-05 15:46:53','/* Ticket Links Active */\n.tribe-events-content h4 a\n{\n	font-size: 18px;\n	background: #d64c31;\n	border-bottom: 0px solid;\n	color: #ffffff;\n	text-transform: uppercase;\n} \n\n/* Ticket Links Active */\n.tribe-events-content h4 a:link \n{\n	border-radius: 24px;\n	border-bottom: 0px solid;\n	padding: 10px 20px 10px 20px;\n} \n\n/* Ticket Links Hover */\n.tribe-events-content h4 a:hover\n{\n	background: #e18c2f;\n	color: #ffffff;\n}     \n\n\n/* Doors vs Show */\n.tribe-events-content h3\n{\n	font-size: 18px;\n	background: #e18c2f;\n	border-bottom: 0px solid;\n	color: #ffffff;\n	padding-left: 12px;\n	text-transform: uppercase;\n}\n\n\n\n.tribe-events-single-event-description .tribe-events-content ul, li\n{\nlist-style-type: none\n	padding-left: 30px;\n	padding-left: 30px;\n	line-height: 1.6;\n}','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-05-05 11:46:53','2021-05-05 15:46:53','',874,'https://motorcomusic.com/?p=955',0,'revision','',0),(957,4,'2021-05-07 11:02:37','2021-05-07 15:02:37','<h4><a href=\"#\">SOLD OUT!</a></h4>\r\n\r\n<!-- <h4><a href=\"https://www.eventbrite.com/e/beach-bunny-tickets-152002249821\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4> -->\r\n\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','BEACH BUNNY','','inherit','closed','closed','','839-revision-v1','','','2021-05-07 11:02:37','2021-05-07 15:02:37','',839,'https://motorcomusic.com/?p=957',0,'revision','',0),(958,4,'2021-05-08 09:42:31','2021-05-08 13:42:31','<h4><a href=\"#\">SOLD OUT!</a></h4>\r\n\r\n<h2>Beach Bunny</h2>\r\nFew artists can pinpoint an emotion as clearly and honestly as Beach Bunny\'s Lili Trifilio. On Honeymoon, the excellent debut album from Trifilio\'s songwriting project and four-piece band, it\'s as if she\'s singing about things everyone has felt before but never had the courage to put in words themselves. It\'s the stunning culmination of her evolution as a songwriter and artist, which started in 2015 as a bedroom pop solo project. Recorded at the iconic Chicago studio Electrical Audio with producer Joe Reinhart (Hop Along, Algernon Caldwaller), the nine songs on the LP burst with energy that capture their vital and life-affirming live shows. Songs like the swooning and anthemic singles \"Dream Boy\" and \"Ms. California\" encapsulate the highs and lows the exiting the honeymoon stage of a relationship. It\'s album for anyone whose felt uncertain and doubtful about their future and had the courage to dive in and choose optimism and love. Unlike Beach Bunny\'s self-released EPs which were largely written in a single month, Honeymoon came about patiently, over the course of nine months. The result is a more confident and cleareyed band that make some of the most charming and relatable rock anthems of the year.','BEACH BUNNY','','inherit','closed','closed','','839-revision-v1','','','2021-05-08 09:42:31','2021-05-08 13:42:31','',839,'https://motorcomusic.com/?p=958',0,'revision','',0),(960,4,'2021-05-12 12:00:37','2021-05-12 16:00:37','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-prince-daddy-the-hyena-sincere-engineer-super-american-tickets-154294100809\" rel=\"noopener\" target=\"_blank\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>Crank It Loud presents HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American</h3>\r\n\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg\" alt=\"\" width=\"720\" height=\"720\" class=\"alignnone size-full wp-image-963\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg\" alt=\"\" width=\"720\" height=\"482\" class=\"alignnone size-full wp-image-964\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American','','publish','open','closed','','hot-mulligan-2','','','2021-05-12 11:43:50','2021-05-12 15:43:50','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=960',0,'tribe_events','',0),(961,4,'2021-05-12 10:17:45','2021-05-12 14:17:45','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-heart-attack-man-meet-me-the-altar-super-american-tickets-92221873105\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>FBT presents HOT MULLIGAN with HEART ATTACK MAN / MEET ME @ THE ALTAR / SUPER AMERICAN</h3>\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96239942%2F282946456193%2F1%2Foriginal.20200310-214653?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=47be0afbecdf412a890f1f5594628ef6\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://img.evbuc.com/https%3A%2F%2Fcdn.evbuc.com%2Fimages%2F96245628%2F282946456193%2F1%2Foriginal.20200310-223407?h=2000&amp;w=720&amp;auto=format%2Ccompress&amp;q=75&amp;sharp=10&amp;s=81ec7decdce921f1eb7fd1724cb5062b\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','Hot Mulligan','','inherit','closed','closed','','960-revision-v1','','','2021-05-12 10:17:45','2021-05-12 14:17:45','',960,'https://motorcomusic.com/?p=961',0,'revision','',0),(962,4,'2021-05-12 10:19:43','2021-05-12 14:19:43','','hotmulligan','','inherit','open','closed','','hotmulligan-2','','','2021-05-12 10:19:43','2021-05-12 14:19:43','',960,'https://motorcomusic.com/wp-content/uploads/2021/05/hotmulligan.jpg',0,'attachment','image/jpeg',0),(963,4,'2021-05-12 10:19:43','2021-05-12 14:19:43','','Hot-Mulligan-2','','inherit','open','closed','','hot-mulligan-2','','','2021-05-12 10:19:43','2021-05-12 14:19:43','',960,'https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg',0,'attachment','image/jpeg',0),(964,4,'2021-05-12 10:20:24','2021-05-12 14:20:24','','Super-American','','inherit','open','closed','','super-american','','','2021-05-12 10:20:24','2021-05-12 14:20:24','',960,'https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg',0,'attachment','image/jpeg',0),(965,4,'2021-05-12 10:20:38','2021-05-12 14:20:38','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-heart-attack-man-meet-me-the-altar-super-american-tickets-92221873105\" target=\"_blank\" rel=\"noopener\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>FBT presents HOT MULLIGAN with HEART ATTACK MAN / MEET ME @ THE ALTAR / SUPER AMERICAN</h3>\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg\" alt=\"\" width=\"720\" height=\"720\" class=\"alignnone size-full wp-image-963\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg\" alt=\"\" width=\"720\" height=\"482\" class=\"alignnone size-full wp-image-964\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','Hot Mulligan','','inherit','closed','closed','','960-revision-v1','','','2021-05-12 10:20:38','2021-05-12 14:20:38','',960,'https://motorcomusic.com/?p=965',0,'revision','',0),(966,4,'2021-05-12 10:26:23','2021-05-12 14:26:23','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-prince-daddy-the-hyena-sincere-engineer-super-american-tickets-154294100809\" rel=\"noopener\" target=\"_blank\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>Crank It Loud presents HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American</h3>\r\n\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg\" alt=\"\" width=\"720\" height=\"720\" class=\"alignnone size-full wp-image-963\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg\" alt=\"\" width=\"720\" height=\"482\" class=\"alignnone size-full wp-image-964\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','Hot Mulligan','','inherit','closed','closed','','960-revision-v1','','','2021-05-12 10:26:23','2021-05-12 14:26:23','',960,'https://motorcomusic.com/?p=966',0,'revision','',0),(967,4,'2021-05-12 11:27:33','2021-05-12 15:27:33','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\r\n<ul>\r\n 	<li>All attendees must have proof of vaccination</li>\r\n 	<li>Masks will be required</li>\r\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\r\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\r\n</ul>\r\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n','BULLY','','inherit','closed','closed','','899-revision-v1','','','2021-05-12 11:27:33','2021-05-12 15:27:33','',899,'https://motorcomusic.com/?p=967',0,'revision','',0),(968,4,'2021-05-12 11:44:01','2021-05-12 15:44:01','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-prince-daddy-the-hyena-sincere-engineer-super-american-tickets-154294100809\" rel=\"noopener\" target=\"_blank\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>Crank It Loud presents HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American</h3>\r\n\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg\" alt=\"\" width=\"720\" height=\"720\" class=\"alignnone size-full wp-image-963\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg\" alt=\"\" width=\"720\" height=\"482\" class=\"alignnone size-full wp-image-964\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American','','inherit','closed','closed','','960-autosave-v1','','','2021-05-12 11:44:01','2021-05-12 15:44:01','',960,'https://motorcomusic.com/?p=968',0,'revision','',0),(969,4,'2021-05-12 11:32:17','2021-05-12 15:32:17','','Hot-Mulligan-3','','inherit','open','closed','','hot-mulligan-3','','','2021-05-12 11:32:17','2021-05-12 15:32:17','',960,'https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-3.jpeg',0,'attachment','image/jpeg',0),(970,4,'2021-05-12 11:40:33','2021-05-12 15:40:33','','Hot-Mulligan-3','','inherit','open','closed','','hot-mulligan-3-2','','','2021-05-12 11:40:33','2021-05-12 15:40:33','',960,'https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-3.jpg',0,'attachment','image/jpeg',0),(971,4,'2021-05-12 11:43:50','2021-05-12 15:43:50','<h4><a href=\"https://www.eventbrite.com/e/hot-mulligan-prince-daddy-the-hyena-sincere-engineer-super-american-tickets-154294100809\" rel=\"noopener\" target=\"_blank\"><strong>BUY TICKETS HERE</strong></a></h4>\r\n\r\n<h3>Crank It Loud presents HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American</h3>\r\n\r\n<h2>HOT MULLIGAN</h2>\r\nHot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members — Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley — use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost. From relationships to personal development, Hot Mulligan captures the human experience with unflinching honesty and infectious hooks that, above all else, make people feel something.\r\n\r\nOn their Sophomore LP, You’ll Be Fine, Hot Mulligan shares a collection of stories that capture their growth, or lack thereof, since the release of 2018’s Pilot. It’s an album about losing yourself in the pursuit of your dreams, and how that conundrum can create a ripple effect that touches every relationship in our lives. For every show played, there are moments missed back home. For every song, a commitment is made to staying on the road.   But don’t let the emotional intelligence displayed on You’ll Be Fine fool you. Hot Mulligan makes serious music for people that don’t take themselves too seriously. You may feel sad or stressed or lost in life right now, but don’t worry too much because those feelings will pass in time. When all is said and done, after dreams are chased, hearts are broken, and memories are made, you’ll be fine.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Hot-Mulligan-2.jpg\" alt=\"\" width=\"720\" height=\"720\" class=\"alignnone size-full wp-image-963\" />\r\n\r\n<a href=\"https://www.hotmulliganband.com/\" target=\"_blank\" rel=\"noopener\"><strong>Official Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/HotMulligan/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/hotmulligan\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://open.spotify.com/artist/1lKZzN2d4IqiEYxyECIEHI\" target=\"_blank\" rel=\"noopener\"><strong>Spotify</strong></a>\r\n\r\n<hr />\r\n\r\n<h2>SUPER AMERICAN</h2>\r\nSuper American just want to live with the lights on. The Buffalo-based boys of pop [Matt Cox - vocals/guitar/bass &amp; Pat Feeley - vocals/guitar/bass] have long strived to create something that could offer solace in the form of a momentary lapse in reality. The bright and buoyant nature of their songwriting cuts through the darkness of day to day life like a nightlight -- offering up feelings of comfort and security in a time that often feels void of it. And it’s this unofficial mission statement of sorts has served as the red string and push pins that have held their catalog together as they continue to evolve at break-neck speeds.   The jump from the youth-soaked pop-punk of Disposable to the punchdrunk guitar pop offerings on their debut album, Tequila Sunrise, is one that few bands could pull off successfully, but Super American made it look effortless. As far as they’re concerned, these were just two sides of the same coin. Just as similar sonically as they are different, but it’s all Super American. With the release of their album sampler, Yobwoc, the tag-team have returned from a year of silence with a renewed sense of purpose.\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Super-American.jpg\" alt=\"\" width=\"720\" height=\"482\" class=\"alignnone size-full wp-image-964\" />\r\n\r\n<a href=\"https://www.facebook.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://twitter.com/supamerican\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/supamerican/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram </strong></a>','HOT MULLIGAN / Prince Daddy & the Hyena / Sincere Engineer / Super American','','inherit','closed','closed','','960-revision-v1','','','2021-05-12 11:43:50','2021-05-12 15:43:50','',960,'https://motorcomusic.com/?p=971',0,'revision','',0),(972,4,'2021-05-12 11:57:35','2021-05-12 15:57:35','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\r\n<ul>\r\n 	<li>All attendees must have proof of vaccination</li>\r\n 	<li>Masks will be required</li>\r\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\r\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\r\n</ul>\r\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n','BULLY / Pom Pom Squad','','inherit','closed','closed','','899-revision-v1','','','2021-05-12 11:57:35','2021-05-12 15:57:35','',899,'https://motorcomusic.com/?p=972',0,'revision','',0),(973,4,'2021-05-15 12:48:00','2021-05-15 16:48:00','','Pom-Pom-Squad','','inherit','open','closed','','pom-pom-squad','','','2021-05-15 12:48:00','2021-05-15 16:48:00','',899,'https://motorcomusic.com/wp-content/uploads/2021/05/Pom-Pom-Squad.png',0,'attachment','image/png',0),(974,4,'2021-05-15 12:48:07','2021-05-15 16:48:07','<h3>With this being our first indoor show since the COVID-19 pandemic began, we will be taking these precautions for everyone\'s safety and best interest:</h3>\r\n<ul>\r\n 	<li>All attendees must have proof of vaccination</li>\r\n 	<li>Masks will be required</li>\r\n 	<li>All attendees must have temperature checked upon entry (and not allowed entry if temperature is 100.4 degrees or higher)</li>\r\n 	<li>We reserve the option to open our new floor to ceiling windows to provide ultimate air circulation</li>\r\n</ul>\r\n<h4><a href=\"https://www.eventbrite.com/e/bully-tickets-152908105259\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>BULLY</h2>\r\nA very old saying goes that no one saves us but ourselves. Recognizing and breaking free from the patterns impeding our forward progress can be transformative just ask Bully\'s Alicia Bognanno. Indeed, the third Bully album, SUGAREGG, may not ever have come to fruition had Bognanno not navigated every kind of upheaval imaginable and completely overhauled her working process along the way.\r\n\r\n\"There was change that needed to happen and it happened on this record,\" she says. \"Derailing my ego and insecurities allowed me to give these songs the attention they deserved.\"\r\n\r\nSUGAREGG roars from the speakers and jumpstarts both heart and mind. Like My Bloody Valentine after three double espressos, opener \"Add It On\" zooms heavenward within seconds, epitomizing Bognanno\'s newfound clarity of purpose, while the bass-driven melodies and propulsive beats of \"Where to Start\" and \"Let You\" are the musical equivalents of the sun piercing through a perpetually cloudy sky.\r\n\r\nOn songs like the strident \"Every Tradition\" and \"Not Ashamed,\" Bognanno doesn\'t shy away from addressing \"how I feel as a human holds up against what society expects or assumes of me as a woman, and what it feels like to naturally challenge those expectations.\"\r\n\r\nBut amongst the more dense topics, there\'s also a lightheartedness that was lacking on Bully\'s last album, 2017\'s Losing. Pointing to \"Where to Start,\" \"You\" and \"Let You,\" Bognanno says \"there are more songs about erratic, dysfunctional love in an upbeat way, like, \'I\'m going down and that\'s the only way I want to go because the momentary joy is worth it.\'\"\r\n\r\nThe artist admits that finding the proper treatment for bipolar 2 disorder radically altered her mindset, freeing her from a cycle of paranoia and insecurity about her work. \"Being able to finally navigate that opened the door for me to write about it,\" she says, pointing to the sweet, swirly \"Like Fire\" and slower, more contemplative songs such as \"Prism\" and \"Come Down\" as having been born of this new headspace. Even small changes like listening to music instead of the news first thing in the morning \"made me want to write and bring that pleasure to other people.\"\r\n\r\nAn unexpected foray into the film world also helped set the table for Sugaregg when Bognanno was asked to write songs for the 2019 movie Her Smell, starring Elisabeth Moss as the frontwoman of the fictional rock band Something She. \"It got me motivated to play music again after the last album,\" she says. \"I loved reading the script and trying to think, what music would the character write? People asked if I\'d play those songs with Bully but the whole point was for\r\n\r\nthem to not be Bully songs. It was nice to get my head out of my own ass for a second and work on a project for someone else,\" she says with a laugh.\r\n\r\nA highly accomplished engineer who ran the boards herself on the first two Bully albums, Bognanno was ready to be free \"from the weight of feeling like I had to prove to the world I was capable of engineering a record, and wanted to be content knowing for myself what I can do without needing the approval of others to validate that.\"\r\n\r\nSo for SUGAREGG, she yielded recording and mixing responsibilities to outside collaborators for the first time and trekked to the remote Pachyderm Studios in Cannon Falls, Minn., an unexpected return to her home state. Behind the console was John Congleton, a Grammy-winner who has worked with everyone from St. Vincent and Sleater-Kinney to The War on Drugs and Modest Mouse. \"Naturally, I still had reservations, but John was sensitive to where I was coming from,\" Bognanno says. \"He was very respectful that I\'d never worked with a producer before.\"\r\n\r\nThe studio\'s rich history (classics such as Nirvana\'s In Utero, PJ Harvey\'s Rid of Me and Superchunk\'s Foolish were recorded there) and woodsy setting quickly put Bognanno\'s mind at ease. Being able to bring her dog Mezzi along for the trip didn\'t hurt either. \"I had never tracked a record in the summer, so waking up and going outside with her before we started each day was a great way to refresh,\" she says.\r\n\r\nSUGAREGG features additional contributions from longtime touring drummer Wesley Mitchell and bassist Zach Dawes, renowned for his work on recent albums by Sharon Van Etten and Lana Del Rey. Dawes and Bognanno met at Pachyderm to work on parts just two days before tracking, \"but it ended up being so much less stressful than I had expected and I loved it,\" she says. \"Zach wanted to be there to help and make my vision happen.\"\r\n\r\nWith 14 songs on tape, Bognanno and friends left Pachyderm thinking SUGAREGG was done. But once back home in Nashville, she realized there was more to be written, and spent the next five months doing exactly that. Moving to Palace Studios in Toronto with Graham Walsh (Alvvays, METZ, !!!), Bognanno and Mitchell recorded \"Where to Start\" and \"Let You,\" which proved to be two of the new album\'s key tracks.\r\n\r\nUltimately, SUGAREGG is a testament that profound change can yield profound results in this case, the most expressive and powerful music of Bognanno\'s career. \"This is me longing to see the bigger picture, motivated and eager for contentment in the best way,\" she says. \"I hope the happy go lucky / fuck-it-all attitude shines through some of these songs because I really did feel like I was reentering a place I hadn\'t been to in a while and was excited to be back there.\"\r\n\r\n<hr />\r\n\r\n<h2>Pom Pom Squad</h2>\r\nPom Pom Squad is an indie rock/grunge band from Brooklyn, New York. Begun in 2015 as a solo project of frontwoman Mia Berrin, Pom Pom Squad evolved into a four-piece band consisting of Berrin, bassist Mari Alé Figeman, drummer Shelby Keller, and guitarist Alex Mercuri.\r\n\r\n<img class=\"alignnone size-full wp-image-973\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Pom-Pom-Squad.png\" alt=\"\" width=\"826\" height=\"826\" />','BULLY / Pom Pom Squad','','inherit','closed','closed','','899-revision-v1','','','2021-05-15 12:48:07','2021-05-15 16:48:07','',899,'https://motorcomusic.com/?p=974',0,'revision','',0),(975,4,'2021-05-15 12:53:37','2021-05-15 16:53:37','{\n    \"custom_css[motorco]\": {\n        \"value\": \"/* Ticket Links Active */\\n.tribe-events-content h4 a\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #d64c31;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\ttext-transform: uppercase;\\n} \\n\\n/* Ticket Links Active */\\n.tribe-events-content h4 a:link \\n{\\n\\tborder-radius: 24px;\\n\\tborder-bottom: 0px 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1.6;\n}\n\n.tribe-events-content h2\n{\n	font-family: \'PT Sans Narrow\', sans-serif;\n	color: #bb4422;\n	font-size: 36px;\n	font-weight: 900;\n	text-transform: uppercase;\n	text-shadow: 1px 1px #000;\n}\n\n.tribe-events-single-event-title, h1\n{\n	font-family: \'PT Sans Narrow\', sans-serif;\n	color: #bb4422;\n	font-size: 48px;\n	font-weight: 900;\n	text-shadow: 1px 1px #000;\n}\n\n.tribe-common--breakpoint-medium.tribe-common .tribe-common-h4--min-medium\n{\n		font-family: \'PT Sans Narrow\', sans-serif;\n	color: #bb4422;\n	font-size: 48px;\n	font-weight: 900;\n	line-height: .9 ;\n	font-weight: 900;\n	text-shadow: 1px 1px #000;\n}\n\n.tribe-events-calendar-list__event-datetime\n{\n	color: #000;\n	font-size: 20px;\n	text-transform: uppercase;\n	font-weight: 900;\n	margin: 0px;\n}\n','motorco','','inherit','closed','closed','','874-revision-v1','','','2021-05-15 13:35:38','2021-05-15 17:35:38','',874,'https://motorcomusic.com/?p=982',0,'revision','',0),(983,4,'2021-05-15 13:36:36','2021-05-15 17:36:36','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents ABBEY ROAD LIVE!','','inherit','closed','closed','','815-revision-v1','','','2021-05-15 13:36:36','2021-05-15 17:36:36','',815,'https://motorcomusic.com/?p=983',0,'revision','',0),(984,4,'2021-05-15 13:37:42','2021-05-15 17:37:42','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3>Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: DIALI CISSOKHO and KAIRA BA','','inherit','closed','closed','','824-revision-v1','','','2021-05-15 13:37:42','2021-05-15 17:37:42','',824,'https://motorcomusic.com/?p=984',0,'revision','',0),(985,4,'2021-05-15 13:38:07','2021-05-15 17:38:07','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Diali-Cissokho-and-Kaira-Ba/423705?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3>Doors @ 6pm - Show @ 8pm</h3>\r\n<strong>Diali Cissokho &amp; Kaira Ba</strong> ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture.\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 6 guests, including children, max in one 8 x 8 square POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nTickets are nonrefundable if weather permits. If the event is cancelled due to weather, guests will be issued a rain check\" for another date.\r\n\r\nMORE INFO AT <a href=\"https://liveinthelot.net\" target=\"_blank\" rel=\"noopener\">LIVEINTHELOT.NET</a>\r\n\r\n<hr />\r\n\r\n<h2>Diali Cissokho &amp; Kaira Ba</h2>\r\nDiali Cissokho &amp; Kaira Ba ecstatically explore the spiritual songs, stories, and rhythms of Senegals millennia-old Mand culture. Indeed, Cissokho comes from a long line of prominent griots who are entrusted to maintain a West African villages genealogies and important ceremonial affairs through song. But he is much more than a preservationist. Cissokho and his band, Kaira Ba, effortlessly integrate the traditional sounds of the kora with a modern rush of electric guitar and an exuberant rhythm section. Together, Diali Cissokho &amp; Kaira Ba sustain one of West Africas most expressive legacies with their own energetic interpretations.\r\n\r\nThe band formed in North Carolina in January of 2011, shortly after Cissokhos immigration to the US. Kaira Ba has produced three full length albums, toured extensively in the US, and traveled twice as a band to Senegal. In 2014, Kaira Ba was nominated for the prestigious continent-wide All Africa Music Award (AFRIMA) in the category Best African Group for their album The Great Peace . In 2018 the band released its most ambitious album to date, Routes, which was recorded alongside a broad cast of guests in both North Carolina and Senegal. The album was met with critical acclaim upon its releases, being favorably reviewed by Afropop Worldwide, The Financial Times, OkayAfrica, the famed rock critic Robert Christgau for Noisey/Vice, and Songlines who wrote, This album is up there with the groundbreaking recordings of Thione Seck, Baaba Maal and Youssou NDour. Kaira Ba has performed and taught at Universities, appeared in front of large festival audiences and shared stages with some of Africas most prominent international artists. In all its work, Kaira Ba is committed to sharing its story and music in the name of cross-cultural learning, believing that music has the power to transgress borders and serve as an important resource for education, restoration and healing.\r\n\r\nDiali Keba Cissokho (kora, vocals) A renowned korist and percussionist from Senegal, Diali moved to the US after years of performing and teaching in Senegal and in Europe. Born into a rich ancestry of Manding griots (jalis), Diali has been playing traditional West African music for as long as he can remember. While his greatest love is the kora, a 21-stringed West African bridge harp, he is also an accomplished singer, songwriter, and percussionist. Historically, each village had its own griot who told tales of births, deaths, marriages, battles, hunts, affairs, and other important events and celebrations. In Mande society the griot, or jeli, served as a historian, advisor, praise singer, and storyteller. These musicians served as walking history books, preserving and sharing the stories and traditions of their culture through song. This inherited tradition, with deep connections to spiritual, social, and political powers, has been passed down through generations. Dialis mother, MoussuKeba Diebate, and father, Ibrahima Cissokho, both hailed from long lines of griot musicians. Dialis grandfather was the famed griot korist Lalo Keba Drame, who was among the first griots to tour internationally in the 1960s, after his recordings became popular both within and outside of Senegal. Diali seeks to honor his ancestors through all of his work as performer, teacher, and collaborator.\r\n\r\nJonathan Henderson (bass) Currently a PhD candidate in ethnomusicology at Duke University, Jonathan is a multi-instrumentalist active as a composer, producer, and educator. He has studied under master Brazilian percussionist Jorge Alabe and contemporary classical composer Stephen Jaffe, worked alongside Senegalese griot Diali Cissokho and collaborated with talented artists in the US, West Africa, Brazil and Indonesia. Most recently, Jonathan produced Diali Cissokho &amp; Kaira Bas critically acclaimed album Routes . Recorded on two sides of the Atlantic and enlisting the contributions of over 30 musicians in North Carolina and Senegal, Routes was released on Jonathans record label, Twelve Eight Records in June of 2018. Jonathan has composed music for film and theater, and taught courses in music at the high school and college level. Jonathan is a co-founder of Diali Cissokho &amp; Kaira Ba and regular contributor to numerous other bands and performing ensembles. He holds a masters degree in ethnomusicology from Duke University. Find out more at: <a href=\"https://www.twelveeightrecords.com/\" target=\"_blank\" rel=\"noopener\">https://www.twelveeightrecords.com/</a> and <a href=\"http://www.jhendersonmusic.com/\" target=\"_blank\" rel=\"noopener\">http://www.jhendersonmusic.com/</a>\r\n\r\nWill Ridenour (percussion) is a professional musician from Greensboro, NC who specializes in international folkloric percussion as well as the kora, a harp-lute from West Africa. Since 1997, Will has studied with master kora and percussion teachers in Mali, Senegal, Sweden, and the US, including 4 study trips to West Africa. Will holds a B.A. in Anthropology from UNC-Chapel Hill and has been the recipient of two North Carolina Arts Council grants for musical projects centering around the kora. He has performed in 28 countries worldwide, and has scored productions for dance, theater, and documentary film. Currently, Will works with children and adults in schools, camps, and hospitals, and records and performs with Diali Cissokho &amp; Kaira Ba , Grand Shores ,\r\n\r\nSewa Beats, Paperhand Puppet Intervention , and other collaborative projects. Check out his website here.\r\n\r\nJohn Westmoreland (guitar) has been performing professionally for over a decade. He began playing blues, rock, and folk music as a teenager and went on to study Jazz and Classical Composition at Berklee College of Music where he was a recipient of the BEST scholarship. In 2011 he became a founding member and lead guitarist for Diali Cissokho &amp; Kaira Ba. John also writes and performs his own original music which can be heard on his 2018 debut album Cast Fire. Aside from standard performance contexts, John provides music for yoga classes and meditation, relaxation music sessions for people with Alzheimers and Dementia, and performs as part of UNC Hospitals Door to Door music program. In 2014 with the help of an Emerging Artists Grant from the Durham Arts Council John travelled to South America to study ceremonial healing music of the Upper Amazon and Andes regions of Peru. Currently hes working on a performance and ancestral research project centered around the life and work of T-Bone Slim (Matti V. Huhta), a first generation Finnish-American hobo poet, songwriter and activist who John recently discovered was his great grandmothers older brother.\r\n\r\nAustin McCall (drum set) is a professional musician from Chapel Hill, NC specializing in drum set and percussion. He has studied with some of the Greats such as Mama Kone (percussion, Habib Koite), Frank Worrell (drum set, Jack Dejohnette), and Billy Martin (drum set, Medeski Martin &amp; Wood). He has travelled studied percussion and drum set in many places over the years, including 3 trips to West Africa. Austin is a co-founder of Diali Cissokho &amp; Kaira Ba, and performs with other acts such as Paperhand Puppet Intervention, Jonathan Byrd, Violet Bell, and Scythian. He is the co-creator/co-director of Lumanity, An illuminated spectacle of ones journey through light, and rhythm. Austins approach to the drum set is not only one as a drummer, but also a percussionist, which allows him to explore the possibilities from a different angle, such as playing dun dun, calabash, or djembe patterns on drum set.','Live In The Lot presents: DIALI CISSOKHO & KAIRA BA','','inherit','closed','closed','','824-revision-v1','','','2021-05-15 13:38:07','2021-05-15 17:38:07','',824,'https://motorcomusic.com/?p=985',0,'revision','',0),(986,4,'2021-05-15 13:39:22','2021-05-15 17:39:22','<h4><a href=\"https://www.eventbrite.com/e/summer-salt-covey-breakup-shoes-tickets-151978763573\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>SUMMER SALT / Covey / Breakup Shoes</h2>\r\nAs kids, SUMMER SALT knew what they were running toward. Now, they\'re ready to ruminate on what they\'ve left behind.\r\n\r\nIn a way, the trop-pop duo singer/guitarist Matthew Terry and drummer Eugene Chung have been building to their brand-new album, SEQUOIA MOON, ever since jettisoning their Dallas, Texas, hometown for the arts-and-culture oasis of Austin after graduating high school in the early 2010s. The band quickly rose through the ranks of the local Austin scene with their 2014 debut Driving To Hawaii, teeming with both the escapism and recklessness of youth and the composure and charm of \'60s-era pop, doo wop and bossa nova.\r\n\r\n2018\'s Happy Camper, 2019\'s Honeyweed and 2020\'s Avenue G further cemented the band\'s place as one of the indie genre\'s brightest stars. Summer Salt soared past 1 million monthly Spotify listeners and toured the world, all as Live Nation\'s Ones To Watch and American Songwriter hailed them for their breezy, synesthetic soundscapes.\r\n\r\nThat streak will continue with SEQUOIA MOON. Produced by Phil Ek (Modest Mouse, Built To Spill, Fleet Foxes), the 12-song set, due out June 25 through Cherry Lime Records via The Orchard, finds Terry and Chung contemplating many of the same themes that drove them to pursue their dreams a decade ago leaving, longing, returning back again with the benefit of years in the rearview mirror.\r\n\r\n\"There\'s a lot of running away on this album,\" Terry says, noting SEQUOIA MOON is, at its core, a record about transitions: intrapersonally, interpersonally, and in the scope of the world at large. The songs are culled from diverse periods throughout the band\'s history standout \"Colors Of Your Love,\" among others, dates all the way back to 2013 but their themes are timeless and indelible, detailing life at its most basic: the push toward a bright, bold future while looking back fondly on what\'s led you there.\r\n\r\nThat juxtaposition is well represented musically, too. The hallmarks of Summer Salt are alive and well the jazzy dynamism of \"Hocus Pocus\" and first single \"Monday\'s Facil,\" the peaceful solemnity of \"Trouble In Paradise\" while newer elements like synths and additional percussion push the band\'s sound forward with a newfound moodiness and tension.\r\n\r\nTerry hails Chung as a grounding presence to his own eccentric, blue-sky extravagance, and when the principals meet in the middle on SEQUOIA MOON, listeners are left with the edge and emotion of the band\'s early work filtered through a more mature lens. As such, the album stands as another hallmark in a career of era-defying art that spans genres and generations offering audiences the perfect blend between substance and sunniness.\r\n\r\n\"We loved writing this album with the hope that other people can relate to our stories and bring them some peace this summer,\" Chung says. XX\r\n\r\n<img class=\"alignnone size-full wp-image-835\" src=\"https://motorcomusic.com/wp-content/uploads/2021/04/Summer-Salt-3.jpg\" alt=\"\" width=\"720\" height=\"537\" />\r\n\r\n<a href=\"https://www.summersalt.band/\" target=\"_blank\" rel=\"noopener\"><strong>Website</strong></a>\r\n\r\n<a href=\"https://www.facebook.com/summersaltatx/\" target=\"_blank\" rel=\"noopener\"><strong>Facebook</strong></a>\r\n\r\n<a href=\"https://www.instagram.com/_summer_salt_/\" target=\"_blank\" rel=\"noopener\"><strong>Instagram</strong></a>\r\n\r\n<a href=\"https://twitter.com/SummerSaltATX\" target=\"_blank\" rel=\"noopener\"><strong>Twitter</strong></a>','SUMMER SALT / Covey / Breakup Shoes','','inherit','closed','closed','','831-revision-v1','','','2021-05-15 13:39:22','2021-05-15 17:39:22','',831,'https://motorcomusic.com/?p=986',0,'revision','',0),(987,4,'2021-05-15 13:43:59','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','open','','','','','2021-05-15 13:43:59','0000-00-00 00:00:00','',0,'https://motorcomusic.com/?p=987',0,'post','',0),(988,4,'2021-05-18 14:00:40','2021-05-18 18:00:40','<h4><a href=\"https://www.eventbrite.com/e/carbon-leaf-tickets-152422021369\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\n<strong>I.</strong>\r\n<h5>Carbon Leaf is on tour in support of their new release,</h5>\r\n<strong>Gathering 2: The Hunting Ground.</strong>\r\n\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\n<strong>II.</strong>\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\n\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\n\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\n\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).\r\n\r\n&nbsp;','CARBON LEAF','','publish','open','closed','','carbon-leaf','','','2021-05-18 14:16:08','2021-05-18 18:16:08','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=988',0,'tribe_events','',0),(989,4,'2021-05-15 13:51:11','2021-05-15 17:51:11','<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\nI.\r\n<strong>Carbon Leaf is on tour in support of their new release,</strong>\r\nGathering 2: The Hunting Ground.\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\nII.\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).','CARBON LEAF','','inherit','closed','closed','','988-revision-v1','','','2021-05-15 13:51:11','2021-05-15 17:51:11','',988,'https://motorcomusic.com/?p=989',0,'revision','',0),(990,4,'2021-05-15 13:52:28','2021-05-15 17:52:28','{\n    \"custom_css[motorco]\": {\n        \"value\": \"/* Ticket Links Active */\\n.tribe-events-content h4 a\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #d64c31;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\ttext-transform: uppercase;\\n} \\n\\n/* Ticket Links Active */\\n.tribe-events-content h4 a:link \\n{\\n\\tborder-radius: 24px;\\n\\tborder-bottom: 0px solid;\\n\\tpadding: 10px 20px 10px 20px;\\n} \\n\\n/* Ticket Links Hover */\\n.tribe-events-content h4 a:hover\\n{\\n\\tbackground: #e18c2f;\\n\\tcolor: #ffffff;\\n}     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#e18c2f;\\n\\tcolor: #ffffff;\\n}     \\n\\n\\n/* Doors vs Show */\\n.tribe-events-content h3\\n{\\n\\tfont-size: 18px;\\n\\tbackground: #e18c2f;\\n\\tborder-bottom: 0px solid;\\n\\tcolor: #ffffff;\\n\\tpadding-left: 12px;\\n}\\n\\n\\n\\n.tribe-events-single-event-description .tribe-events-content ul, li\\n{\\nlist-style-type: none\\n\\tpadding-left: 30px;\\n\\tpadding-left: 30px;\\n\\tline-height: 1.6;\\n}\\n\\n.tribe-events-content h2\\n{\\n\\tfont-family: \'PT Sans Narrow\', sans-serif;\\n\\tcolor: #bb4422;\\n\\tfont-size: 36px;\\n\\tfont-weight: 900;\\n\\ttext-transform: uppercase;\\n\\ttext-shadow: 1px 1px #000;\\n}\\n\\n.tribe-events-single-event-title, h1\\n{\\n\\tfont-family: \'PT Sans Narrow\', sans-serif;\\n\\tcolor: #bb4422;\\n\\tfont-size: 48px;\\n\\tfont-weight: 900;\\n\\ttext-shadow: 1px 1px #000;\\n}\\n\\n.tribe-common--breakpoint-medium.tribe-common .tribe-common-h4--min-medium\\n{\\n\\t\\tfont-family: \'PT Sans Narrow\', sans-serif;\\n\\tcolor: #bb4422;\\n\\tfont-size: 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previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\nII.\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\n\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\n\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\n\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).\r\n\r\n&nbsp;','CARBON LEAF','','inherit','closed','closed','','988-revision-v1','','','2021-05-15 13:55:25','2021-05-15 17:55:25','',988,'https://motorcomusic.com/?p=993',0,'revision','',0),(994,4,'2021-05-15 13:56:24','2021-05-15 17:56:24','<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\n<strong>I.</strong>\r\n<h5>Carbon Leaf is on tour in support of their new release,</h5>\r\n<strong>Gathering 2: The Hunting Ground.</strong>\r\n\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\n<strong>II.</strong>\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\n\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\n\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\n\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).\r\n\r\n&nbsp;','CARBON LEAF','','inherit','closed','closed','','988-revision-v1','','','2021-05-15 13:56:24','2021-05-15 17:56:24','',988,'https://motorcomusic.com/?p=994',0,'revision','',0),(996,4,'2021-05-15 13:57:42','2021-05-15 17:57:42','','Carbon Leaf','','inherit','open','closed','','carbon-leaf-2','','','2021-05-15 13:57:42','2021-05-15 17:57:42','',988,'https://motorcomusic.com/wp-content/uploads/2021/05/Carbon-Leaf-2020-Graffiti-Warehouse-Baltimore-MD-Photography-by-Brittany-Diliberto-71.jpg',0,'attachment','image/jpeg',0),(997,4,'2021-05-18 09:00:16','2021-05-18 13:00:16','<h4><a href=\"https://www.eventbrite.com/e/mdou-moctar-tickets-155738994525\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>MDOU MOCTAR</h2>\r\nProdigious Tuareg guitarist and songwriter Mdou Moctar boldly reforges contemporary Saharan music and “rock music“ by melding Eddie Van Halen pyrotechnics, full-blast noise and guitar shredding, field recordings, drums rhythms, poetic meditations on love, religion, women’s rights, inequality and Western Africa’s exploitation at the hands of colonial powers to rip a new hole in the sky with the Afrique Victime album.\r\n\r\nMdou Moctar’s home is Agadez, a desert village in rural Niger. Inspired by YouTube videos of Eddie Van Halen’s six string techniques and traditional Tuareg melodies, he mastered the guitar which he himself built and created his own burning style. A born charismatic, Mdou went on to tell his story as an aspiring artist by writing, producing &amp; starring in the first Tuareg language film: a remake of Purple Rain called Akounak Tedalat Taha Tazoughai - which translates to “Rain The Color Of Blue With A Little Red In It”, winning the approval of his family and his community. The word and the sound travelled across West Africa via mobile phone data cards, a popular form of local music distribution. Gruelling DIY world tours and albums on the independent US label Sahel Sounds followed, including 2019’s landmark Ilana: The Creator album that earned Mdou Moctar an ecstatic international audience.\r\n\r\nAfrique Victime is result of the combined efforts of Mdou and the members of the band that shares his name. Mdou’s crucial collaborator is Ahmoudou Madassane, who’s been his rhythm guitarist since 2008- their two guitars are an alchemical combination. As a songwriter, producer and recording artist Ahmoudou is the premier musical ambassador to Tuaregs in Niger, empowering young musicians with instruments, recording opportunities, and visas. Masassane helped form the revolutionary first woman-fronted Tuareg guitar band Les Filles De Illighadad, whose debut album and tours caused an international sensation in 2019.\r\n\r\nThe band‘s youngest member is prodigal drummer Souleymane Ibrahim, also a member of both the well-known Niger band Sultanat Star De L’air and the longest running wedding band in Agadez, Etran De L’air. Souleymane’s playing on this album ferociously sets a new standard for the “rock” drumset.\r\n\r\nProducer &amp; bassist Mikey Coltun flies 20 hours from Brooklyn, NYC, then takes a 28 hour bus ride to reach Agadez so the band can practice and record. With no support from a major label or a manager, they made this journey out of Niger every time they toured. In the past three years, Mikey’s played over 500 shows on three continents as Mdou Moctar’s bassist, road manager, producer/recording engineer, and friend. Coltun recorded and produced Afrique Victime around the band’s travels in 2019- in studios, apartments, hotel rooms, venue backstages, and in field recordings in Niger.\r\n\r\nRecording and honing songs as a touring outfit forged a livewire new sound, and If Ilana was a late ’60s early ’70s ZZ Top and Black Sabbath record – Afrique Victime is mid ’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band’s hypnotic rhythm section are on awe- inspiring display on songs like “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.\r\n\r\n“From prison to Nobel prize. They ceded to Mandela / Africa is a victim of so many crimes / If we stay silent it will be the end of us / Why is this happening?“ Moctar asks on the heartfelt and rallying title track. “I want the world to know that we are making music to promote world peace and be with everyone on the same level, fighting against racism”, he says. “All colors and genders are equal. Women, Men and children all suffer in the desert due to the colonization by France and therefore there is a lack of the basics - hospitals, drinking water, schools.”\r\n\r\nThe needs of Agadez are a major part of what drives Moctar as an artist, and promoting the region’s youth through music is an especially personal cause. “I know what it’s like to have been in that position,” he says, “to not have the support of your family, or the money for guitars or strings, it’s really hard. I have a lot of support from the younger generation, because I help them out a lot. When I get back from tour, I give them gear that I bought while I was away so they can go out and form their own bands.”\r\n\r\nSays Coltun: “In Agadez the music and feeling at Tuareg weddings is exactly like the best of Western DIY/Punk shows. It’s loud, energetic and powerful. There is a sense of everyone helping out. Tuaregs are a tight community. If you’re Tuareg you’re considered family.”\r\n\r\nThe music listeners are the beneficiaries of the staggeringly powerful do-it-yourself musical ethic of Mdou Moctar- the man and the band- who’ve worked so hard to bring the spirits of families and communities in Niger to the West. Afrique Victime sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.\r\n\r\n<strong><a href=\"https://sahelsounds.com/mdou-moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a></strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/mdoumoctarofficial/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/Mdou_Moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com/MoctarMdou/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a></strong>\r\n\r\n<a href=\"https://www.youtube.com/watch?v=-CrTnNG4gIk\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>YouTube</strong></a>\r\n\r\n&nbsp;','MDOU MOCTAR','','publish','open','closed','','mdou-moctar','','','2021-05-17 23:54:44','2021-05-18 03:54:44','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=997',0,'tribe_events','',0),(998,4,'2021-05-17 23:11:44','2021-05-18 03:11:44','','Mdou-Moctar-2','','inherit','open','closed','','mdou-moctar-2','','','2021-05-17 23:11:44','2021-05-18 03:11:44','',997,'https://motorcomusic.com/wp-content/uploads/2021/05/Mdou-Moctar-2.jpeg',0,'attachment','image/jpeg',0),(999,4,'2021-05-17 23:14:16','2021-05-18 03:14:16','<h4><a href=\"https://www.eventbrite.com/e/mdou-moctar-tickets-155738994525\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h2 class=\"eds-text-hs--fixed eds-text-weight--light\"><a class=\"event-nav-description-title\" href=\"https://www.eventbrite.com/myevent?eid=155738994525\">MDOU MOCTAR</a></h2>\r\nProdigious Tuareg guitarist and songwriter Mdou Moctar boldly reforges contemporary Saharan music and “rock music“ by melding Eddie Van Halen pyrotechnics, full-blast noise and guitar shredding, field recordings, drums rhythms, poetic meditations on love, religion, women’s rights, inequality and Western Africa’s exploitation at the hands of colonial powers to rip a new hole in the sky with the Afrique Victime album.\r\n\r\nMdou Moctar’s home is Agadez, a desert village in rural Niger. Inspired by YouTube videos of Eddie Van Halen’s six string techniques and traditional Tuareg melodies, he mastered the guitar which he himself built and created his own burning style. A born charismatic, Mdou went on to tell his story as an aspiring artist by writing, producing &amp; starring in the first Tuareg language film: a remake of Purple Rain called Akounak Tedalat Taha Tazoughai - which translates to “Rain The Color Of Blue With A Little Red In It”, winning the approval of his family and his community. The word and the sound travelled across West Africa via mobile phone data cards, a popular form of local music distribution. Gruelling DIY world tours and albums on the independent US label Sahel Sounds followed, including 2019’s landmark Ilana: The Creator album that earned Mdou Moctar an ecstatic international audience.\r\n\r\nAfrique Victime is result of the combined efforts of Mdou and the members of the band that shares his name. Mdou’s crucial collaborator is Ahmoudou Madassane, who’s been his rhythm guitarist since 2008- their two guitars are an alchemical combination. As a songwriter, producer and recording artist Ahmoudou is the premier musical ambassador to Tuaregs in Niger, empowering young musicians with instruments, recording opportunities, and visas. Masassane helped form the revolutionary first woman-fronted Tuareg guitar band Les Filles De Illighadad, whose debut album and tours caused an international sensation in 2019.\r\n\r\nThe band‘s youngest member is prodigal drummer Souleymane Ibrahim, also a member of both the well-known Niger band Sultanat Star De L’air and the longest running wedding band in Agadez, Etran De L’air. Souleymane’s playing on this album ferociously sets a new standard for the “rock” drumset.\r\n\r\nProducer &amp; bassist Mikey Coltun flies 20 hours from Brooklyn, NYC, then takes a 28 hour bus ride to reach Agadez so the band can practice and record. With no support from a major label or a manager, they made this journey out of Niger every time they toured. In the past three years, Mikey’s played over 500 shows on three continents as Mdou Moctar’s bassist, road manager, producer/recording engineer, and friend. Coltun recorded and produced Afrique Victime around the band’s travels in 2019- in studios, apartments, hotel rooms, venue backstages, and in field recordings in Niger.\r\n\r\nRecording and honing songs as a touring outfit forged a livewire new sound, and If Ilana was a late ’60s early ’70s ZZ Top and Black Sabbath record – Afrique Victime is mid ’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band’s hypnotic rhythm section are on awe- inspiring display on songs like “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.\r\n\r\n“From prison to Nobel prize. They ceded to Mandela / Africa is a victim of so many crimes / If we stay silent it will be the end of us / Why is this happening?“ Moctar asks on the heartfelt and rallying title track. “I want the world to know that we are making music to promote world peace and be with everyone on the same level, fighting against racism”, he says. “All colors and genders are equal. Women, Men and children all suffer in the desert due to the colonization by France and therefore there is a lack of the basics - hospitals, drinking water, schools.”\r\n\r\nThe needs of Agadez are a major part of what drives Moctar as an artist, and promoting the region’s youth through music is an especially personal cause. “I know what it’s like to have been in that position,” he says, “to not have the support of your family, or the money for guitars or strings, it’s really hard. I have a lot of support from the younger generation, because I help them out a lot. When I get back from tour, I give them gear that I bought while I was away so they can go out and form their own bands.”\r\n\r\nSays Coltun: “In Agadez the music and feeling at Tuareg weddings is exactly like the best of Western DIY/Punk shows. It’s loud, energetic and powerful. There is a sense of everyone helping out. Tuaregs are a tight community. If you’re Tuareg you’re considered family.”\r\n\r\nThe music listeners are the beneficiaries of the staggeringly powerful do-it-yourself musical ethic of Mdou Moctar- the man and the band- who’ve worked so hard to bring the spirits of families and communities in Niger to the West. Afrique Victime sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.\r\n\r\n<strong><a href=\"https://sahelsounds.com/mdou-moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a></strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/mdoumoctarofficial/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/Mdou_Moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com/MoctarMdou/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a></strong>\r\n\r\n<a href=\"https://www.youtube.com/watch?v=-CrTnNG4gIk\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>YouTube</strong></a>\r\n\r\n&nbsp;','MDOU MOCTAR','','inherit','closed','closed','','997-revision-v1','','','2021-05-17 23:14:16','2021-05-18 03:14:16','',997,'https://motorcomusic.com/?p=999',0,'revision','',0),(1000,4,'2021-05-17 23:17:39','2021-05-18 03:17:39','<h4><a href=\"https://www.eventbrite.com/e/mdou-moctar-tickets-155738994525\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h2>MDOU MOCTAR</h2>\r\nProdigious Tuareg guitarist and songwriter Mdou Moctar boldly reforges contemporary Saharan music and “rock music“ by melding Eddie Van Halen pyrotechnics, full-blast noise and guitar shredding, field recordings, drums rhythms, poetic meditations on love, religion, women’s rights, inequality and Western Africa’s exploitation at the hands of colonial powers to rip a new hole in the sky with the Afrique Victime album.\r\n\r\nMdou Moctar’s home is Agadez, a desert village in rural Niger. Inspired by YouTube videos of Eddie Van Halen’s six string techniques and traditional Tuareg melodies, he mastered the guitar which he himself built and created his own burning style. A born charismatic, Mdou went on to tell his story as an aspiring artist by writing, producing &amp; starring in the first Tuareg language film: a remake of Purple Rain called Akounak Tedalat Taha Tazoughai - which translates to “Rain The Color Of Blue With A Little Red In It”, winning the approval of his family and his community. The word and the sound travelled across West Africa via mobile phone data cards, a popular form of local music distribution. Gruelling DIY world tours and albums on the independent US label Sahel Sounds followed, including 2019’s landmark Ilana: The Creator album that earned Mdou Moctar an ecstatic international audience.\r\n\r\nAfrique Victime is result of the combined efforts of Mdou and the members of the band that shares his name. Mdou’s crucial collaborator is Ahmoudou Madassane, who’s been his rhythm guitarist since 2008- their two guitars are an alchemical combination. As a songwriter, producer and recording artist Ahmoudou is the premier musical ambassador to Tuaregs in Niger, empowering young musicians with instruments, recording opportunities, and visas. Masassane helped form the revolutionary first woman-fronted Tuareg guitar band Les Filles De Illighadad, whose debut album and tours caused an international sensation in 2019.\r\n\r\nThe band‘s youngest member is prodigal drummer Souleymane Ibrahim, also a member of both the well-known Niger band Sultanat Star De L’air and the longest running wedding band in Agadez, Etran De L’air. Souleymane’s playing on this album ferociously sets a new standard for the “rock” drumset.\r\n\r\nProducer &amp; bassist Mikey Coltun flies 20 hours from Brooklyn, NYC, then takes a 28 hour bus ride to reach Agadez so the band can practice and record. With no support from a major label or a manager, they made this journey out of Niger every time they toured. In the past three years, Mikey’s played over 500 shows on three continents as Mdou Moctar’s bassist, road manager, producer/recording engineer, and friend. Coltun recorded and produced Afrique Victime around the band’s travels in 2019- in studios, apartments, hotel rooms, venue backstages, and in field recordings in Niger.\r\n\r\nRecording and honing songs as a touring outfit forged a livewire new sound, and If Ilana was a late ’60s early ’70s ZZ Top and Black Sabbath record – Afrique Victime is mid ’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band’s hypnotic rhythm section are on awe- inspiring display on songs like “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.\r\n\r\n“From prison to Nobel prize. They ceded to Mandela / Africa is a victim of so many crimes / If we stay silent it will be the end of us / Why is this happening?“ Moctar asks on the heartfelt and rallying title track. “I want the world to know that we are making music to promote world peace and be with everyone on the same level, fighting against racism”, he says. “All colors and genders are equal. Women, Men and children all suffer in the desert due to the colonization by France and therefore there is a lack of the basics - hospitals, drinking water, schools.”\r\n\r\nThe needs of Agadez are a major part of what drives Moctar as an artist, and promoting the region’s youth through music is an especially personal cause. “I know what it’s like to have been in that position,” he says, “to not have the support of your family, or the money for guitars or strings, it’s really hard. I have a lot of support from the younger generation, because I help them out a lot. When I get back from tour, I give them gear that I bought while I was away so they can go out and form their own bands.”\r\n\r\nSays Coltun: “In Agadez the music and feeling at Tuareg weddings is exactly like the best of Western DIY/Punk shows. It’s loud, energetic and powerful. There is a sense of everyone helping out. Tuaregs are a tight community. If you’re Tuareg you’re considered family.”\r\n\r\nThe music listeners are the beneficiaries of the staggeringly powerful do-it-yourself musical ethic of Mdou Moctar- the man and the band- who’ve worked so hard to bring the spirits of families and communities in Niger to the West. Afrique Victime sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.\r\n\r\n<strong><a href=\"https://sahelsounds.com/mdou-moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a></strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/mdoumoctarofficial/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/Mdou_Moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com/MoctarMdou/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a></strong>\r\n\r\n<a href=\"https://www.youtube.com/watch?v=-CrTnNG4gIk\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>YouTube</strong></a>\r\n\r\n&nbsp;','MDOU MOCTAR','','inherit','closed','closed','','997-revision-v1','','','2021-05-17 23:17:39','2021-05-18 03:17:39','',997,'https://motorcomusic.com/?p=1000',0,'revision','',0),(1001,4,'2021-05-17 23:18:03','0000-00-00 00:00:00','','Auto Draft','','auto-draft','open','closed','','','','','2021-05-17 23:18:03','0000-00-00 00:00:00','',0,'https://motorcomusic.com/?post_type=tribe_events&p=1001',0,'tribe_events','',0),(1002,4,'2021-05-18 10:00:50','2021-05-18 14:00:50','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n<h2>Kurt Travis</h2>\r\n\r\n<hr />\r\n\r\n<h2>Kaonashi</h2>\r\nPhiladelphia’s Kaonashi wants to create change. The quintet — Peter Rono (vocals), Ryan Paolilli (drums), August Axcelson (bass/vocals), Alex Hallquist (guitar/vocals), and Roger Alvarez (guitar) — aspire to generate compassion, understanding, and empathy through art. They understand that music is and has always been a force for bringing people together. They’ve made it their mission to leverage the platform that music provides to change the world around them for the better.\r\n\r\nDear Lemon House, You Ruined Me: Senior Year continues the story-building efforts of Kaonashi’s 2018 EP, Why Did You Do It? by expanding on the character of Jamie, the androgynous protagonist of the group’s catalog. As the teen enters their final year of high school, Jamie feels the pressure to succeed and make something of their life. The record follows Jamie through their first day of school, their romantic relationship with Casey, and the turmoils that come with being an American teenager.\r\n\r\n“We want this record to make people anxious,” says vocalist Peter Rono. “We want them to feel a sense of urgency. If they catch themselves thinking that they could do something to change the story of the album, then maybe — just maybe — they will take steps to make a difference in the world around them.”\r\n\r\nThe heavy storyline on the album is accompanied by an expansive sound, jumping off the band’s self-coined genre of “emo mathcore.” While those math rock-driven moments and cathartic lyrics are still prominent, the band adds in elements of post-hardcore, progressive rock, and even an acoustic ballad, making for a diverse listen. The writing process was a collaborative experience as the group locked themselves away in a cabin in Maine for two weeks, later returning back to the state to record with producer Evan Sammons. Among the band’s groove-heavy chaos found throughout Dear Lemon House, You Ruined Me: Senior Year, there is a clear, resounding message that Kaonashi hopes their audience will take to heart: It’s all about listening.\r\n\r\n<img class=\"alignnone size-full wp-image-1010\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Kaonashi.jpg\" alt=\"\" width=\"800\" height=\"566\" />\r\n<a href=\"https://www.instagram.com/kaonashipa/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://www.facebook.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"http://www.equalvision.com/artists/kaonashi/\" target=\"_blank\" rel=\"noopener\">Equalvision</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/60Zpxsk0QxhPEyyvWfSv0I\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC4sPlX6igstaXBAAgiwddVg\" target=\"_blank\" rel=\"noopener\">YouTube</a>\r\n\r\n<hr />\r\n\r\n<h2>Body Thief</h2>\r\nBeginning with an initiative from each member to experiment with new sounds and push each of their individual musical abilities, Sebastian Ramos and Greg Chipkin recorded 3 instrumental demos under the name Body Thief, and by late 2013, had completed their lineup in with the addition of Walt Umana on Bass and Daniel Hawkins on vocals. The band began to play around Maryland + D.C., and branched into other Mid Atlantic states as well. By winter of 2014, the band entered the studio with producer, Paul Leavitt, to record their debut album, Speak in Hibernation. Musically, Body Thief pairs the post-rock and post-hardcore tendencies of many of their greatest hometown influences with a well-developed musicianship and an ear for sprawling melodies and intense crescendos. On record, Hawkins’ vocals weave throughout textured instrumentals of Chipkin, Umana, and Ramos effortlessly; the highly complicated nature of the music itself doesn’t detract from its accessibility, and instead functions to bring the listener deeper into the captivating melodies and rhythms at play. Since the release of \"Speak In Hibernation\", the band has added Andres Soto on guitar, as well as shared the stage alongside various artists, such as Emarosa, Hail The Sun, Tilian Pearson, and more. In summer of 2018, the band entered the studio to record their next album with Will Beasley. With plans to tour the US following its release, Body Thief\'s second album, \"Travel Glow\", was released digitally on March 1st, 2019.\r\n\r\n<img class=\"alignnone size-full wp-image-1011\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Body-Thief.jpg\" alt=\"\" width=\"800\" height=\"533\" />\r\n\r\n<a href=\"https://bodythief.net/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<a href=\"https://www.instagram.com/bodythief/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://bodythief.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Bandcamp</a>\r\n\r\n<a href=\"https://www.facebook.com/BodyThief.md\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/bodythiefband\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/6xbQZn9TJk1dM2htOjU3Sw\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UCzY49y15uEBaFqlCRj0Zl3g\" target=\"_blank\" rel=\"noopener\">YouTube</a>','HAIL THE SUN','','publish','open','closed','','hail-the-sun','','','2021-05-17 23:54:22','2021-05-18 03:54:22','',0,'https://motorcomusic.com/?post_type=tribe_events&#038;p=1002',0,'tribe_events','',0),(1003,4,'2021-05-17 23:24:20','2021-05-18 03:24:20','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>','Hail The Sun','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:24:20','2021-05-18 03:24:20','',1002,'https://motorcomusic.com/?p=1003',0,'revision','',0),(1004,4,'2021-05-17 23:24:39','2021-05-18 03:24:39','','Hail The Sun - Photo 1','','inherit','open','closed','','hail-the-sun-photo-1','','','2021-05-17 23:24:39','2021-05-18 03:24:39','',1002,'https://motorcomusic.com/wp-content/uploads/2021/05/Hail-The-Sun-Photo-1.jpeg',0,'attachment','image/jpeg',0),(1005,4,'2021-05-17 23:25:34','2021-05-18 03:25:34','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>','HAIL THE Sun','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:25:34','2021-05-18 03:25:34','',1002,'https://motorcomusic.com/?p=1005',0,'revision','',0),(1006,4,'2021-05-17 23:28:05','2021-05-18 03:28:05','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n\r\nKurt Travis','HAIL THE Sun','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:28:05','2021-05-18 03:28:05','',1002,'https://motorcomusic.com/?p=1006',0,'revision','',0),(1007,4,'2021-05-17 23:45:13','2021-05-18 03:45:13','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n<h2>Kurt Travis</h2>\r\n\r\n<hr />\r\n\r\n<h2>Kaonashi</h2>\r\nPhiladelphia’s Kaonashi wants to create change. The quintet — Peter Rono (vocals), Ryan Paolilli (drums), August Axcelson (bass/vocals), Alex Hallquist (guitar/vocals), and Roger Alvarez (guitar) — aspire to generate compassion, understanding, and empathy through art. They understand that music is and has always been a force for bringing people together. They’ve made it their mission to leverage the platform that music provides to change the world around them for the better.\r\n\r\nDear Lemon House, You Ruined Me: Senior Year continues the story-building efforts of Kaonashi’s 2018 EP, Why Did You Do It? by expanding on the character of Jamie, the androgynous protagonist of the group’s catalog. As the teen enters their final year of high school, Jamie feels the pressure to succeed and make something of their life. The record follows Jamie through their first day of school, their romantic relationship with Casey, and the turmoils that come with being an American teenager.\r\n\r\n“We want this record to make people anxious,” says vocalist Peter Rono. “We want them to feel a sense of urgency. If they catch themselves thinking that they could do something to change the story of the album, then maybe — just maybe — they will take steps to make a difference in the world around them.”\r\n\r\nThe heavy storyline on the album is accompanied by an expansive sound, jumping off the band’s self-coined genre of “emo mathcore.” While those math rock-driven moments and cathartic lyrics are still prominent, the band adds in elements of post-hardcore, progressive rock, and even an acoustic ballad, making for a diverse listen. The writing process was a collaborative experience as the group locked themselves away in a cabin in Maine for two weeks, later returning back to the state to record with producer Evan Sammons. Among the band’s groove-heavy chaos found throughout Dear Lemon House, You Ruined Me: Senior Year, there is a clear, resounding message that Kaonashi hopes their audience will take to heart: It’s all about listening.\r\n\r\n<a href=\"https://www.instagram.com/kaonashipa/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://www.facebook.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"http://www.equalvision.com/artists/kaonashi/\" target=\"_blank\" rel=\"noopener\">Equalvision</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/60Zpxsk0QxhPEyyvWfSv0I\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC4sPlX6igstaXBAAgiwddVg\" target=\"_blank\" rel=\"noopener\">YouTube</a>\r\n\r\n<hr />','HAIL THE SUN','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:45:13','2021-05-18 03:45:13','',1002,'https://motorcomusic.com/?p=1007',0,'revision','',0),(1008,4,'2021-05-17 23:47:40','2021-05-18 03:47:40','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n<h2>Kurt Travis</h2>\r\n\r\n<hr />\r\n\r\n<h2>Kaonashi</h2>\r\nPhiladelphia’s Kaonashi wants to create change. The quintet — Peter Rono (vocals), Ryan Paolilli (drums), August Axcelson (bass/vocals), Alex Hallquist (guitar/vocals), and Roger Alvarez (guitar) — aspire to generate compassion, understanding, and empathy through art. They understand that music is and has always been a force for bringing people together. They’ve made it their mission to leverage the platform that music provides to change the world around them for the better.\r\n\r\nDear Lemon House, You Ruined Me: Senior Year continues the story-building efforts of Kaonashi’s 2018 EP, Why Did You Do It? by expanding on the character of Jamie, the androgynous protagonist of the group’s catalog. As the teen enters their final year of high school, Jamie feels the pressure to succeed and make something of their life. The record follows Jamie through their first day of school, their romantic relationship with Casey, and the turmoils that come with being an American teenager.\r\n\r\n“We want this record to make people anxious,” says vocalist Peter Rono. “We want them to feel a sense of urgency. If they catch themselves thinking that they could do something to change the story of the album, then maybe — just maybe — they will take steps to make a difference in the world around them.”\r\n\r\nThe heavy storyline on the album is accompanied by an expansive sound, jumping off the band’s self-coined genre of “emo mathcore.” While those math rock-driven moments and cathartic lyrics are still prominent, the band adds in elements of post-hardcore, progressive rock, and even an acoustic ballad, making for a diverse listen. The writing process was a collaborative experience as the group locked themselves away in a cabin in Maine for two weeks, later returning back to the state to record with producer Evan Sammons. Among the band’s groove-heavy chaos found throughout Dear Lemon House, You Ruined Me: Senior Year, there is a clear, resounding message that Kaonashi hopes their audience will take to heart: It’s all about listening.\r\n\r\n<a href=\"https://www.instagram.com/kaonashipa/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://www.facebook.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"http://www.equalvision.com/artists/kaonashi/\" target=\"_blank\" rel=\"noopener\">Equalvision</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/60Zpxsk0QxhPEyyvWfSv0I\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC4sPlX6igstaXBAAgiwddVg\" target=\"_blank\" rel=\"noopener\">YouTube</a>\r\n\r\n<hr />\r\n\r\n<h2>Body Thief</h2>\r\nBeginning with an initiative from each member to experiment with new sounds and push each of their individual musical abilities, Sebastian Ramos and Greg Chipkin recorded 3 instrumental demos under the name Body Thief, and by late 2013, had completed their lineup in with the addition of Walt Umana on Bass and Daniel Hawkins on vocals. The band began to play around Maryland + D.C., and branched into other Mid Atlantic states as well. By winter of 2014, the band entered the studio with producer, Paul Leavitt, to record their debut album, Speak in Hibernation. Musically, Body Thief pairs the post-rock and post-hardcore tendencies of many of their greatest hometown influences with a well-developed musicianship and an ear for sprawling melodies and intense crescendos. On record, Hawkins’ vocals weave throughout textured instrumentals of Chipkin, Umana, and Ramos effortlessly; the highly complicated nature of the music itself doesn’t detract from its accessibility, and instead functions to bring the listener deeper into the captivating melodies and rhythms at play. Since the release of \"Speak In Hibernation\", the band has added Andres Soto on guitar, as well as shared the stage alongside various artists, such as Emarosa, Hail The Sun, Tilian Pearson, and more. In summer of 2018, the band entered the studio to record their next album with Will Beasley. With plans to tour the US following its release, Body Thief\'s second album, \"Travel Glow\", was released digitally on March 1st, 2019.\r\n\r\n<a href=\"https://bodythief.net/\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.instagram.com/bodythief/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://bodythief.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">Bandcamp</a>\r\n\r\n<a href=\"https://www.facebook.com/BodyThief.md\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/bodythiefband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/6xbQZn9TJk1dM2htOjU3Sw\" rel=\"noopener\" target=\"_blank\">Spotify</a> \r\n\r\n<a href=\"https://www.youtube.com/channel/UCzY49y15uEBaFqlCRj0Zl3g\" rel=\"noopener\" target=\"_blank\">YouTube</a>','HAIL THE SUN','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:47:40','2021-05-18 03:47:40','',1002,'https://motorcomusic.com/?p=1008',0,'revision','',0),(1010,4,'2021-05-17 23:51:21','2021-05-18 03:51:21','','Kaonashi','','inherit','open','closed','','kaonashi','','','2021-05-17 23:51:21','2021-05-18 03:51:21','',1002,'https://motorcomusic.com/wp-content/uploads/2021/05/Kaonashi.jpg',0,'attachment','image/jpeg',0),(1011,4,'2021-05-17 23:51:35','2021-05-18 03:51:35','','Body-Thief','','inherit','open','closed','','body-thief','','','2021-05-17 23:51:35','2021-05-18 03:51:35','',1002,'https://motorcomusic.com/wp-content/uploads/2021/05/Body-Thief.jpg',0,'attachment','image/jpeg',0),(1012,4,'2021-05-17 23:51:40','2021-05-18 03:51:40','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n<h2>Kurt Travis</h2>\r\n\r\n<hr />\r\n\r\n<h2>Kaonashi</h2>\r\nPhiladelphia’s Kaonashi wants to create change. The quintet — Peter Rono (vocals), Ryan Paolilli (drums), August Axcelson (bass/vocals), Alex Hallquist (guitar/vocals), and Roger Alvarez (guitar) — aspire to generate compassion, understanding, and empathy through art. They understand that music is and has always been a force for bringing people together. They’ve made it their mission to leverage the platform that music provides to change the world around them for the better.\r\n\r\nDear Lemon House, You Ruined Me: Senior Year continues the story-building efforts of Kaonashi’s 2018 EP, Why Did You Do It? by expanding on the character of Jamie, the androgynous protagonist of the group’s catalog. As the teen enters their final year of high school, Jamie feels the pressure to succeed and make something of their life. The record follows Jamie through their first day of school, their romantic relationship with Casey, and the turmoils that come with being an American teenager.\r\n\r\n“We want this record to make people anxious,” says vocalist Peter Rono. “We want them to feel a sense of urgency. If they catch themselves thinking that they could do something to change the story of the album, then maybe — just maybe — they will take steps to make a difference in the world around them.”\r\n\r\nThe heavy storyline on the album is accompanied by an expansive sound, jumping off the band’s self-coined genre of “emo mathcore.” While those math rock-driven moments and cathartic lyrics are still prominent, the band adds in elements of post-hardcore, progressive rock, and even an acoustic ballad, making for a diverse listen. The writing process was a collaborative experience as the group locked themselves away in a cabin in Maine for two weeks, later returning back to the state to record with producer Evan Sammons. Among the band’s groove-heavy chaos found throughout Dear Lemon House, You Ruined Me: Senior Year, there is a clear, resounding message that Kaonashi hopes their audience will take to heart: It’s all about listening.\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Carbon-Leaf-2020-Graffiti-Warehouse-Baltimore-MD-Photography-by-Brittany-Diliberto-71-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1707\" class=\"alignnone size-full wp-image-996\" />\r\n\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Kaonashi.jpg\" alt=\"\" width=\"800\" height=\"566\" class=\"alignnone size-full wp-image-1010\" />\r\n<a href=\"https://www.instagram.com/kaonashipa/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://www.facebook.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"http://www.equalvision.com/artists/kaonashi/\" target=\"_blank\" rel=\"noopener\">Equalvision</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/60Zpxsk0QxhPEyyvWfSv0I\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC4sPlX6igstaXBAAgiwddVg\" target=\"_blank\" rel=\"noopener\">YouTube</a>\r\n\r\n<hr />\r\n\r\n<h2>Body Thief</h2>\r\nBeginning with an initiative from each member to experiment with new sounds and push each of their individual musical abilities, Sebastian Ramos and Greg Chipkin recorded 3 instrumental demos under the name Body Thief, and by late 2013, had completed their lineup in with the addition of Walt Umana on Bass and Daniel Hawkins on vocals. The band began to play around Maryland + D.C., and branched into other Mid Atlantic states as well. By winter of 2014, the band entered the studio with producer, Paul Leavitt, to record their debut album, Speak in Hibernation. Musically, Body Thief pairs the post-rock and post-hardcore tendencies of many of their greatest hometown influences with a well-developed musicianship and an ear for sprawling melodies and intense crescendos. On record, Hawkins’ vocals weave throughout textured instrumentals of Chipkin, Umana, and Ramos effortlessly; the highly complicated nature of the music itself doesn’t detract from its accessibility, and instead functions to bring the listener deeper into the captivating melodies and rhythms at play. Since the release of \"Speak In Hibernation\", the band has added Andres Soto on guitar, as well as shared the stage alongside various artists, such as Emarosa, Hail The Sun, Tilian Pearson, and more. In summer of 2018, the band entered the studio to record their next album with Will Beasley. With plans to tour the US following its release, Body Thief\'s second album, \"Travel Glow\", was released digitally on March 1st, 2019.\r\n<img src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Body-Thief.jpg\" alt=\"\" width=\"800\" height=\"533\" class=\"alignnone size-full wp-image-1011\" />\r\n<a href=\"https://bodythief.net/\" rel=\"noopener\" target=\"_blank\">Official Website</a>\r\n\r\n<a href=\"https://www.instagram.com/bodythief/\" rel=\"noopener\" target=\"_blank\">Instagram</a>\r\n\r\n<a href=\"https://bodythief.bandcamp.com/\" rel=\"noopener\" target=\"_blank\">Bandcamp</a>\r\n\r\n<a href=\"https://www.facebook.com/BodyThief.md\" rel=\"noopener\" target=\"_blank\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/bodythiefband\" rel=\"noopener\" target=\"_blank\">Twitter</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/6xbQZn9TJk1dM2htOjU3Sw\" rel=\"noopener\" target=\"_blank\">Spotify</a> \r\n\r\n<a href=\"https://www.youtube.com/channel/UCzY49y15uEBaFqlCRj0Zl3g\" rel=\"noopener\" target=\"_blank\">YouTube</a>','HAIL THE SUN','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:51:40','2021-05-18 03:51:40','',1002,'https://motorcomusic.com/?p=1012',0,'revision','',0),(1013,4,'2021-05-17 23:52:59','2021-05-18 03:52:59','<h4><a href=\"https://www.eventbrite.com/e/hail-the-sun-tickets-155734793961\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h4>andmoreagain presents Hail The Sun – New Age Filth Tour 2021</h4>\r\n<h2>Hail The Sun</h2>\r\nHail the Sun isn\'t anything. They just are.\r\nThey continue to push what is known as post-hardcore into realms that both your metal friend will love, and you can show your grandma. The band has been actively writing and touring together for over a decade. This comes out clearly when listening to their music, and this is no exception with their newest album New Age Filth. I could go on to list what inspires them, their hardships, their influences, etc. But, why? There is absolutely nothing that could be said to fully reign in what the band is. So you just have to listen. No, you need to listen. Chances are that once you do, you will relate to the thousands of followers who not only appreciate the music in the most loyal way, but they appreciate the entity that is Hail the Sun. The lifestyle that is Hail the Sun.\r\nThe moments that are Hail the Sun.\r\n\r\n<a href=\"https://hail-the-sun-merch.myshopify.com/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a>\r\n\r\n<a href=\"https://www.facebook.com/hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/hailthesun%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a>\r\n\r\n<a href=\"https://www.instagram.com/hailthesun/%20@hailthesun\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a>\r\n\r\n<a href=\"https://www.youtube.com/c/equalvision\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">YouTube</a>\r\n\r\n<hr />\r\n\r\nAlso Appearing\r\n<h2>Kurt Travis</h2>\r\n\r\n<hr />\r\n\r\n<h2>Kaonashi</h2>\r\nPhiladelphia’s Kaonashi wants to create change. The quintet — Peter Rono (vocals), Ryan Paolilli (drums), August Axcelson (bass/vocals), Alex Hallquist (guitar/vocals), and Roger Alvarez (guitar) — aspire to generate compassion, understanding, and empathy through art. They understand that music is and has always been a force for bringing people together. They’ve made it their mission to leverage the platform that music provides to change the world around them for the better.\r\n\r\nDear Lemon House, You Ruined Me: Senior Year continues the story-building efforts of Kaonashi’s 2018 EP, Why Did You Do It? by expanding on the character of Jamie, the androgynous protagonist of the group’s catalog. As the teen enters their final year of high school, Jamie feels the pressure to succeed and make something of their life. The record follows Jamie through their first day of school, their romantic relationship with Casey, and the turmoils that come with being an American teenager.\r\n\r\n“We want this record to make people anxious,” says vocalist Peter Rono. “We want them to feel a sense of urgency. If they catch themselves thinking that they could do something to change the story of the album, then maybe — just maybe — they will take steps to make a difference in the world around them.”\r\n\r\nThe heavy storyline on the album is accompanied by an expansive sound, jumping off the band’s self-coined genre of “emo mathcore.” While those math rock-driven moments and cathartic lyrics are still prominent, the band adds in elements of post-hardcore, progressive rock, and even an acoustic ballad, making for a diverse listen. The writing process was a collaborative experience as the group locked themselves away in a cabin in Maine for two weeks, later returning back to the state to record with producer Evan Sammons. Among the band’s groove-heavy chaos found throughout Dear Lemon House, You Ruined Me: Senior Year, there is a clear, resounding message that Kaonashi hopes their audience will take to heart: It’s all about listening.\r\n\r\n<img class=\"alignnone size-full wp-image-1010\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Kaonashi.jpg\" alt=\"\" width=\"800\" height=\"566\" />\r\n<a href=\"https://www.instagram.com/kaonashipa/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://www.facebook.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/kaonashipa\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"http://www.equalvision.com/artists/kaonashi/\" target=\"_blank\" rel=\"noopener\">Equalvision</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/60Zpxsk0QxhPEyyvWfSv0I\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UC4sPlX6igstaXBAAgiwddVg\" target=\"_blank\" rel=\"noopener\">YouTube</a>\r\n\r\n<hr />\r\n\r\n<h2>Body Thief</h2>\r\nBeginning with an initiative from each member to experiment with new sounds and push each of their individual musical abilities, Sebastian Ramos and Greg Chipkin recorded 3 instrumental demos under the name Body Thief, and by late 2013, had completed their lineup in with the addition of Walt Umana on Bass and Daniel Hawkins on vocals. The band began to play around Maryland + D.C., and branched into other Mid Atlantic states as well. By winter of 2014, the band entered the studio with producer, Paul Leavitt, to record their debut album, Speak in Hibernation. Musically, Body Thief pairs the post-rock and post-hardcore tendencies of many of their greatest hometown influences with a well-developed musicianship and an ear for sprawling melodies and intense crescendos. On record, Hawkins’ vocals weave throughout textured instrumentals of Chipkin, Umana, and Ramos effortlessly; the highly complicated nature of the music itself doesn’t detract from its accessibility, and instead functions to bring the listener deeper into the captivating melodies and rhythms at play. Since the release of \"Speak In Hibernation\", the band has added Andres Soto on guitar, as well as shared the stage alongside various artists, such as Emarosa, Hail The Sun, Tilian Pearson, and more. In summer of 2018, the band entered the studio to record their next album with Will Beasley. With plans to tour the US following its release, Body Thief\'s second album, \"Travel Glow\", was released digitally on March 1st, 2019.\r\n\r\n<img class=\"alignnone size-full wp-image-1011\" src=\"https://motorcomusic.com/wp-content/uploads/2021/05/Body-Thief.jpg\" alt=\"\" width=\"800\" height=\"533\" />\r\n\r\n<a href=\"https://bodythief.net/\" target=\"_blank\" rel=\"noopener\">Official Website</a>\r\n\r\n<a href=\"https://www.instagram.com/bodythief/\" target=\"_blank\" rel=\"noopener\">Instagram</a>\r\n\r\n<a href=\"https://bodythief.bandcamp.com/\" target=\"_blank\" rel=\"noopener\">Bandcamp</a>\r\n\r\n<a href=\"https://www.facebook.com/BodyThief.md\" target=\"_blank\" rel=\"noopener\">Facebook</a>\r\n\r\n<a href=\"https://twitter.com/bodythiefband\" target=\"_blank\" rel=\"noopener\">Twitter</a>\r\n\r\n<a href=\"https://open.spotify.com/artist/6xbQZn9TJk1dM2htOjU3Sw\" target=\"_blank\" rel=\"noopener\">Spotify</a>\r\n\r\n<a href=\"https://www.youtube.com/channel/UCzY49y15uEBaFqlCRj0Zl3g\" target=\"_blank\" rel=\"noopener\">YouTube</a>','HAIL THE SUN','','inherit','closed','closed','','1002-revision-v1','','','2021-05-17 23:52:59','2021-05-18 03:52:59','',1002,'https://motorcomusic.com/?p=1013',0,'revision','',0),(1014,4,'2021-05-17 23:54:44','2021-05-18 03:54:44','<h4><a href=\"https://www.eventbrite.com/e/mdou-moctar-tickets-155738994525\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h2>MDOU MOCTAR</h2>\r\nProdigious Tuareg guitarist and songwriter Mdou Moctar boldly reforges contemporary Saharan music and “rock music“ by melding Eddie Van Halen pyrotechnics, full-blast noise and guitar shredding, field recordings, drums rhythms, poetic meditations on love, religion, women’s rights, inequality and Western Africa’s exploitation at the hands of colonial powers to rip a new hole in the sky with the Afrique Victime album.\r\n\r\nMdou Moctar’s home is Agadez, a desert village in rural Niger. Inspired by YouTube videos of Eddie Van Halen’s six string techniques and traditional Tuareg melodies, he mastered the guitar which he himself built and created his own burning style. A born charismatic, Mdou went on to tell his story as an aspiring artist by writing, producing &amp; starring in the first Tuareg language film: a remake of Purple Rain called Akounak Tedalat Taha Tazoughai - which translates to “Rain The Color Of Blue With A Little Red In It”, winning the approval of his family and his community. The word and the sound travelled across West Africa via mobile phone data cards, a popular form of local music distribution. Gruelling DIY world tours and albums on the independent US label Sahel Sounds followed, including 2019’s landmark Ilana: The Creator album that earned Mdou Moctar an ecstatic international audience.\r\n\r\nAfrique Victime is result of the combined efforts of Mdou and the members of the band that shares his name. Mdou’s crucial collaborator is Ahmoudou Madassane, who’s been his rhythm guitarist since 2008- their two guitars are an alchemical combination. As a songwriter, producer and recording artist Ahmoudou is the premier musical ambassador to Tuaregs in Niger, empowering young musicians with instruments, recording opportunities, and visas. Masassane helped form the revolutionary first woman-fronted Tuareg guitar band Les Filles De Illighadad, whose debut album and tours caused an international sensation in 2019.\r\n\r\nThe band‘s youngest member is prodigal drummer Souleymane Ibrahim, also a member of both the well-known Niger band Sultanat Star De L’air and the longest running wedding band in Agadez, Etran De L’air. Souleymane’s playing on this album ferociously sets a new standard for the “rock” drumset.\r\n\r\nProducer &amp; bassist Mikey Coltun flies 20 hours from Brooklyn, NYC, then takes a 28 hour bus ride to reach Agadez so the band can practice and record. With no support from a major label or a manager, they made this journey out of Niger every time they toured. In the past three years, Mikey’s played over 500 shows on three continents as Mdou Moctar’s bassist, road manager, producer/recording engineer, and friend. Coltun recorded and produced Afrique Victime around the band’s travels in 2019- in studios, apartments, hotel rooms, venue backstages, and in field recordings in Niger.\r\n\r\nRecording and honing songs as a touring outfit forged a livewire new sound, and If Ilana was a late ’60s early ’70s ZZ Top and Black Sabbath record – Afrique Victime is mid ’70s to early ’80s Van Halen meets Black Flag meets Black Uhuru. The ferocity of Moctar’s electric guitar and the band’s hypnotic rhythm section are on awe- inspiring display on songs like “Chismiten” and the mournful yet incandescent title track. Elsewhere, Moctar finds inspiration in highlighting lesser known facets of the group: “While people have gotten to know Mdou Moctar as a rock band, there is a whole different set of music with this band done on acoustic guitars which we wanted to incorporate into this album in order to go through a sonic journey,” he says. Mdou pays homage to one of his heroes Abdallah Ag Oumbadagou, the legendary Niger musician and political revolutionary, on songs “Habibti” and “Layla”. “Abdallah was a contemporary of Tinariwen and helped to pioneer the sound of Tuareg guitar music blended with drum machines and electronic sounds”.\r\n\r\n“From prison to Nobel prize. They ceded to Mandela / Africa is a victim of so many crimes / If we stay silent it will be the end of us / Why is this happening?“ Moctar asks on the heartfelt and rallying title track. “I want the world to know that we are making music to promote world peace and be with everyone on the same level, fighting against racism”, he says. “All colors and genders are equal. Women, Men and children all suffer in the desert due to the colonization by France and therefore there is a lack of the basics - hospitals, drinking water, schools.”\r\n\r\nThe needs of Agadez are a major part of what drives Moctar as an artist, and promoting the region’s youth through music is an especially personal cause. “I know what it’s like to have been in that position,” he says, “to not have the support of your family, or the money for guitars or strings, it’s really hard. I have a lot of support from the younger generation, because I help them out a lot. When I get back from tour, I give them gear that I bought while I was away so they can go out and form their own bands.”\r\n\r\nSays Coltun: “In Agadez the music and feeling at Tuareg weddings is exactly like the best of Western DIY/Punk shows. It’s loud, energetic and powerful. There is a sense of everyone helping out. Tuaregs are a tight community. If you’re Tuareg you’re considered family.”\r\n\r\nThe music listeners are the beneficiaries of the staggeringly powerful do-it-yourself musical ethic of Mdou Moctar- the man and the band- who’ve worked so hard to bring the spirits of families and communities in Niger to the West. Afrique Victime sounds and feels like a Tuareg hand reaching down from the sky, and we are very lucky for this chance to get lifted.\r\n\r\n<strong><a href=\"https://sahelsounds.com/mdou-moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Official Website</a></strong>\r\n\r\n<strong><a href=\"https://www.facebook.com/mdoumoctarofficial/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Facebook</a></strong>\r\n\r\n<strong><a href=\"https://www.instagram.com/Mdou_Moctar/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Instagram</a></strong>\r\n\r\n<strong><a href=\"https://twitter.com/MoctarMdou/\" target=\"_blank\" rel=\"nofollow noopener noreferrer\">Twitter</a></strong>\r\n\r\n<a href=\"https://www.youtube.com/watch?v=-CrTnNG4gIk\" target=\"_blank\" rel=\"nofollow noopener noreferrer\"><strong>YouTube</strong></a>\r\n\r\n&nbsp;','MDOU MOCTAR','','inherit','closed','closed','','997-revision-v1','','','2021-05-17 23:54:44','2021-05-18 03:54:44','',997,'https://motorcomusic.com/?p=1014',0,'revision','',0),(1015,4,'2021-05-18 12:11:49','2021-05-18 16:11:49','<h4><a href=\"https://wl.seetickets.us/event/Live-In-The-Lot-Presents-Abbey-Road-Live/423704?afflky=UGStrategiesLLC\" target=\"_blank\" rel=\"noopener\">Buy Tickets Here</a></h4>\r\n<h3 class=\"event-h3\">Doors @ 6pm - Show @ 8pm</h3>\r\n<em>\"One of the world\'s premier Beatles cover bands\"</em><strong> - US News and World Report, December 2012</strong>\r\n\r\n<em>\"Unquestionably expert at what they do\"</em> <strong>- Indyweek, September 2013</strong>\r\n\r\n<hr />\r\n\r\n<strong>Event tickets will accommodate up to 4, 5 or 6 guests, including children, max in one 8 x 8 POD.</strong>\r\n\r\nBYOC - BRING YOUR OWN CHAIR\r\n\r\nNC ABC LAW PROHIBITS OUTSIDE BEVERAGES AT THE EVENT\r\n\r\nGot questions, check out our <a href=\"https://docs.google.com/document/d/e/2PACX-1vQSF92TY4fPorBS5O7474AGEHED-UTHES8zRNLC3uqbcpIsvtE_llvcSgfoT2QfUC-Z0Y7pp3N_Tp3j/pub\" target=\"_blank\" rel=\"noopener\">FAQ</a> page.\r\n\r\nTo review our COVID 19 safety measures and event guidelines, <a href=\"https://docs.google.com/document/d/e/2PACX-1vSVgjOigTYwIdtnkHomTU7gFnfbk-WNzhnKkfn46_Ym6uZ0wVk0aWd00P_uVUPNVseXZxw4V3RsKAGX/pub\" target=\"_blank\" rel=\"noopener\">click here</a>.\r\n\r\nTickets are nonrefundable if weather permits. If the event is canceled due to weather, guests will be issued a rain check for another date.\r\n\r\n<hr />\r\n\r\n<h2>Abbey Road LIVE!</h2>\r\nSince 2002, Abbey Road LIVE! has been rocking the music of the Beatles at clubs, theatres, festivals, and private events. Initially a tribute to the monumental \"Abbey Road\" album, the band has expanded its scope to include more than 100 Beatles tunes, from all eras of the Fab Four\'s career. The band specializes in complete, start-to-finish album performances of masterpieces such as \"Abbey Road\", \"Magical Mystery Tour\", \"Rubber Soul\", \"Revolver\" and \"Sgt. Pepper\'s Lonely Heart\'s Club Band\".\r\n\r\nAbbey Road LIVE! is not your typical Beatle look-alike tribute act; don\'t expect mop-top haircuts and vintage Rickenbacker guitars. Rather, this show is about bringing to life some of the more mature and complex Beatles material in a raw &amp; spirited fashion, while remaining true to the original recordings. Combining attention to detail with a creative exuberance, the band always delights its audiences with its diverse repertoire of hits and more obscure favorites.\r\n\r\nAbbey Road LIVE! is made up of four all-star musicians from the infamous Athens GA music scene that gave the world R.E.M., Widespread Panic, and B-52s. Collectively the band members have recorded and toured regularly with Cosmic Charlie, Charlie Mars, and Fuzzy Sprouts. Individual band members have also collaborated with acts such as Indigo Girls, Juliana Hatfield, Mike Houser (Widespread Panic), Danielle Howle and Lemonheads.\r\n\r\nWhile the four lads from Athens GA generally perform as a quartet, they have also been known to recruit the \"Magical Mystery Horns\" and the \"Lonely Hearts Strings\", lending authentic accompaniment to the more elaborately orchestrated tunes. The latest addition to the Abbey Road LIVE! musical arsenal is a real Indian sitar and tablas.\r\n\r\nAt a typical Abbey Road LIVE! show, audiences young and old can found gleefully singing along with every word, many in utter disbelief at getting to hear this monumental music performed live; something that even the Beatles themselves never did, since they stopped touring in 1966.','Live In the Lot presents ABBEY ROAD LIVE!','','publish','closed','closed','','live-in-the-lot-presents-abbey-road-live','','','2021-05-18 12:11:49','2021-05-18 16:11:49','',0,'https://motorcomusic.com/?post_type=tc_events&#038;p=1015',0,'tc_events','',0),(1016,4,'2021-05-18 11:36:51','2021-05-18 15:36:51','','','','publish','closed','closed','','1016','','','2021-05-18 11:36:51','2021-05-18 15:36:51','',0,'https://motorcomusic.com/tc_api_keys/1016/',0,'tc_api_keys','',0),(1017,4,'2021-05-18 14:15:36','2021-05-18 18:15:36','<h3><a href=\"https://www.eventbrite.com/e/carbon-leaf-tickets-152422021369\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\n<strong>I.</strong>\r\n<h5>Carbon Leaf is on tour in support of their new release,</h5>\r\n<strong>Gathering 2: The Hunting Ground.</strong>\r\n\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\n<strong>II.</strong>\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\n\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\n\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\n\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).\r\n\r\n&nbsp;','CARBON LEAF','','inherit','closed','closed','','988-autosave-v1','','','2021-05-18 14:15:36','2021-05-18 18:15:36','',988,'https://motorcomusic.com/?p=1017',0,'revision','',0),(1018,4,'2021-05-18 14:15:33','2021-05-18 18:15:33','<h3><a href=\"https://www.eventbrite.com/e/carbon-leaf-tickets-152422021369\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h3>\r\n<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\n<strong>I.</strong>\r\n<h5>Carbon Leaf is on tour in support of their new release,</h5>\r\n<strong>Gathering 2: The Hunting Ground.</strong>\r\n\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\n<strong>II.</strong>\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. One and Christmas Child); a\r\n\r\nlive album and acoustic concert film (Live, Acoustic...and in Cinemascope!); two full-length albums (Ghost Dragon Attacks Castle and Constellation Prize) and the soundtrack for Universal\'s Curious George 2.\r\n\r\nFrom 2014-2016 the band focused their efforts on re- recording the three albums released through Vanguard, which hold the rights to those master recordings, but not to the songs themselves. Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. Our audience has been what sustains us. And what compels us forward. It\'s not something we take for granted.\"\r\n\r\nCarbon Leaf is Barry Privett (lyrics, vocals), Terry Clark (guitars, vocals), Carter Gravatt (guitars, strings, vocals), Jon Markel (bass, vocals) and Jesse Humphrey (drums, vocals).\r\n\r\n&nbsp;','CARBON LEAF','','inherit','closed','closed','','988-revision-v1','','','2021-05-18 14:15:33','2021-05-18 18:15:33','',988,'https://motorcomusic.com/?p=1018',0,'revision','',0),(1019,4,'2021-05-18 14:15:54','2021-05-18 18:15:54','<h4><a href=\"https://www.eventbrite.com/e/carbon-leaf-tickets-152422021369\" rel=\"noopener\" target=\"_blank\">Buy Tickets Here</a></h4>\r\n<h3>andmoreagain presents The Hunting Ground Tour featuring Carbon Leaf</h3>\r\n<h2>CARBON LEAF</h2>\r\n<strong>I.</strong>\r\n<h5>Carbon Leaf is on tour in support of their new release,</h5>\r\n<strong>Gathering 2: The Hunting Ground.</strong>\r\n\r\n\"We are champing at the bit to perform live again, after being off the road so much the previous year. The Hunting Ground Tour is going to be something special to us, to make an in-person connection again with a live audience,\" says Carbon Leaf lyricist and frontman, Barry Privett.\r\n\r\nA touring mainstay and an indie folk rock staple, this Virginia quintet\'s live show and musical style drift between Americana, indie rock, folk, bluegrass, Celtic and pop traditions using an array of instruments - acoustic &amp; electric guitars, mandolin, fiddle, banjo, cello, bass, drums, accordion, penny whistle and rich vocal harmonies to define the band\'s lively stage presence and sonic landscape.\r\n\r\n\"We call it ether-electrified porch music,\" says Privett, using a phrase nicked from an earlier album of the same name when describing the band\'s expansive sound.\r\n\r\n\"It\'s the sweet spot between the earnest roots music we grew up with and the textured electric rock side that gives us different places to go musically during the course of an evening.\"\r\n\r\nWhether they are plugged in to amplifiers or huddled around a single \'Grand Ole Opry\' style microphone, Carbon Leaf radiates a warm, magnetic onstage presence that pulls the audience closer. Lyrically poetic with a wide range of musical styles, the band\'s live charm is its ability to make the concert feel as much of an electrifying event as it would be an intimate gathering of just family and friends.\r\n\r\n\"Being both a folk band and rock band allows each song to breathe a little differently and creates an arc that keeps things interesting for the band and the fans.\" Privett said. Performing live truly is a symbiotic relationship between the 5 band members and the audience.\"\r\n\r\nWith a history spanning 27 years, 20 albums and 3,000 live shows, Carbon Leaf\'s independent music and spirit continue to resonate with its fans.\r\n\r\n<strong>II.</strong>\r\n\r\nCarbon Leaf debuted as an independent college band in 1993, gaining a strong regional following playing small clubs and campuses in surrounding Virginia.\r\n\r\nThe band spent 5 years establishing their roots in the mid- Atlantic region, picking up weekend shows where they could and putting the funds into four self-released albums between 1995-2000.\r\n\r\nIn 2001 the band received national attention with their song \"The Boxer\" which gained key support at a handful of AAA radio stations across the country, a unique accomplishment considering the group was still an unsigned band at the time with no formal representation.\r\n\r\nCarbon Leaf\'s momentum continued into 2002, becoming the first unsigned act to ever win an American Music Award in the show\'s 46-year history, and the first to perform live at the AMAs to a globally televised audience as an independent artist.\r\n\r\n\"It was an intense, surreal couple of years,\" Privett said. \"We were ready for a break, but then things started catching fire. It was a good jolt at the right time.\"\r\n\r\nCarbon Leaf spent 2003 in the studio writing and recording their seminal album, Indian Summer, the group\'s 5th independently produced record.\r\n\r\nThis series of breakouts gained the band some buzz, attracting the attention of Vanguard Records, who expressed interest in licensing the new album. In 2004, the band signed a 3-album recording contract with the venerable label, ending their 11-year run as a fully autonomous act, and laying the foundation for Carbon Leaf\'s next chapter.\r\n\r\nThe band\'s new single, \"Life Less Ordinary\", received considerable airplay and reached a broader audience nationwide, peaking at #5 on AAA radio and #28 at Hot\r\n\r\nAC. The increased exposure put the band on the road for 250+ days a year supporting Indian Summer throughout 2004 and 2005.\r\n\r\nTwo subsequent albums, Love Loss Hope Repeat (2006) and Nothing Rhymes With Woman (2009), were released through Vanguard while the band focused heavily on touring in support of the albums\' singles \"Learn To Fly\" and \"Miss Hollywood\" respectively.\r\n\r\n\"We survived those early days as an independent band and gained a healthy perspective on how to adapt between the highs and lows that define a career artist\'s path. Learning to manage between those wide frequencies is the difference between resilience and collapsing. What has befallen many an artist is becoming too top heavy in those dips. You have to see it coming.\"\r\n\r\nMissing the autonomous flexibility of those earlier years, the band decided not to extend its contract for a 4th release under the label, and as 2009 came to a close, Carbon Leaf once again embraced it\'s independent roots.\r\n\r\nBetween 2007-2009, the band collected a series of songwriting awards, including the International Songwriting Competition\'s first prize honor for \'The War Was In Color\". In 2010, Universal Studios tapped the band to write the soundtrack for the animated film, Curious George 2: Follow That Monkey.\r\n\r\nEnergized by the renewed freedom, Carbon Leaf built it\'s own recording space, Two-Car Studio, and began writing and releasing on their own again. The band\'s creativity accelerated in this new environment and 6 independent projects were released between 2010-2013, including two EPs (How The West Was vol. 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Fans eagerly supported the three re- recordings, and with the newly completed versions (Indian Summer Revisited, Love Loss Hope Repeat Reneaux and Nothing Rhymes With Woman 16), Carbon Leaf regained the publishing rights to 100% its song catalogue.\r\n\r\nAfter taking a much-needed break from touring in 2016 to focus on things back home and in the studio, the band returned to the road heavily in 2017 behind Gathering Vol. 1, the first of four acoustic EPs released under the \'Gathering\' banner.\r\n\r\nIn 2018, the band celebrated its 25th Anniversary with extensive U.S. touring.\r\n\r\n2019 was spent writing and recording songs for a new EP (Gathering 2: The Hunting Ground) and a 27-song video project filmed on location at a beach house on the Atlantic Ocean (Carbon Leaf Cottage: Songs By The Sea).\r\n\r\nIn 2020, Carbon Leaf announced they have begun writing songs for a planned full-length album set for a July 2021 release.\r\n\r\n\"We\'ve been gifted an opportunity to write and perform in front of a live audience,\" said Barry Privett, while reflecting on the band\'s 27 years. \"We are lucky to have fans on the other end of that long road, receiving what we\r\n\r\ncreate. 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